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Friedrich Christian Anton Lang, better known as Fritz Lang, was an Austrian-American film director, screenwriter, and producer who worked in Germany and later the United States. One of the best-known émigrés from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. He has been cited as one of the most influential filmmakers of all time.
Lois Wilson was an American actress who worked during the silent film era. She also directed two short films and was a scenario writer.
Fred J. Balshofer was a pioneering silent film director, producer, screenwriter, and cinematographer in the United States.
Clara Whipple(néeClara or Clarissa or Clarise Brimmer Whipple; November 7, 1887 – November 6, 1932) was an American actress who flourished in theatre from 1913 to 1915 and in silent film from 1915 to 1919. She was also a silent film scenario writer.
The Strand Theatre was an early movie palace located at 1579 Broadway, at the northwest corner of 47th Street and Broadway in Times Square, New York City. Opened in 1914, the theater was later known as the Mark Strand Theatre, the Warner Theatre, and the Cinerama Theatre. It closed as the RKO Warner Twin Theatre, and was demolished in 1987.
The Lottery Man is a 1916 American silent comedy film written by Theodore Wharton and Rida Johnson Young. It was directed by Leopold Wharton and Wharton, and stars Oliver Hardy, Thurlow Bergen and Lottie Alter. It was produced at the Whartons Studio in Ithaca, New York, and distributed by Whartons Studio. The film was released on June 26, 1916. A print of the film exists in the film archive of the Library of Congress.
Lule Warrenton was an American actress, director, and producer during the silent film era. She appeared in more than 80 films between 1913 and 1922. She was born in Flint, Michigan and died in Laguna Beach, California and was the mother of cinematographer Gilbert Warrenton.
The Motion Picture Herald (MPH) was an American film industry trade paper first published as the Exhibitors Herald in 1915, and MPH from 1931 to December 1972. It was replaced by the QP Herald, which only lasted until May 1973.
Arthur Rolette Berthelet was an American actor, stage and film director, dialogue director, and scriptwriter. With regard to screen productions, he is best remembered for directing the 1916 crime drama Sherlock Holmes starring William Gillette, an actor who since 1899 had distinguished himself on the Broadway stage and at other prominent theatrical venues with his numerous, "definitive" portrayals of Sir Arthur Conan Doyle's great fictional detective. In 1918, Berthelet also directed the controversial author and feminist Mary MacLane in Men Who Have Made Love to Me, a production notable for being among the first cinematic dramas to break the "fourth wall" and among the earliest American film projects to bring together on screen a woman's work as a published author, "scenarist", actor, and narrator through the use of intertitles.
Reggie Mixes In, also known as Facing the Music, is an American 1916 silent action/comedy-drama film starring Douglas Fairbanks and directed by Christy Cabanne. The film was produced by Fine Arts Film Company and distributed by Triangle Film Corporation. The film is extant and in the public domain.
The Moving Picture World was an influential early trade journal for the American film industry, from 1907 to 1927. An industry powerhouse at its height, Moving Picture World frequently reiterated its independence from the film studios.
The World Film Company or World Film Corporation was an American film production and distribution company, organized in 1914 in Fort Lee, New Jersey.
The Habit of Happiness is a 1916 American silent comedy film directed by Allan Dwan and filmed by cinematographer Victor Fleming. The film was written by Allan Dwan and Shannon Fife from a suggestion by D. W. Griffith and stars Douglas Fairbanks. A 16mm print of the film is preserved in a private collection.
A Sister of Six is a 1916 American silent Western film produced by the Fine Arts Film Company and distributed by Triangle Film Corporation. The film was directed by brothers Chester M. and Sidney Franklin. This was Bessie Love's first starring role.
Hell-to-Pay Austin is a 1916 American silent comedy-drama film directed by Paul Powell and starring Wilfred Lucas in the title role, with Bessie Love, Eugene Pallette, and Mary Alden in supporting roles. Written by Mary H. O'Connor, the film was produced by D. W. Griffith's Fine Arts Film Company and distributed by Triangle Film Corporation. It is presumed lost.
King Lear is a 1916 silent film based on the 1606 play, directed by Ernest C. Warde and starring his father, the noted stage actor Frederick Warde. The film is one of a spate of Shakespearean films produced at the time to coincide with the 300th anniversary celebrations of William Shakespeare's death.
The Pickwick Papers is a 1913 three-reel silent film based on the 1837 novel of the same name by Charles Dickens. The film was produced by Vitagraph Studios and features John Bunny in the title role of Samuel Pickwick.
Ann Kirk was an American film actress who had a small career in the 1910s during the silent film era.
Albert W. Hale was a French-born American early film director and producer. He directed some 35 films from 1912 until 1915. He worked for Majestic Film Company studio, and the National Film Corporation.
Man's Genesis is a short 1912 silent American film starring Robert Harron and Mae Marsh. It was directed by D. W. Griffith for the Biograph Company and survives from an era from which many films are now lost. The movie's plot involves a grandfather recounting a story about cavemen fighting over a woman to his squabbling grandchildren. The work was described as being the first "primitive man" film ever made and, at the time, as the "greatest photoplay of its kind ever made". It is credited as being responsible for creating the pre-historic film boom that occurred in the following years. The film was re-issued alongside other Biograph films on July 23, 1915.
References
- 1 2 The Moving Picture World. Vol. 26. p. 2309.
- 1 2 3 The Moving Picture World. Vol. XXVII January-March, 1916. p. 133.
