| Fighting the Flames | |
|---|---|
 Film poster | |
| Directed by | B. Reeves Eason |
| Story by | Douglas Z. Doty |
| Starring | William Haines Dorothy Devore Frankie Darro |
| Cinematography | Dewey Wrigley |
| Edited by | Viola Lawrence |
Production company | |
| Distributed by | Columbia Pictures |
Release date |
|
Running time | 6 reels |
| Country | United States |
| Language | Silent (English intertitles) |
Fighting the Flames is a 1925 American silent drama film directed by B. Reeves Eason. [1]
As described in a film magazine and newspaper reviews, [1] [2] [3] Horatio Manly, the dissolute son of Judge Manly, is rescued drunk from a burning hotel and is arrested. His father disowns him and forbids him from coming home until he can make a man of himself. Horatio makes friends with Mickey, the small son of a pick-pocket named Blacky. The child prevails on Manly to quit drinking alcoholic liquor and become a fireman. Horatio also becomes friendly with Alice Doran, a dressmaker who lives in the upper part of the house where he and Mickey live. Blacky has been doing time, and, when he is released, he tries to make Mickey become a crook. In a struggle with the boy and Alice, Blacky starts a fire in the building that is home for the other three. Manly’s company answers the alarm and Manly rescues Alice and the boy. Blacky is killed and young Manly and his father are reconciled as a result of his heroism.
During the filming of the scene where William Welsh goes into a burning building to rescue its occupants, a burning ceiling fell on top of him. He escaped serious injury after William Haines quickly lifted the ceiling off of him. [4]
A mostly complete copy, with the end of the final reel missing, is held at the Library of Congress. [5]
Bucking Broadway is a 1917 American silent Western film directed by John Ford, probably his sixth feature film. Long thought to be lost, along with about 60 of Ford's 70 silent films, it was found in 2002 in the archives of the CNC. It was subsequently restored and digitized and is available on the Criterion Blu-Ray of John Ford's Stagecoach.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
The Man from Red Gulch is a 1925 American silent Western film directed by Edmund Mortimer and featuring Harry Carey.
The Wife of the Centaur is a 1924 American silent drama film directed by King Vidor, and released by Metro-Goldwyn-Mayer shortly after it formed from a merger of Metro Pictures, Goldwyn Pictures, and Mayer Pictures in April 1924. Metro had acquired the movie rights to Cyril Hume's debut novel Wife of a Centaur in November. A novelist imagines that he has been reincarnated as a creature from Greek mythology and becomes entangled in a love triangle.
Something to Think About is a 1920 American silent drama film directed by Cecil B. DeMille. The film stars Elliott Dexter and Gloria Swanson. Prints of the film exist at the George Eastman Museum in Rochester, New York, and at the Filmmuseum in Amsterdam.
The Road to Yesterday is a 1925 American silent romantic drama film directed by Cecil B. DeMille. The film is significant because it was Cecil B. DeMille's first release from his new production company, DeMille Pictures Corporation. It was also upcoming actor William Boyd's first starring role. In DeMille's next picture, The Volga Boatman, which was a tremendous success, he cast Boyd as the solo leading man.
Brothers Under the Skin is a 1922 American silent comedy film directed by E. Mason Hopper. This picture survives in the Turner archives but is incomplete.
All Souls' Eve is a 1921 American silent drama film directed by Chester M. Franklin and starring Mary Miles Minter. The film is based on the mystical 1920 Broadway play of the same name by Anne Crawford Flexner, with a story by Elmer Blaney Harris. Much was made of the film's use of double, triple and quadruple exposures to enable Minter to play two parts within the same scenes. As with many of Minter's features, it is thought to be a lost film.
The Ancient Highway is a 1925 American silent adventure film directed by Irvin Willat and written by James Shelley Hamilton and Eve Unsell based upon the novel of the same name by James Oliver Curwood. The film stars Jack Holt, Billie Dove, Montagu Love, Stanley Taylor, Lloyd Whitlock, and William A. Carroll. The film was released on November 8, 1925, by Paramount Pictures.
Uncharted Seas is a 1921 American silent romance drama film directed by Wesley Ruggles and starring Alice Lake, Carl Gerard, and Rudolph Valentino.
The Untamed is a 1920 American silent Western film directed by Emmett J. Flynn and starring Tom Mix, Pauline Starke, and George Siegmann. It was based on a novel of the same name by Max Brand and was remade as a sound film Fair Warning in 1931.
The Happy Warrior is a 1925 American silent drama film directed by J. Stuart Blackton and starring Malcolm McGregor, Alice Calhoun, and Mary Alden. The story had previously been turned into a 1917 British film of the same title.
Manhattan Madness is a 1925 American silent drama film directed by John McDermott and starring Jack Dempsey and Estelle Taylor, a then real life husband and wife duo. It was produced by Fine Arts Pictures and distributed through Associated Exhibitors. This film is a remake of Douglas Fairbanks's 1916 film Manhattan Madness.
A Fight to the Finish is a 1925 American silent drama film directed by B. Reeves Eason and starring William Fairbanks, Phyllis Haver and Tom Ricketts.
Under the Rouge is a 1925 American silent drama film directed by Lewis H. Moomaw and starring Eileen Percy, Tom Moore and Eddie Phillips. After being arrested for safe-breaking, a man goes home to try and patch things up with his former girlfriend.
The Burning Trail is a 1925 American silent Western film directed by Arthur Rosson and starring William Desmond, Albert J. Smith, and Mary McIvor. After accidentally killing a man in a fight, a boxer heads West.
The Fearless Lover is a lost 1925 American silent drama film directed by Scott R. Dunlap and Henry MacRae and starring William Fairbanks, Eva Novak, and Tom Kennedy.
Reported Missing is a 1922 American silent comedy film directed by Henry Lehrman and starring Owen Moore, Pauline Garon, and Tom Wilson.
Smilin' at Trouble is a 1925 American silent Western film directed by Harry Garson and starring Maurice 'Lefty' Flynn, Helen Lynch and Kathleen Myers. Location shooting took place around San Pedro and at a dam construction site, likely the Pit 3 Dam in Northern California.
White Thunder is a 1925 American silent Western film directed by Ben F. Wilson and starring Yakima Canutt, William H. Turner, and Lew Meehan.
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