"Fire Waltz" | |
---|---|
Composition by Mal Waldron | |
from the album The Quest | |
Released | 1961 |
Recorded | June 27, 1961; Englewood Cliffs, New Jersey, U.S. |
Genre | Jazz |
Label | Prestige |
Composer(s) | Mal Waldron |
"Fire Waltz" is a composition by Mal Waldron. The original version, by Waldron's sextet featuring Eric Dolphy and Booker Ervin, was recorded on June 27, 1961. It has become a jazz standard. [1]
Mal Waldron reported that he wrote the song the night before recording it. [2] "Fire Waltz" is a 16-bar composition with the form AABA. [3]
The composition was first recorded on June 27, 1961. [4] The sextet contained Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone), Waldron (piano), Ron Carter (cello), Joe Benjamin (bass), and Charlie Persip (drums). [4] It was released on Waldron's album The Quest . [5]
Eric Allan Dolphy Jr. was an American jazz alto saxophonist, bass clarinetist and flautist. On a few occasions, he also played the clarinet and piccolo. Dolphy was one of several multi-instrumentalists to gain prominence in the same era. His use of the bass clarinet helped to establish the instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.
Malcolm Earl "Mal" Waldron was an American jazz pianist, composer, and arranger. He started playing professionally in New York in 1950, after graduating from college. In the following dozen years or so Waldron led his own bands and played for those led by Charles Mingus, Jackie McLean, John Coltrane, and Eric Dolphy, among others. During Waldron's period as house pianist for Prestige Records in the late 1950s, he appeared on dozens of albums and composed for many of them, including writing his most famous song, "Soul Eyes", for Coltrane. Waldron was often an accompanist for vocalists, and was Billie Holiday's regular accompanist from April 1957 until her death in July 1959.
Booker Telleferro Ervin II was an American tenor saxophone player. His tenor playing was characterised by a strong, tough sound and blues/gospel phrasing. He is remembered for his association with bassist Charles Mingus.
Theodore Curson was an American jazz trumpeter.
The Blues and the Abstract Truth is an album by American composer and jazz saxophonist Oliver Nelson recorded in February 1961 for the Impulse! label. It remains Nelson's most acclaimed album and features a lineup of notable musicians: Freddie Hubbard, Eric Dolphy, Bill Evans, Paul Chambers and Roy Haynes. Baritone saxophonist George Barrow does not take solos but remains a key feature in the subtle voicings of Nelson's arrangements. The album is often noted for its unique ensemble arrangements and is frequently identified as a progenitor of Nelson's move towards arranging later in his career.
Mingus at Antibes was originally issued by BYG Records under the title Charles Mingus Live With Eric Dolphy in Japan in 1974. It was recorded at a live 1960 performance at the Jazz à Juan festival at Juan-les-Pins by jazz bassist and composer Charles Mingus; and was re-released by Atlantic Records in more complete form as a double album with the title Mingus In Antibes in the United States in 1976.
Clifford Laconia Jordan was an American jazz tenor saxophone player. While in Chicago, he performed with Max Roach, Sonny Stitt, and some rhythm and blues groups. He moved to New York City in 1957, after which he recorded three albums for Blue Note. He recorded with Horace Silver, J.J. Johnson, and Kenny Dorham, among others. He was part of the Charles Mingus Sextet, with Eric Dolphy, during its 1964 European tour.
At the Five Spot, Vols. 1 and 2, is a pair of jazz albums documenting one night from the end of Eric Dolphy and Booker Little's two-week residency at the Five Spot in New York. This was the only night to be recorded. The engineer was Rudy Van Gelder.
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Percussion Bitter Sweet is an album by jazz drummer Max Roach recorded in 1961, released on Impulse! Records. It was trumpeter Booker Little's penultimate recording before he died from uremia in early October 1961.
Far Cry is a jazz album by musician Eric Dolphy with trumpeter Booker Little, originally released in 1962 on New Jazz, a subsidiary of the Prestige label. Featuring their co-led quintet, it is one of the few studio recordings of their partnership. It is also one of the earliest appearances of bassist Ron Carter on record. Dolphy took part in Ornette Coleman's Free Jazz session before recording this album on the same day. He had participated in the recording of Jazz Abstractions the previous day.
Here and There is a jazz album by multi-instrumentalist Eric Dolphy. It was originally released in 1966 on the Prestige label as PRLP 7382. It contains tracks recorded on three separate dates, in different locations. Mal Waldron's "Status Seeking" and Dolphy's solo bass clarinet version of Billie Holiday's "God Bless the Child" were recorded on July 16, 1961 at the Five Spot in New York City as part of the concert that was documented on the At the Five Spot recordings. "April Fool" and "G.W. " were recorded on April 1, 1960 at Van Gelder Studio in Englewood Cliffs, New Jersey as part of the session that yielded Outward Bound, Dolphy's first album as a leader. "Don't Blame Me" was recorded on September 6, 1961 in Berlingske Has, Copenhagen, Denmark during Dolphy's second European tour, as part of the sessions that produced Eric Dolphy in Europe Volumes 1-3.
Cornell 1964 is a live album by the Charles Mingus Sextet, featuring multi-instrumentalist Eric Dolphy. It was recorded at Cornell University in Ithaca, New York, on March 18, 1964.
The Quest is an album by American jazz pianist Mal Waldron that was released by the New Jazz in July 1962. It was recorded in June 1961, with Eric Dolphy and Booker Ervin. Some reissues of the album have appeared under Eric Dolphy's name.
Where Are You? is an album by jazz pianist Mal Waldron recorded in 1989 and released on the Italian Soul Note label.
Straight Ahead is an album by American jazz vocalist Abbey Lincoln featuring performances recorded in 1961 for the Candid label.
Dedicated to Dolphy is an album by American jazz saxophonist Oliver Lake recorded in 1994 for the Italian Black Saint label. The album is Lake's second tribute to multi-instrumentalist Eric Dolphy following Prophet (1984).
Mingus is an album by the jazz bassist and composer Charles Mingus. The album was recorded in October and November 1960 in New York and released in late 1961 on Nat Hentoff's Candid label.
Sixty-Eight is a jazz album by drummer Billy Hart, released on SteepleChase in 2011. The album marks Hart's 68th recording for Steeplechase, and his 68th year.
Where? is the debut album by bassist Ron Carter recorded in 1961 at Van Gelder Studio and released on the New Jazz label. Some reissues of the album appear under Eric Dolphy's name.