| Feelin' Good | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1965 | |||
| Recorded | 1965 | |||
| Genre | Traditional pop Vocal jazz | |||
| Length | 31:51 | |||
| Label | United Artists | |||
| Producer | Ray Ellis | |||
| Lena Horne chronology | ||||
| ||||
Feelin' Good is a 1965 studio album by Lena Horne, arranged by Ray Ellis [1] and released on United Artists Records.
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [1] |
| Record Mirror | [2] |
The Allmusic review by William Ruhlmann awarded the album three and a half stars and said that "Feelin' Good was a typical effort as she (Horne) and arranger/producer Ray Ellis surveyed the current state of pop and show music to find some new items for her repertoire...To this material, Ellis applied neo-swing big-band arrangements, and Horne applied her characteristic vocal attitude and punch. It wasn't enough to make listeners forget the sometimes definitive recordings of these songs done earlier by others, but Horne was, as usual, a powerful enough musical personality to stake her claim to them stylishly and confidently". [1]
The 5th Annual Grammy Awards were held on May 15, 1963, at Chicago, Los Angeles and New York City. They recognized accomplishments by musicians for the year 1962. Tony Bennett and Igor Stravinsky each won 3 awards.
The Roar of the Greasepaint – The Smell of the Crowd is a musical with a book, music, and lyrics by Leslie Bricusse and Anthony Newley. The musical is best known for introducing the standards "Look At That Face", "A Wonderful Day Like Today", "Who Can I Turn To?", "Feeling Good", and "The Joker". The show title is a transposition of the phrase "the smell of the greasepaint, the roar of the crowd," referring to the experience of theatre performers.
"Feeling Good" is a song written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint – The Smell of the Crowd. It was first performed on stage in 1964 by Cy Grant on the UK tour.
Sarah Sings Soulfully is a 1965 studio album by the American jazz singer Sarah Vaughan, arranged by Gerald Wilson.
Sammy's Back on Broadway is a 1965 studio album by Sammy Davis Jr.
That's All! is a 1967 live album by Sammy Davis Jr., recorded at the Sands Hotel on the Las Vegas Strip.
If I Ruled the World: Songs for the Jet Set is a 1965 studio album by Tony Bennett, arranged by Don Costa. Bennett dedicated his recording of "Sweet Lorraine" on the album to Nat "King" Cole, who had died a month before the album's release.
Shirley Stops the Shows is the seventh Shirley Bassey studio album, her 5th and final studio album recorded for the EMI/Columbia label in the UK. Released in 1965, this album is a mix of standards and showtunes. Shirley Bassey was at a high point in her career, with worldwide success of her single "Goldfinger", but the album failed to chart in the UK, a first for her Columbia albums. The album met with more success in the US, reaching number 85 in the US Pop charts. For the US market it was issued with an alternative running order, retitled Shirley Bassey Belts the Best! and "The Lady Is a Tramp" was replaced by "Goldfinger". Original release was in mono and stereo, both mono versions feature an alternative studio recording of "People" which has not yet been re-issued on CD. The stereo version, remastered, was issued on CD in 2008 together with 12 of Those Songs by BGO Records.
That's All is a 1965 studio album by Mel Tormé, arranged by Robert Mersey.
Lena: A New Album is a 1976 studio album by Lena Horne, arranged by Robert Farnon.
Lena Like Latin is a 1963 studio album by Lena Horne, arranged by Shorty Rogers and Marty Paich. Recorded in Hollywood in July 1963 and released in the summer of 1963 on the Chater label. The album was reissued on CD in 2008 by Fresh Sound Records, together with the album Lena Horne Sings Your Requests. The CD issue featured a bonus track "He Loves Me" that was previously only issued on 45rpm single.
All Alone Am I is the eighth studio album by American singer Brenda Lee. The album was released February 18, 1963, on Decca Records and was produced by Owen Bradley. The album was the first of two studio albums released in 1963 and the album's title track became a Top 10 hit on the Billboard Hot 100.
Today, Tomorrow, Forever is a 1964 album by Nancy Wilson.
"Feeling Good" is a 1964 song written by Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint—the Smell of the Crowd, recorded by many artists.
The Sammy Davis Jr. Show is a 1966 studio album by Sammy Davis Jr., released to coincide with his television show of the same name.
You Better Believe Me is an album by the Ramsey Lewis Trio, featuring vocalist Jean DuShon on six tracks, which was recorded in late 1964 and early 1965 and released on the Argo label.
Broadway is an album by American pop singer Johnny Mathis that was recorded in 1964 but not released by his then record label Mercury Records. The project first became commercially available on August 28, 2012, when Sony Music Entertainment released it as one of two albums on one compact disc, the other album being his 1965 LP Love Is Everything. Broadway was also included in Sony's Mathis box set The Complete Global Albums Collection, which was released on November 17, 2014.
Woman Talk is a live album by jazz vocalist Carmen McRae featuring tracks recorded at the Village Gate in New York in November 1965 and originally released on the Mainstream label the following year. The second half of the concert came out in 1968 as "Live" & Wailing. The whole recording was compiled on a double LP in 1973 under the title Alive!.
Herbie Mann Plays The Roar of the Greasepaint – The Smell of the Crowd is an album by American jazz flautist Herbie Mann featuring tunes from the Broadway musical by Leslie Bricusse and Anthony Newley, The Roar of the Greasepaint – The Smell of the Crowd, recorded for the Atlantic label and released in 1965. Chick Corea is on piano on four of the pieces of that album.
Little Girl Blue/Little Girl New is a 1963 album by Keely Smith, with arrangements by Nelson Riddle. The album was Smith's first for Reprise Records, which was founded by Smith's friend and mentor, Frank Sinatra.
