Father and Son (German: Vater und Sohn) are cartoon figures created by E. O. Plauen (often stylized as e.o.plauen). The pantomime comic[1] depicts a plump, balding father and his son grappling with various everyday situations. The cartoon was a weekly feature in the Berliner Illustrirte Zeitung from 1934 to 1937.[2]
Plauen used simple drawings to depict stories of a father and his child, such as when the two are out driving and the car breaks down. While the father frets about the car breaking down, his son takes a scooter out of the trunk and continues on. The father follows his example and uses the car as a scooter to scooter forward.[4]The cartoons usually consist of three to nine textless panels, with a single adventure spanning one, sometimes two pages. The individual stories are usually independent of each other, while several overarching plots develop over the course of their adventures: The two main characters come into wealth (Die große Erbschaft, "The Great Inheritance", 1937), go overboard at sea and are left stranded on an island (Zwischenfall auf einer Sommerreise, "Incident on a Summer Voyage", 1937). After their return in Wieder zu Hause ("Home Again", 1938), wealth is no longer a theme. Other characters usually appear only once. Exceptions are Grandfather and Great-Grandfather (first appearance in Die Familien-Ohrfeige, "The Family Slap", 1936), who both appear several times.
Example of a Vater und Sohn comic, titled "Umgang mit Wespen" ("How to Handle Wasps")
Origins and publication
In 1934, Ullstein Verlag assigned editor Kurt Kusenberg with the task of finding a cartoonist for an upcoming cartoon series to be commissioned for the Berliner Illustrirte Zeitung. Out of the 20 illustrators he had contact with, the choice fell on Erich Ohser, who had submitted several drafts, including one of Father and Son. Because of his political cartoons during the time of the Weimar Republic, Ohser had not been admitted to the Reich Chamber of Culture, which meant that he was under a de facto work ban. This required a solution under which the illustrations still could be published. Thus, the publisher received permission from the Ministry of Propaganda for Ohser to publish "non-political drawings under a pseudonym.[5] This is the reason all of the cartoons are signed “e.o.p”, with the first two letters representing the author’s initials and the p standing for Plauen, his hometown.[5] E.O.Plauen later established itself as his artist name.
On December 13, 1934,[5][6] the first story of Father and Son, entitled Der schlechte Hausaufsatz ("The bad homework assignment") was published in the Berliner Illustrirte Zeitung to an audience of millions.[7] In total, 157 cartoons had been published in the Berliner Illustrierte Zeitung until December 1937, when the last episode of Vater and Sohn appeared.[6] This happened despite the fact that Ohser had, at times, been banned from the profession in a decision that later could be reversed through the initiative of the publisher, Ullstein. In return, Father and Son had to serve as advertisers for the Winterhilfswerk, for the 1936 Reichstag elections, and for the 1936 Summer Olympics. Ohser ended the series at his own request and had father and son say goodbye in issue 49/1937[8] of the Berliner Illustrirte Zeitung. In this last cartoon, the characters walk towards the horizon before floating away into the sky, their likenesses transforming into the moon and a nearby star. In the preceding issue, Father and Son had already been depicted as in shock over the realization that they were moving towards the center of an increasing commercialization. In the meantime, other cartoons had already appeared making fun of the long run of the series.
In 1935, Ullstein published a book titled Vater und Sohn - 50 lustige Streiche und Abenteuer ("Father and Son - 50 Funny Pranks and Adventures") with an initial run of 10.000 copies. It contained ten new cartoons along with 40 others that had already been published. The foreword of the Book was from Kusenberg, under the pseudonym Hans Ohl. Due to high demand, the print run was extended to 90.000 copies in total. 1936 and 1938 saw the release of two more books, the second one with a run of 70.000 copies.[9] After World War II, German publishing house Südverlag acquired the rights to Father and Son in 1948. Through Südverlag, which remained the rights holder until December 31, 2014,[10] and various license partners, several book editions stories of Father and Son were distributed in the German-speaking world alone, including some published by the East German publisher Eulenspiegel, so that the total amount of books was soon as high as several hundred thousand.
A total of 194 different Father and Son stories were published.[11] As of January 1, 2015, the stories are in the public domain, as long as they are Ohser's original drawings.
Postage stamp from Deutsche Post AG from 2003
Reception
While Die Zeit praised Father and Son as "the most popular joke figures of the century," in 1962,[12] Eckart Sackmann perceives "the chosen form" to be "hopelessly old-fashioned, even then" since "in their unworldly moral-uprightness, the strips [...] [referred to the] Fliegende Blätter of the turn of the century."[7] For Andreas C. Knigge, who devoted an entire chapter to the stories of Father and Son in his book “50 Klassiker Comics”, E.O. Plauen "created a timeless classic, behind whose popularity the fate of the artist was forgotten."[13] For Bernd Dolle-Weinkauff, the stories of Father and Son are "a new classic of cartoon stories in Germany,"[14] but he does not count them among the comics, but rather among the pantomime strips.[15]
An adaptation of the series was produced in 1960 for musical education in schools: Vater und Sohn, eine heitere Bildkantate nach E.O. Plauen: für Jugendchor, Klavier, rhythmische Instrumente und eine Jazzgruppe ("Father and Son, a cheerful pictorial cantata after E.O. Plauen: for youth choir, piano, rhythmic instruments and a jazz band") by Albrecht Rosenstengel and Paul Diwo.[16]
Plauen has been home to a statue of Father and Son by German sculptor Erik Seidel since 1995: It shows the two figures emerging from a book, hand in hand. The statue was first located at Bahnhofstraße, before being moved in front of the Erich-Ohser-Haus in Nobelstraße. It was donated by Hans Löwel, an entrepreneur.[17][18]
On September 18, 2017, the acting Minister of Transport, Martin Dulig, honored the city of Plauen with an exemption from the State Office for Road Construction and Transport of Saxony, by which the city may, initially for two years, equip pedestrian traffic lights with the motifs of Father and Son.[19] This was inspired by traffic lights with the Mainzelmännchen, that can be found in Mainz.
Gallery
Another view of the Father and Son Satue in front of the Erich Ohser Haus
Close-up of a piece of wrapping paper for oranges from Valencia, Spain, with an illustration of Father and Son
Sign of Restaurant Vater und Sohn in Warmbüchenstraße, Hannover, Germany
Father and Son traffic lights in front of the Plauen city hall – Red Phase (Father)
Father and Son traffic lights in front of the Plauen city hall – Green Phase (Son)
Continuation
In November 2015, the sequel Neue Geschichten von Vater und Sohn ("New Stories of Father and Son"), with drawings by German illustrator Ulf K. and written by Marc Lizano, a Frenchman were published by Panini Group.[20] A second volume followed in November 2016.[21]
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Vater und Sohn may refer to:
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↑ Gerd Lettkemann, Eckart Sackmann: Hans Kossatz – das Frühwerk. In: Eckart Sackmann (Publ.): Deutsche Comicforschung 2007. Comicplus, Hildesheim 2006, ISBN 3-89474-168-6, pg. 52. (PDF; 394kB)
↑ Klaus Schikowski: Die großen Künstler des Comics. Edel, Hamburg 2009, ISBN 978-3-941378-13-1, pg. 54.
↑ The Südverlag on licensing, "Südverlag". Archived from the original on 2022-12-05. Retrieved 2023-01-19.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
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