This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Fernando Vendrell | |
---|---|
Born | Fernando Vieira Lisboa Vendrell Henriques October 28, 1962 |
Nationality | Portuguese |
Occupation(s) | Film director, Film producer |
Years active | 1992 – present |
Fernando Vendrell (Lisbon, 1962) is a Portuguese film director and producer.
This section of a biography of a living person does not include any references or sources .(April 2019) |
This biographical section is written like a résumé .(June 2018) |
Born and raised in Lisbon, where he graduated from high school in 1980 (Science). In 1981, while studying photography he worked as Film still photographer in Manoel de Oliveira documentary Lisboa Cultural.
From 1982 to 1985, he studied film editing at the Portuguese National Conservatory Conservatório Nacional, nowadays the Lisbon Theatre and Film School There he had the chance to learn with filmmakers as António Reis, Alberto Seixas Santos and Paulo Rocha.
During the course he worked as trainee Assistant director in José Nascimento period feature film Repórter X (1984) and in Manoel de Oliveira epic feature The Satin Slipper (Le Soulier de Satin) (1984). He graduated in Film editing in 1985.
Vendrell worked then as Script supervisor in João César Monteiro À Flor do Mar and in Treasure Island with Raoul Ruiz (1985). He was Assistant director in Margarida Gil first film Relação Fiel e Verdadeira shot in Ponte de Lima (1986), and also collaborated with João Canijo in his first feature film Três Menos Eu (1986). He fulfilled his obligatory military service in the Military Film Archives, Lisbon (1986–1987). He returned to Film production to work again with Manoel de Oliveira as Assistant directorin Os Canibais (1987).
Until 1992 he worked as Assistant director with Portuguese and foreign Directors. In 1992 he concluded Arts management studies at the Instituto Nacional de Administração, Oeiras. He then started working as Production manager and Line producer in national and foreign film productions.
He worked in Animatógrafo with the producer António da Cunha Telles where he produced Fernando Trueba's Belle Époque , which won the Oscar for Best Foreign Picture in 1994. He concluded the production of O Fio do Horizonte by Fernando Lopes and O Judeu by Jom Tob Azulay.
In 1992 he founded with Luís Alvarães the independent production company David & Golias, where he works as Producer and Director.
His first film was Fintar o Destino shot in Cape Verde western Africa, and in Portugal, the film was selected to Berlin International Film Festival Berlinale, Panorama in 1998.
He produced director Zézé Gamboa's Sundance Film Festival World Dramatic Competition Award winner The Hero (2005).
Manoel Cândido Pinto de Oliveira was a Portuguese film director and screenwriter born in Cedofeita, Porto. He first began making films in 1927, when he and some friends attempted to make a film about World War I. In 1931, he completed his first film Douro, Faina Fluvial, a documentary about his home city Porto made in the city-symphony genre. He made his feature film debut in 1942 with Aniki-Bóbó and continued to make shorts and documentaries for the next 30 years, gaining a minimal amount of recognition without being considered a major world film director.
Ariclenes Venâncio Martins, known professionally as Lima Duarte, is a Brazilian actor. He played a number of characters in Brazilian telenovelas, such as Zeca Diabo in O Bem-Amado and Sinhozinho Malta in Roque Santeiro. He first appeared on Brazilian television in 1950. He also worked as a voice actor in 1960s, being the voice of Top Cat, Wally Gator and Dum-Dum. He has worked with Brazilian and Portuguese directors, such as Fábio Barreto, Paulo Rocha and Manoel de Oliveira.
António Cohen da Cunha Telles was a Portuguese film director and producer.
Manuel Guimarães (1915–1975) was a Portuguese filmmaker.
João César Monteiro Santos was a Portuguese film director, actor, writer and film critic.
