Figgjo AS is a Norwegian ceramics manufacturing company based in Figgjo in the municipality of Sandnes, Norway. [1]
Figgjo was founded by Harald Lima and Sigurd Figved in 1941 as a small-scale pottery workshop. [2] In 1946, designer and ceramist Ragnar Grimsrud (1902-1988) became co-owner and general manager of Figgjo. Grimsrud's design philosophy for the company was "'One must offer 'something for everyone,'" meaning that Figgjo had to offer products for both Scandinavian design enthusiasts and everyday consumers in order to be successful. [2] Following World War II, Figgjo expanded into industrial manufacture of earthenware, building a new factory plant that was completed in 1947. [2] The company took its current form in 1968 following the merger of Stavangerflint AS with Figgjo Fajanse AS. [3]
In the 1950s, new decoration techniques for silkscreen printing of patterns and applying colored slip to products made it easier to produce a large portfolio of popular and distinctive designs at scale. [2] However, by the 1960s, the onset of international free trade in Norway forced Figgjo to change their operational strategy to stay competitive with imports. They scaled back their product offerings to a limited range of new models, adaptable to feature any number of decorations and patterns in different styles, in order to cater to a wide range of markets. [4] From 1956 to 1964, Figgjo collaborated with noted Norwegian freelance designer Hermann Bongard, who produced a number of successful tableware products for the company. [5] Other notable designers who worked for Figgjo include Turi Gramstad Oliver, Inger Waage, and Kåre Berven Fjeldsaa. [5]
Today, the company has a factory, museum and factory outlet at Figgjo. It specializes in vitrified china for the domestic and professional catering markets. The underglaze backstamps FF, Figgjo Fajanse and Figgjo Flint are found on the company's products. [6] [7] Figgjo is the sole remaining domestic ceramic tableware manufacturer in Norway. [8] [9] In addition, Figgjo tableware from the 1960s and 1970s continues to be highly collectible alongside its more recent offerings, with examples featured in the decorative arts collections of the Jærmuseet, [10] National Gallery of Victoria and the Indianapolis Museum of Art. [11] [12] [13]
Porsgrund Porcelain Factory is a porcelain flatware company located at Porsgrunn in Telemark county, Norway.
Scandinavian design is a design movement characterized by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Denmark, Finland, Norway, Sweden, and Iceland.
Kjetil Trædal Thorsen is a Norwegian architect. In 1987, he co-founded the architecture firm Snøhetta.
Events in the year 1942 in Norway.
Stavangerflint AS was an earthenware factory that was in operation from 1949 until 1979 in Stavanger, Norway.
Inger Waage,, was an industrial ceramist at the Norwegian producer of earthenware, Stavangerflint AS.
Kåre Berven Fjeldsaa was a Norwegian ceramic designer.
Thorbjørn Feyling (1907–1985) was a Norwegian ceramist and Head of design at the Norwegian earthenware company Stavangerflint AS in the city of Stavanger in south-western Norway. Feyling was Head of design at the Norwegian earthenware producer Stavangerflint AS from its foundation in 1946 until 1955. He was a member of Stavangerflint's management team and created the company's design program for the production start in 1949 and the following years. He served the company as an artist designer until retirement. Many of his designs are well-known collector items.
Kari Nyquist was a Norwegian ceramist. She is most associated with her decorated ceramics from the Stavangerflint AS plant in Stavanger, Norway. Her designs are most often found pottery of blue clay or stoneware.
Gro Pedersen Claussen is a Norwegian graphic designer at the earthenware factory Stavangerflint AS in Stavanger, Norway, (1963–1967) and textile designer at Sandvika Veveri, Bærum, Norway (1977–2004). Her many designs on ceramic objects like "Per Spelemann", "Ut etter øl" and "Venner" are sought after by collectors of industrial ceramic objects from Norway.
Events in the year 1931 in Norway.
Rörstrand porcelain was one of the most famous Swedish porcelain manufacturers, with production initially at Karlbergskanalen in Birkastan in Stockholm.
Events in the year 2011 in Norway.
Are Vesterlid was a Norwegian architect.
Rolf Bull-Hansen was a Norwegian educator and author.
Bonytt is a Norwegian monthly home and interior design magazine based in Oslo, Norway. Founded in 1941, it is one of the oldest magazines in the country as well as the most popular magazine in its category.
Orbit chairs are a type of recline chair designed by the Norwegian furniture designer Ingmar Relling in 1976 for A/S Sykkylven kurvvarefabrikk in Sykkylven, Norway. The Orbit was designed in a functional style, with a distinct curved wooden frame work. Related to the Orbit is the Siesta chair and, to some degree, many of Relling'ss laminated wooden frame chairs such as Nordic, Tema, Rest, Optima, Bonus and "420". The chair was sold and marketed abroad by the Westnofa export organization. During Ingmar Relling's career he developed furniture for the Ekornes, Tennfjord Furniture Factory, Vatne Lenestolfabrikk, Hjellegjerde and Pedro which all have manufactured comparable design as the Orbit chair. The Orbit was among the first recline chairs where the laminated wooden frame allowed for slide movement to readjust the recline position. The Orbits upholstery where covered in cow-hide. Ingmar Relling was in 1978 awarded the Jacob's Award and in 1999 he received the King's Medal in gold.
Lillemor Aars was a Norwegian ceramist and artisan. She designed products for Porsgrund Porcelain Factory, Hadeland Glassverk, and Graverens Teglverk, and eventually established her own ceramic workshop.
Annelise Caroline Knudtzon née Kiær (1914–2006) was a Norwegian textile artist. From 1946, she managed her own studio in Oslo where she and her employees produced brightly coloured hand-woven woolen fabrics, especially upholstery. In collaboration with the painter Knut Rumohr, she revived the old technique of using rye straw for weaving. Together they produced carpets with abstract designs based on nature. Knudtzon designed patterns for the Norwegian textile firm Røros Tweed from 1958 to 1975. In 1984, she received the Jacob Prize, a Norwegian cultural award.
Birgit Hanna Maria Wessel also Birgit Mattsson Wessel (1911–2000) was a Norwegian textile artist. In 1937 she established a weaving studio in Oslo and the following year, together with her husband Bjarne Eugen Wessel, opened Vakkre Hjem, a store where many of their fabrics were sold. She designed curtains, furniture fabrics, tablecloths and carpets to be produced by Norway's leading textile factories. Her textiles were used for several major decoration projects, including the royal yacht K/S Norge (1948) and Oslo City Hall (1950). In 1959, Wessel received the Norwegian craft award, the Jacob Prize.