Felice House | |
---|---|
Born | North Carolina, U.S. |
Nationality | American |
Education | Schuler School of Fine Arts, The University of Texas |
Known for | Painting, Photography |
Website | felicehouse.com |
Felice House is an American figurative painter and Professor of Art at Texas A&M University. She is most known for her oil-painting portraits of famous Western characters re-imagined as women.
House grew up in Massachusetts in a family of artists. [1] Her grandmother is a weaver, her father worked in computer graphics, and her mother is a painter. [2]
House attended an international Baháʼí Faith boarding high school in Canada. Her classmates represented 57 different countries and race and gender equality were central discussions in the curriculum. [3] House has noted that her early academic experience there has influenced her art. [3]
House studied painting at the Schuler School of Fine Arts in Baltimore, Maryland [1] and earned her Master of Fine Arts degree in painting from the University of Texas in 2011. [4] [5]
She is an artist, as well as an assistant professor of art at Texas A&M University. [6] [3] [7]
House is most known for her portrait series, Re/Western and Face West, which both take classic cowboy characters played by actors like James Dean, John Wayne, Clint Eastwood, [8] Alan Ladd, [3] and Gary Cooper, [2] and re-imagine them as women. [2] House has said that she is drawn to the Western film genre, but is frustrated by the gender norms played out in traditional Western narratives. [8] By painting well-known leading characters as women, House challenges the male-dominated nature of the Western film industry. [9] [8] [7] She also hopes to juxtapose male cowboy archetypes against the roles offered to women in those films, which tend to be passive characters or sexist tropes. [6] [1]
House has exhibited paintings in galleries and museums across the United States and Canada including Maryland, Georgia, Colorado, Louisiana, Tennessee, New Mexico, Texas, and Nova Scotia. [10] She has also shown her work in the U.K. [5]
House paints her portraits on canvases that are slightly larger than life so that viewers must look up to see the whole subject. [1] [2]
For her cowgirl portraits, she asks family members, friends, colleagues, and strangers in her community to pose for her. [7] [5] She often paints subjects to be non-confrontational, with gazes off in the distance. [1]
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