The Cinema of Portugal started with the birth of the medium in the late 19th century. Cinema was introduced in Portugal in 1896 with the screening of foreign films and the first Portuguese film was Saída do Pessoal Operário da Fábrica Confiança, made in the same year. The first movie theater opened in 1904 and the first scripted Portuguese film was O Rapto de Uma Actriz (1907). The first all-talking sound film, A Severa, was made in 1931. Starting in 1933, with A Canção de Lisboa, the Golden Age would last the next two decades, with films such as O Pátio das Cantigas (1942) and A Menina da Rádio (1944). Aniki-Bóbó (1942), Manoel de Oliveira's first feature film, marked a milestone, with a realist style predating Italian neorealism by a few years. In the 1950s the industry stagnated. The early 1960s saw the birth of the Cinema Novo movement, showing realism in film, in the vein of Italian neorealism and the French New Wave, with films like Dom Roberto (1962) and Os Verdes Anos (1963). The movement became particularly relevant after the Carnation Revolution of 1974. In 1989, João César Monteiro's Recordações da Casa Amarela won the Silver Lion at the Venice Film Festival and in 2009, João Salaviza's Arena won the Short Film Palme d'Or at the Cannes Film Festival. Several other Portuguese films have been in competition for major film awards like the Palme d'Or and the Golden Bear. João Sete Sete (2006) was the first Portuguese animated feature film. Portuguese cinema is significantly supported by the State, with the government's Instituto do Cinema e do Audiovisual giving films financial support.
A Canção de Lisboa is a 1933 Portuguese musical comedy film, directed by José Cottinelli Telmo, and starring Vasco Santana, Beatriz Costa, António Silva, Alfredo Silva, Ana Maria, Artur Rodrigues, Coralia Escobar, Eduardo Fernandes, Elvira Coutinho, Fernanda Campos, Francisco Costa, Henrique Alves, Ivone Fernandes, José Victor, Júlia da Assunção, Manoel de Oliveira, Manuel Santos Carvalho, Maria Albertina, Maria da Luz, Silvestre Alegrim, Sofia Santos, Teresa Gomes and Zizi Cosme.
Vítor Norte is a Portuguese actor. He won the Portuguese Golden Globe award for best actor three times.
Paulo Branco is a Portuguese film producer.
Voyage to the Beginning of the World is a 1997 Portuguese-French drama film directed by Manoel de Oliveira and starring Marcello Mastroianni. The film was selected as the Portuguese entry for the Best Foreign Language Film at the 70th Academy Awards, but was not accepted as a nominee. It was Mastroianni's final film.
João Salaviza is a Portuguese film director, screenwriter, editor, producer, and former actor. He is the recipient of several accolades, including the Short Film Golden Bear, the Short Film Palme d'Or, and the Un Certain Regard.
Solveig Nordlund is a Swedish-Portuguese filmmaker.
Brandos Costumes (1974) is a Portuguese film directed by Alberto Seixas Santos which was a part of the Novo Cinema movement – influenced by the cinematographic neo-realism and specially by the Nouvelle Vague. It was released in 1975, when the political regime portrayed in the film had already been destroyed.
José de Matos-Cruz is a Portuguese writer, journalist, editor, high-school teacher, investigator, encyclopedist. From 1980 to 2010, he worked at the Cinemateca Portuguesa in Lisbon. He is a prominent historian of the Portuguese cinema.
Rui Cardoso Martins is a Portuguese writer. His first novel "E Se Eu Gostasse Muito de Morrer" was published in 2006 and became an instant best seller in Portugal. It narrates the story of "Hanger", a boy who lives in rural Southern Portugal where every other person around him commits suicide. The novel has been translated into English, Hungarian, Russian, French and Spanish.
Events in the year 2002 in Portugal.
Fintar o Destino is a 1998 Cape Verdean-Portuguese sports film directed by Portuguese director Fernando Vendrell. The movie features Carlos Germano, Betina Lopes and Paulo Miranda.
Maria de Lourdes Belchior Pontes• Großes Verdienstkreuz • GCRB • Officier • GCIH • ComSE • GCIP •, was a Portuguese writer, poet, professor and diplomat who lived in Portugal, Brazil, France and the United States of America.
Ana Vicente was an Anglo-Portuguese writer with a strong Catholic faith, known for her support for feminist causes.