Fake moustache

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Fake moustaches

A fake moustache or false moustache is an item of prosthetic make-up. Fake moustaches are made in a variety of ways, but usually require a form of adhesive to affix the moustache to the wearer's face. [1]

Contents

History

The use of false facial hair dates back to antiquity. In Ancient Egypt, most men were clean-shaven (real facial hair being a signifier of low social status). Pharaohs, however, often wore elaborate false metal beards, linking them with Osiris, the god of the afterlife. [2] In Ancient Greece, Aristophanes referenced false facial hair in his play Assemblywomen , in which the women of Athens disguise themselves as men using false beards. [3] :133

False facial hair has been used as a disguise for thousands of years. [3] :134 In particular, women throughout history have used false facial hair to disguise themselves as men, often to gain access to freedoms they were denied as women. [3] :136

False facial hair has also been used for theater and performance since at least the early modern period. Boy players would often wear false facial hair to appear older onstage. [4] :15

In the 19th century, fake moustaches held associations with deception and criminality. Lewis Powell, one of the conspirators in the Lincoln assassination plot, carried with him a fake moustache during his assassination attempt on William H. Seward. [5] :71 A key witness, Louis J. Weichmann, commented that he "thought no honest person had a reason to wear a false mustache". [6] :91

Despite these perceptions, false facial hair was worn for aesthetic reasons during the Victorian era, as facial hair was particularly fashionable during this period. [7]

In the mid-20th century, fake mustaches were sold commercially. The New York Herald Tribune reported in 1963 that customers were primarily "young boys for fun or to 'virilize' themselves" as well as "wives who give them to their husbands". [8]

During the 2010s, fake moustaches surged in popularity, as a humorous, ironic, and retro motif. [9]

Cultural significance

In many forms of popular media, the use of a fake moustache as an unconvincing disguise is a commonly-used trope. [10] [11] The "disguised face" emoji (🥸) features a fake moustache, as well as a pair of glasses. [12]

Drawn-on fake moustaches are deployed humorously in graffiti and other artistic means. Marcel Duchamp's artwork L.H.O.O.Q. depicts the Mona Lisa with a moustache. In the 1946 cartoon Daffy Doodles, Daffy Duck draws fake moustaches on everyone she sees. [3] :138

Many iconic moustaches in popular media have been prosthetic: Charlie Chaplin, [13] Groucho Marx, [14] and David Suchet (as Hercule Poirot) [15] all wore fake moustaches. Marx's moustache, in particular, has gained prominence as the namesake of groucho glasses, novelty glasses with a fake moustache attached. [16]

See also

Related Research Articles

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<span class="mw-page-title-main">Beard</span> Hair that grows on the lower part of the face

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<span class="mw-page-title-main">Moustache</span> Facial hair grown above the upper lip

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<span class="mw-page-title-main">Handlebar moustache</span> Facial hair style

A handlebar moustache is a moustache with particularly lengthy and upwardly curved extremities. These moustache styles are named for their resemblance to the handlebars of a bicycle. It is also known as a spaghetti moustache, because of its stereotypical association with Italian men. The Handlebar Club humorously describes the style as "a hirsute appendage of the upper lip and with graspable extremities".

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A Fu Manchu moustache or simply Fu Manchu, is a full, straight moustache extending from under the nose past the corners of the mouth and growing downward past the clean-shaven lips and chin in two tapered "tendrils", often extending past the jawline. An expansion of the Fu Manchu sometimes includes a third long "tendril" descending from a small patch on the chin.

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The toothbrush moustache is a style of moustache in which the sides are vertical, often approximating the width of the nose and visually resembling the bristles on a toothbrush. First becoming popular in the United States in the late 19th century, the style spread to Germany and elsewhere. It was made famous by comedians such as Charlie Chaplin and Oliver Hardy before reaching its height of popularity in the interwar years. By the end of World War II, the style had become unfashionable due to its strong association with Nazi leader Adolf Hitler, leading to it being colloquially termed the 'Hitler moustache'.

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Hypnota is a fictional character appearing in DC Comics publications and related media, commonly as a recurring adversary of the superhero Wonder Woman. Created by writer William Moulton Marston and artist Harry G. Peter, the character debuted in 1944 in Wonder Woman #11 as a stage magician and human trafficker with powerful superhuman mind-control abilities. The gender presentation of her stage persona, Hypnota the Great, was that of an ostensibly male figure in Orientalized Middle-Eastern costume, complete with a false mustache and goatee. Though initially appearing to disguise her gender to deflect criminal suspicion, Hypnota made subsequent Golden Age appearances in her masculine stage garb; even after her supposedly "true" gender identity was revealed, she chose to present as a man – a move that might be understood in the 21st century as genderqueer. The Modern Age Hypnota, renamed Hypnotic Woman, has abandoned her false facial hair and is now written and drawn as a cisgender woman, albeit one who wears a somewhat masculine costume similar to her Golden Age look: a closed-front vest, salwar and a man's turban.

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Secular laws regulating hairstyles exist in various countries and institutions.

References

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  3. 1 2 3 4 Casey, Helen (2018). "A Tiny Cloak of Privilege: Facial Hair and Story Telling". In Jennifer Evans; Alun Withey (eds.). New Perspectives on the History of Facial Hair – Framing the Face. Genders and Sexualities in History. Palgrave Macmillan. pp. 131–146. doi:10.1007/978-3-319-73497-2_7. ISBN   978-3-319-73496-5.
  4. Rycroft, Eleanor (2019). "Liminal Masculinity". Facial Hair and the Performance of Early Modern Masculinity. Studies in performance and early modern drama. Abingdon, Oxon; New York: Routledge. pp. 65–96. doi:10.4324/9781351265041-3. ISBN   9781351265041. S2CID   243679413.
  5. Ownsbey, Betty J. (1993). Alias "Paine": Lewis Thornton Powell, the mystery man of the Lincoln conspiracy. Jefferson, NC: McFarland. ISBN   978-0-89950-874-0.
  6. Poore, Benjamin Perley (1865). The Conspiracy Trial for the Murder of the President: And the Attempt to Overthrow the Government by the Assassination of Its Principal Officers. J. E. Tilton.
  7. "Victorian beard craze inspired false 'mechanical' whiskers". phys.org. Retrieved August 21, 2023.
  8. "1963: False Real-Hair Mustache Speeds Youths to Manhood". International Herald Tribune Retrospective. The New York Times . November 30, 2013 [November 13, 1963]. Retrieved August 21, 2023.
  9. "All of a sudden, mustaches especially fakes are everywhere". Deseret News . February 20, 2010. Retrieved August 21, 2023.
  10. "5 Baffling TV Tropes That Are Constantly Overused". Collider . April 15, 2022. Retrieved August 20, 2023.
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  12. Hy, Mo. "Proposal for New Emoji: Disguised Face" (PDF). Unicode.
  13. Kratz, Jessie (September 2, 2022). "Facial Hair Friday: Charlie Chaplin". Pieces of History. Retrieved August 20, 2023.
  14. "Groucho Marx voted America's favorite facial hair icon". Yahoo News. November 26, 2012. Retrieved August 20, 2023.
  15. "Suchet: Moustache completes Poirot". Belfast Telegraph . December 20, 2010. ISSN   0307-1235 . Retrieved August 20, 2023.
  16. Gary Giddins (June 18, 2000). "There Ain't No Sanity Claus". The New York Times . Retrieved August 20, 2023.