Fire Party

Last updated
Fire Party
OriginWashington, D.C. United States
Genres
LabelsDischord
Past members
  • Natalie Avery
  • Amy Pickering
  • Kate Samworth
  • Nicky Thomas

Fire Party was a band from Washington, D.C. They were together from the autumn of 1986 to the spring of 1990. The band members were Amy Pickering (vocals), Natalie Avery (guitar), Kate Samworth (bass), and Nicky Thomas (drums). [1]

Contents

History

Amy Pickering was involved in the D.C. hardcore scene as a high school student at H-B Woodlawn. [2] She then went on to work at Dischord Records. On her first day of work there, she tore down a sign that said "No Skirts Allowed". [3] Oman Emmet, previously known as Tomas Squip of Beefeater, named Pickering as "the mother of the revolution" for her role in what became known as Revolution Summer in 1985, and he credited Pickering with "setting a season into motion." [4] [5] "Revolution Summer" had been a phrase Pickering used in notes she sent out to people in the D.C. punk scene to reflect "a climax, the end of something" and to re-inspire punks in D.C. [6] It led to events like the punk percussion protest which protested Apartheid in South Africa and President Ronald Reagan.

Before Nicky Thomas joined Fire Party, she previously played in bands such as Lebensluste and In Pieces. [7]

Pickering joined with Avery, Samworth, and Thomas to form Fire Party which, according to Avery, "grew out of this really tight-knit group of people very much shaped by a very small music scene". [8] The band made their debut on February of 1987 at d.c. space and their set was dedicated to the recently deceased Toni Young, a former member of the bands Red C and Dove, as well as one of the few women of color in the D.C. punk scene at the time. [9] [10] [11]

Fire Party released a six-song self-titled mini-LP, an eight-song album (New Orleans Opera) while together. They played some Midwest shows with Scream, and in early 1988, they toured Europe with them and also supported That Petrol Emotion. [1] [12] While in Europe, they recorded a session for John Peel's BBC Radio 1 show. [13] File 13, a punk fanzine from Massachusetts, referred to Fire Party as "one of the most powerful groups around today" in a review of New Orleans Opera, which the zine also cited as one of its favorite releases of 1989. [14]

A self-titled compilation of the tracks from their two albums plus their Peel session and "Pilate" from the State of the Union compilation was released by Dischord in 1996. [1] [15]

Despite their small discography, Fire Party, along with related "Revolution Summer" bands like Embrace and Rites of Spring, had a lasting influence on the artistic direction of American punk. [16] Apart from being an all-female band, a rarity in punk music at the time, drummer Nicky Thomas was also one of the few African American women involved in the punk music scene. Jenny Toomey, musician and co-founder of the Simple Machines record label, described Fire Party as "the world's first female-fronted emo band." [17]

Discography

Compilations

Notes

  1. 1 2 3 Strong, p. 333
  2. Andersen & Jenkins 2001 p. 92
  3. Andersen & Jenkins 2001 p. 141
  4. Andersen & Jenkins 2001 p. 182
  5. Crawford, Scott (2017). Spoke: Images and Stories from the 1980s Washington, DC Punk Scene (Illustrated ed.). Akashic Books. p. 95. ISBN   978-1617755002.
  6. Andersen & Jenkins 2001 p. 173, 209
  7. Andersen, Mark (2003). Dance of Days: Two Decades of Punk in the Nation's Capital (First Thus ed.). Akashic Books. p. 231. ISBN   978-1888451443.
  8. Crawford, Scott (2017). Spoke: Images and Stories from the 1980s Washington, DC Punk Scene (Illustrated ed.). Akashic Books. p. 94. ISBN   978-1617755002.
  9. Andersen, Mark (2003). Dance of Days: Two Decades of Punk in the Nation's Capital (First Thus ed.). Akashic Books. p. 230. ISBN   978-1888451443.
  10. Andersen, Mark (2003). Dance of Days: Two Decades of Punk in the Nation's Capital (First Thus ed.). Akashic Books. p. 228. ISBN   978-1888451443.
  11. Crawford, Scott (2017). Spoke: Images and Stories from the 1980s Washington, DC Punk Scene (Illustrated ed.). Akashic Books. p. 97. ISBN   978-1617755002.
  12. Andersen & Jenkins 2001 p. 252
  13. "17/10/1989 - Fire Party", Keeping It Peel, BBC. Retrieved March 23, 2013
  14. Lo, Mark (February 1990). "Fire Party, "New Orleans Opera" review". File 13 (6): 15.
  15. Kellman, Andy "Fire Party Biography", Allmusic. Retrieved March 23, 2013
  16. Andersen & Jenkins 2001 p. 230, 231, 237
  17. Greenwald, Andy (2003). Nothing feels good : punk rock, teenagers, and emo. New York: St. Martin's Griffin. p. 14. ISBN   0-312-30863-9. OCLC   52819641.

