An X rating is a film rating that indicates that the film contains content that is considered to be suitable only for adults. Films with an X rating may have scenes of graphic violence or explicit sexual acts that may be disturbing or offensive to some viewers. The X rating is used in different ways by different countries, and it may have legal or commercial implications for the distribution and exhibition of such films. For example, some countries may ban or restrict the sale or rental of X-rated films, while others may allow them only in specific theaters or with special taxes. Some countries may also have different criteria or definitions for what constitutes an X-rated film, and some may consider the artistic merit of the film as a factor in classification. The X rating has been replaced or renamed by other ratings in some countries over time.
A motion picture content rating system classifies films based on their suitability for audiences due to their treatment of issues such as sex, violence, or substance abuse, their use of profanity, or other matters typically deemed unsuitable for children or adolescents. Most countries have some form of rating system that issues determinations variously known as certifications, classifications, certificates, or ratings. Age recommendations, of either an advisory or restrictive capacity, are often applied in lieu of censorship; in some jurisdictions movie theaters may have a legal obligation to enforce restrictive ratings.
The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945. Under Hays's leadership, the MPPDA, later the Motion Picture Association of America (MPAA) and the Motion Picture Association (MPA), adopted the Production Code in 1930 and began rigidly enforcing it in 1934. The Production Code spelled out acceptable and unacceptable content for motion pictures produced for a public audience in the United States.
Television content rating systems are systems for evaluating the content and reporting the suitability of television programmes for minors. Many countries have their own television rating system and countries' rating processes vary by local priorities. Programmes are rated by the organization that manages the system, the broadcaster, or the content producers.
The Ontario Film Review Board is an inactive agency of the government of the Canadian province of Ontario that was formerly responsible for that province's motion picture rating system. Until 2015, the board reported to the Minister of Consumer Services but as of 1 October 2015, the board was overseen by the Ontario Film Authority. The board's activities were based on the Film Classification Act, 2005.
Film censorship is the censorship of motion pictures, either through the excising of certain frames or scenes, or outright banning of films in their entirety. Film censorship typically occurs as a result of political or moral objections to a film's content; controversial content subject to censorship include the depiction of graphic violence, sexual situations, or racial themes. Censorship standards vary widely by country, and can vary within an individual country over time.
The Movie and Television Review and Classification Board is a Philippine government agency under the Office of the President of the Philippines that is responsible for the classification and review of television programs, motion pictures and home videos.
The Central Board of Film Certification (CBFC) or Censor Board of Film Certification is a statutory film-certification body in the Ministry of Information and Broadcasting of the Government of India. It is tasked with "regulating the public exhibition of films under the provisions of the Cinematograph Act 1952." The Cinematograph Act 1952 outlines a strict certification process for commercial films shown in public venues. Films screened in cinemas and on television may only be publicly exhibited in India after certification by the board and edited.
The Film Censorship Board of Malaysia is a Malaysian government ministry that vets films. It is under the control of the Ministry of Home Affairs.
The British Board of Film Classification (BBFC) is a non-governmental organisation founded by the British film industry in 1912 and responsible for the national classification and censorship of films exhibited at cinemas and video works released on physical media within the United Kingdom. It has a statutory requirement to classify all video works released on VHS, DVD, Blu-ray, and, to a lesser extent, some video games under the Video Recordings Act 1984. The BBFC was also the designated regulator for the UK age-verification scheme, which was abandoned before being implemented.
The Australian Classification Board is an Australian government statutory body responsible for the classification and censorship of films, television programmes, video games and publications for exhibition, sale or hire in Australia.
Film censorship in Malaysia is pervasive since its conception under British rule under the 1908 Theatre Ordinance enacted by the Straits Settlements colonial government starting 1912. Even with the successive independence of these colonies, the Film Censorship Board of Malaysia is the government ministry that which dictates whether, when, and how a film gets released in the country. It is under the control of the Ministry of Home Affairs. The government censors film content for mainly homosexual, political and religious reasons.
LIPIA is a Saudi educational institution established in Jakarta, Indonesia. The college is a branch of the Imam Muhammad ibn Saud Islamic University in Riyadh, Saudi Arabia. The main purpose is to teach Arabic and Islam. The college has been accused of promoting a fundamentalist view of Islam, harbouring political Islamists and Salafists.
The Kenya Film Classification Board is a state corporation that operates under the Government of Kenya whose mandate is to "regulate the creation, broadcasting, possession, distribution and exhibition of films by rating them." The Board was founded in 1963 with the commencement of the laws outlined in the Films and Stage Plays Act of 1962 and has since involved itself in the rating and classification of films and television programmes. More recently, it has caused controversy by banning several films, such as the American box office success The Wolf of Wall Street, the Kenyan film Stories of Our Lives, Rafiki, and the 2015 film Fifty Shades of Grey based on the novel of the same name. The Board has also regulated television content, including advertisements.
Ratu Felisha Renatya better known as Ratu Felisha or Feli is an Indonesian model and actress, known for The Chanting (2006), Something in the Way (2013), and Badoet (2015).
This page lists public opinion polls conducted for the 2024 Indonesian presidential election. Incumbent president Joko Widodo is ineligible to run for a third term.
The Ministry of Investment/Indonesia Investment Coordinating Board is a government ministry formed by the Indonesian government in 2021. The ministry is responsible for investment affairs and facilitating easiness of investment in Indonesia.
The Waqf Agency of Indonesia is an independent non-structural agency in Indonesia responsible for advancing and developing waqf activities within the country. The realization of Law no. 41 concerning Waqf, the government body's functions include overseeing the management of waqf assets on a national and international scale, providing regulatory approvals regarding how assets are used, advising the government on related policies, and promoting public participation in waqf for the greater benefit of the public.
The 11th Jakarta International Film Festival was held from 4 to 12 December 2009. Riri Riza's Sang Pemimpi marks the first Indonesian film to open the festival. The festival was closed by anthology film New York, I Love You. A total of 114 films from 24 countries were screened during the festival.
