Murder in the Big House | |
---|---|
Directed by | B. Reeves Eason |
Screenplay by | Original screenplay by Raymond L. Schrock |
Based on | An idea by Jerry Chodorov |
Starring | Van Johnson Faye Emerson |
Cinematography | Ted McCord |
Edited by | Terry Morse |
Production companies | |
Distributed by | Warner Bros. |
Release date |
|
Running time | 59 minutes |
Country | United States |
Language | English |
Murder in the Big House is a black-and-white American crime drama, [1] released by Warner Bros in April 1942. [2] [3] [4] [5] Structured as an hour-long second feature, it is directed by the prolific specialist in low-budget action productions, B. Reeves Eason, and stars Van Johnson, who is top-billed above the title, in his first credited film role [6] which represents the entire output of his six-month contract with the studio. [7] [8]
The female lead, Faye Emerson, billed alongside Johnson above the title, played starring and co-starring parts in a small number of B pictures during 1940s and achieved TV stardom at the end of the decade and in the 1950s as a glamorous interviewer and personality during the medium's formative years.
Following Johnson's rise to become the 1945 top box-office attraction as a leading man and Emerson's marriage to the president's son, Elliott Roosevelt, the film was re-released to theaters in late 1945 and early 1946 under the title Born for Trouble. [9] [10] [11]
Upon receiving a message from death row inmate "Dapper Dan" Malloy (Michael Ames), "Scoop" Conner (George Meeker), top investigative reporter for the Morning News, visits him in prison and learns that before he is to die in the electric chair the following day, Malloy intends to incriminate some top officials complicit in corruption and the murder of the district attorney for which Malloy and his criminal associate "Mile-Away" Gordon (Roland Drew) were sentenced. Trying to prevent the exposure, Malloy's lawyer Bill Burgen (Douglas Wood), himself a member of the corrupt clique, falsely comforts Malloy with the claim that the governor will pardon him after first commuting the sentence to life imprisonment during a radio speech.
New young reporter Bert Bell (Van Johnson) who hopes to convince chief editor Jim "Pop" Ainslee (Joseph Crehan) to give him a chance to cover important events, talks about it with another young reporter, Gladys Wayne (Faye Emerson), who gives him quick-witted supportive advice. Meanwhile, Ainslee contacts the governor and, finding out that the execution will proceed as scheduled, assigns "Scoop" to go to the prison for Malloy's incriminating information. "Scoop", however, has managed to drink himself into a stupor, so Gladys takes the quick decision of handling it herself and has Bert accompany her to the prison. The night of the execution is stormy and reverberates with thunder as Warden Bevins (William Gould) tells the assembled reporters that Malloy has just been punished by a higher power via the bolt of lightning which fatally struck him through the window of his cell.
Malloy's body is displayed for the reporters and the doctor confirms that he died by electricity. Bert secretly photographs Malloy's burns and, back at the office, Ainslee fires and then assigns "Scoop", Bert and Gladys to the case, when she tells him that Malloy was murdered in the electric chair to prevent him from talking. Warden Bevins readily agrees to an investigation, with "Scoop" and Bert being told by everyone, including "Mile-Away" Gordon that Malloy could not have been taken to the chair without anyone's knowledge or notice. "Scoop" and Bert become disheartened and decide to return but, during the drive back, their car becomes the target of bullets and attack by another automobile, causing it to crash. Leaving the seriously injured "Scoop" in the wrecked car, Bert sets out for help. Meanwhile, attorney Burgen has been trying to convince Gordon's wife (Ruth Ford) of the same "pardon" scheme that he had previously used for Malloy, but she is dubious.
Burgen returns to his limousine which is driven by Mike (Bill Phillips), who turns out to be the shooter who tried to kill "Scoop" and Bert. He sees Bert go to Mrs. Gordon's residence and tries to shoot both of them just as Bert finds out from Mrs. Gordon that Molloy was listening to the governor's speech through headphones which may have been electrified. Bert calls Ainslee to inform him that "Scoop" has been taken to a hospital and asks Mrs. Gordon for a chance to visit her husband in prison. On the night of Gordon's execution, he is also given headphones by the warden who arranges for these to be attached to the electric chair's high voltage. Bert exposes the method used to kill Malloy and tells Warden Bevins that he might as well sign a confession exposing the corrupt officials whom the murdered district attorney was in the process of indicting. Bevins points a gun at Bert, but Bert had earlier removed the bullets. A struggle ensues and the older Bevins loses. Chastened and defeated, Bevins names the corruptors, key among whom is lawyer Burgen. The governor decides not to execute Gordon, while Bert and Gladys end the film with a bantering conversation about marriage. [12]
"Murder Behind Bars! WHEN? WHO? HOW? 'Murder IN THE BIG HOUSE' A THRILLER!" [13]
"KILLERS GO MAD as murder strikes death row!" [14]
Steven H. Scheuer's TV Movie Almanac & Ratings 1958 & 1959 gives Murder in the Big House 2 stars (out of 4), stating that "[B]oth Faye and Van played their first big screen roles in this and it's a wonder they survived. Grade B effort with reporter solving murder for police who have supposedly been trained for the task." The Motion Picture Guide also had a low opinion, assigning 1½ stars (out of 5) and calling it a "[F]airly dull prison film starring Johnson (in his first big role) as cub reporter who, along with veteran newshound Meeker, exposes a murder ring inside the state pen." The write-up also notes that the film was "[R]e-released in 1945 as BORN FOR TROUBLE after Johnson became a star and Emerson married a Roosevelt."