Related Research Articles

<span class="mw-page-title-main">Minor Threat</span> American hardcore punk band

Minor Threat was an American hardcore punk band, formed in 1980 in Washington, D.C., by vocalist Ian MacKaye and drummer Jeff Nelson. MacKaye and Nelson had played in several other bands together, and recruited bassist Brian Baker and guitarist Lyle Preslar to form Minor Threat. They added a fifth member, Steve Hansgen, in 1982, playing bass, while Baker switched to second guitar.

<span class="mw-page-title-main">Rites of Spring</span> American punk rock band

Rites of Spring was an American punk rock band from Washington, D.C., formed in late 1983. Along with Embrace, and Beefeater, they were one of the mainstay acts of the 1985 Revolution Summer movement which took place within the Washington, D.C. hardcore punk scene.

<span class="mw-page-title-main">Embrace (American band)</span> American hardcore punk band

Embrace was a short-lived American hardcore band from Washington, D.C., active from the summer of 1985 to the spring of 1986. Along with Rites of Spring, and Beefeater, it was one of the mainstay acts of the 1985 Revolution Summer movement, and was one of the first bands to be dubbed in the press as emotional hardcore, though the members had rejected the term since its creation. The band included lead vocalist Ian MacKaye of the defunct hardcore punk act Minor Threat and three former members of his brother Alec's band, the Faith: guitarist Michael Hampton, drummer Ivor Hanson, and bassist Chris Bald. Hampton and Hanson had also previously played together in S.O.A. The band played their first show on July 28, 1985, at Food for Thought, a former restaurant and music venue located on Washington, D.C.'s Dupont Circle; their ninth and final show was held at the 9:30 Club in March 1986. The only recording released by the quartet was their posthumous 1987 self-titled album, Embrace, being influenced by the Faith EP Subject to Change.

<i>Embrace</i> (American band Embrace album) 1987 studio album by Embrace

Embrace is the debut record and the only release by the American post-hardcore band Embrace.

<span class="mw-page-title-main">Washington, D.C. hardcore</span> Hardcore punk scene of Washington, D.C.

Washington, D.C. hardcore, commonly referred to as D.C. hardcore, sometimes styled in writing as harDCore, is the hardcore punk scene of Washington, D.C. Emerging in late 1979, it is considered one of the first and most influential punk scenes in the United States.

<i>Skewbald/Grand Union</i> (EP) 1991 EP by Skewbald/Grand Union

Skewbald/Grand Union, also known as 2 Songs, is the eponymous archival EP featuring the only studio recordings by American hardcore punk band Skewbald/Grand Union.

Beefeater was an American post-hardcore band from late 1984 until late 1986. Along with Embrace and Rites of Spring, they were one of the mainstay acts of the 1985 Revolution Summer movement which took place within the Washington, D.C. hardcore punk scene. They were pioneers of the post-hardcore genre in the mid-1980s with bands like Embrace, Rites of Spring and Gray Matter, among others.

Soulside, also spelled Soul Side, was an American post-hardcore band from the greater Washington, D.C. area. The original name of the band was Lunchmeat which was formed by high school students Bobby Sullivan, Chris Thomson, Scott McCloud and Alexis Fleisig in 1985. Lunchmeat played their last show under that name on August 29 of the same year as the group went on hiatus while the members went to college.

