Fifth Avenue Models | |
---|---|
Directed by | Svend Gade |
Written by | Olga Printzlau |
Based on | The Best in Life by Muriel Hine |
Starring | Mary Philbin Norman Kerry Josef Swickard |
Cinematography | John Stumar |
Production company | |
Distributed by | Universal Pictures |
Release date |
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Running time | 70 minutes |
Country | United States |
Language | Silent (English intertitles) |
Fifth Avenue Models is a 1925 American silent drama film directed by Svend Gade and starring Mary Philbin, Norman Kerry, and Josef Swickard. [1] It was produced and released by Universal Pictures. [2]
As described in a review in a film magazine, [3] Isobel Ludant (Philbin), the beautiful daughter of a talented but unsuccessful artist, is the breadwinner of the family, working in the shop of fashionable modiste. One night she is forced to act as a mannequin and gains the attention of art dealer Francis Doran (Kerry). As a result of a remark made by one of the other mannequins, Isobel attacks the young woman and is discharged. Before she reaches home, a man from the modeste's shop tells her that her father will be arrested unless she pays $150 for the dress she ruined in the fight. To save his daughter, the father (Ludant) goes with some crooks to identify a painting they want to steal, but he is caught and sent to Sing Sing. From then on, Isobel is placed in many suspicious situations as secretary to Doran, who knows nothing of what happened to the father. Doran loves her, but she believes his attentions mean less than marriage until he stands by her when her father is released from jail and his disgrace is blazoned to the world, at the time Doran's masterpiece is acclaimed by critics.
A print of Fifth Avenue Models is held at the UCLA Film and Television Archive in Los Angeles. [4]
The Phantom of the Opera is a 1925 American silent horror film adaptation of Gaston Leroux's novel of the same name directed by Rupert Julian and starring Lon Chaney in the title role of the deformed Phantom who haunts the Paris Opera House, causing murder and mayhem in an attempt to make the woman he loves a star. The film remains most famous for Chaney's ghastly, self-devised make-up, which was kept a studio secret until the film's premiere. The picture also features Mary Philbin, Norman Kerry, Arthur Edmund Carewe, Gibson Gowland, John St. Polis and Snitz Edwards. The last surviving cast member was Carla Laemmle (1909-2014), niece of producer Carl Laemmle, who played a small role as a "prima ballerina" in the film when she was about 15 years old. The film was released on September 6, 1925, premiering at the Astor Theatre in New York. Vaudeville stars Broderick & Felsen created a live prologue for the film's Broadway presentation at the B.S. Moss Colony Theater beginning on November 28, 1925. The film's final budget was $632,357.
Mary Loretta Philbin was an American film actress of the silent film era, who played Christine Daaé in the 1925 film The Phantom of the Opera opposite Lon Chaney, and Dea in The Man Who Laughs alongside Conrad Veidt.
Norman Kerry was an American actor whose career in the motion picture industry spanned twenty-five years, beginning in 1916 and peaking during the silent era of the 1920s. Changing his name from the unmistakably German "Kaiser" at the onset of World War I, he rose quickly in his field, becoming "the Clark Gable of the [1920s]."
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