Charles Van Dell Johnson was an American actor and dancer. He had a prolific career in film, television, theatre and radio, which spanned over 50 years, between 1940 and 1992. He was a major star at Metro-Goldwyn-Mayer during and after World War II, known for his upbeat and "all-American" screen persona, often playing young military servicemen, or in musicals.
Walter Sydney Vinnicombe was an English actor and comedian. He worked in film, television and theatre.
Faye Margaret Emerson was an American film and stage actress and television interviewer who gained fame as a film actress in the 1940s before transitioning to television in the 1950s and hosting her own talk show.
John Francis Regis Toomey was an American film and television actor.
Robert William Armstrong was an American film and television actor remembered for his role as Carl Denham in the 1933 version of King Kong by RKO Pictures. He delivered the film's famous final line: "It wasn't the airplanes. It was beauty killed the beast."
George Meeker was an American character film and Broadway actor.
Rose of Washington Square is a 1939 American musical drama film, featuring the already well-known popular song with the same title. Set in 1920s New York City, the film focuses on singer Rose Sargent and her turbulent relationship with con artist Barton DeWitt Clinton, whose criminal activities threaten her professional success in the Ziegfeld Follies.
Gang Busters is a 1942 Universal movie serial based on the radio series Gang Busters.
Cee Pee Johnson was an American jazz composer, bandleader, singer and multi-instrumentalist.
Joseph A. Creaghan was an American film actor. He appeared in more than 300 films between 1916 and 1965, and notably played Ulysses S. Grant nine times between 1939 and 1958, most memorably in Union Pacific and They Died with Their Boots On.
The Housekeeper's Daughter is a 1939 comedy/drama film directed and produced by Hal Roach. The film stars Joan Bennett, Adolphe Menjou and John Hubbard. The screenplay was written by Rian James, Gordon Douglas, Jack Jevne and Claude Martin, based on a novel by Donald Henderson Clarke.
Lady Gangster is a 1942 Warner Bros. B picture crime film directed by Robert Florey, credited as "Florian Roberts". It is based on the play Gangstress, or Women in Prison by Dorothy Mackaye, who in 1928, as #440960, served less than ten months of a one- to three-year sentence in San Quentin State Prison. Lady Gangster is a remake of the pre-Code film, Ladies They Talk About (1933). Jackie Gleason plays a supporting role.
The Falcon Takes Over, is a 1942 black-and-white mystery film directed by Irving Reis. Although the film features the Falcon and other characters created by Michael Arlen, its plot is taken from the Raymond Chandler novel Farewell, My Lovely, with the Falcon substituting for Chandler's archetypal private eye Philip Marlowe and the setting of New York City replacing Marlowe's Los Angeles beat. The B film was the third, following The Gay Falcon and A Date with the Falcon (1941), to star George Sanders as the character Gay Lawrence, a gentleman detective known by the sobriquet the Falcon.
I Killed That Man is a 1941 American mystery film directed by Phil Rosen and starring Ricardo Cortez, Joan Woodbury and Iris Adrian. Produced by the King Brothers for release by Monogram Pictures, it is a remake of the 1933 film The Devil's Mate which Rosen had also directed.
Uncertain Glory is a 1944 American World War II crime drama film, directed by Raoul Walsh and starring Errol Flynn and Paul Lukas.
The Big Shot (1942) is an American film noir crime drama film starring Humphrey Bogart as a crime boss and Irene Manning as the woman he falls in love with. Having finally reached stardom with such projects as The Maltese Falcon (1941), this would be the last film in which former supporting player Bogart would portray a gangster for Warner Bros..
The Great Redeemer is a 1920 American silent Western film co-directed by Maurice Tourneur and Clarence Brown and starring House Peters, Marjorie Daw, Jack McDonald, and Joseph Singleton.
Bert Moorhouse was an American character actor whose career began at the very tail end of the silent era, and lasted through the mid-1950s.
The Lady Wants Mink is a 1953 American comedy film directed by William A. Seiter and written by Dane Lussier and Richard Alan Simmons. The film stars Dennis O'Keefe, Ruth Hussey, Eve Arden, William Demarest, Gene Lockhart and Hope Emerson. The film was released on March 30, 1953, by Republic Pictures.
City Without Men is a 1943 American film noir crime film directed by Sidney Salkow and starring Linda Darnell, Edgar Buchanan and Michael Duane. It was released by Columbia Pictures on January 14, 1943. A group of women lives in a boarding house near a prison where the residents are the wives of the prison inmates.