Positive Force DC is an activist organization founded in 1985 by members of the punk community in Washington, D.C. It has organized hundreds of benefit concerts for community and activist groups, and worked alongside Fugazi, Bikini Kill, Nation of Ulysses, Girls Against Boys, Q and Not U and other bands arising from the capital’s punk scene. Positive Force has also engaged in many other forms of progressive activism in the D.C. area, and from about 1985 to the mid-1990s there was a Positive Force house in Arlington, Virginia, where various members of the group lived and which the organization operated from.

Mark Andersen is a punk rock community activist and author who lives in Washington D.C. He was born and raised in rural Montana, and moved to Washington D.C. in 1984 to attend graduate school at the Johns Hopkins School of Advanced International Studies (SAIS).

Christina Billotte is an American singer, songwriter, and guitarist, known for her involvement in the punk music scene in Washington, D.C., as a performer and organizer. She is included in Venus Zine's list "The Greatest Female Guitarists of All Time".

Bloody Mannequin Orchestra were an influential early 1980s punk band from Bethesda, MD. They formed around a small, but active, scene at Bethesda-Chevy Chase High School and were part of the larger D.C hardcore community. The band members were Colin Sears, Roger Marbury, Alex Mahoney, Sharon Cheslow and Charles Bennington.

<span class="mw-page-title-main">Jen Smith</span>

Jen Smith is an artist, musician, zine editor, and activist from the United States. Smith is credited with being the inspiration behind the term riot grrrl and being one of the architects of the movement.

Bent edge or curved edge was a hardcore punk subculture that was formed as counter-movement to the straight edge movement. It was started by members of Washington, DC hardcore scene who were fed up with the rigidness and intolerance in the nascent straight edge scene. To combat straight edge, they started throwing beer- and drug-fuelled punk shows. The point of these shows was to be the complete antithesis of straight edge.

<span class="mw-page-title-main">Youth Brigade (Washington, D.C., band)</span> Punk rock band from Washington, D.C.

Youth Brigade was an American hardcore punk band from Washington, D.C., formed in late 1980 and disbanded in 1981. They released the Possible EP and appeared on the Flex Your Head compilation, both on Dischord Records. Although active for less than a year, they were nevertheless contributors to the development of D.C. hardcore punk and have influenced many other bands. Several members briefly reunited for performances in 2012 and 2013.

<i>20 Years of Dischord</i> 2002 box set by various artists

20 Years of Dischord is a three-disc box set compiled by Washington-based record label Dischord Records to commemorate its 20th anniversary.

<span class="mw-page-title-main">Me and You (Egg Hunt song)</span> 1986 single by Egg Hunt

The single play record "Me and You", also known as Egg Hunt, and 2 Songs, is the first and only stand-alone release by the American experimental post-hardcore duo Egg Hunt.

Revolution Summer was a phrase coined by an employee of Dischord Records in an effort to revive the hardcore punk scene of Washington, D.C. during the summer of 1985.

Suture was an American punk rock and indie rock trio based in Washington, D.C., affiliated with early riot grrrl. Suture consisted of Kathleen Hanna, Sharon Cheslow, and Dug E. Bird aka Doug Birdzell.

Holy Rollers was an American punk band that formed in 1988 in Washington, D.C. The band initially was composed of guitarist/vocalist Marc Lambiotte, bassist/vocalist Joe Aronstamn, and drummer/vocalist Max Micozzi. Band members alternated lead vocals and Holy Rollers were the first D.C. punk band to incorporate three-part harmonies. Music historians and authors Mark Andersen and Mark Jenkins described the band's sound as "kinetic punk-funk" with "passionate, message-driven songs." Holy Rollers were a part of new trend in post-hardcore artistic diversity that developed within the D.C. punk scene of the late 1980s and early 1990s. They released three albums on Dischord Records, an American punk label that Noisey described as "one of the most respected and revered [record labels], punk or otherwise, in the world." As AllMusic declared, "[w]ithout being an arena act or coming off with the aggrandizing air of one, the Holy Rollers still make big music that can inspire and go beyond simple post-hardcore approaches."

References