William B. Lawsha, better known as Prince Lasha, was an American jazz alto saxophonist, baritone saxophonist, flautist, clarinetist and English horn player.
Out to Lunch! is a 1964 album by jazz multi-instrumentalist Eric Dolphy. His only recording on Blue Note as a leader, it was issued as BLP 4163 and BST 84163. Featuring Dolphy in a quintet with trumpeter Freddie Hubbard, vibraphonist Bobby Hutcherson, bassist Richard Davis and drummer Tony Williams, it was generally considered by critics as one of the finest albums issued on Blue Note, and widely viewed as one of the high points of 1960s avant-garde jazz. The album cover designed by Reid Miles features a photo of a "Will Be Back" sign displayed in a shop window showing a seven handed clock.
Huey "Sonny" Simmons was an American jazz musician.
Miles & Quincy: Live at Montreux is a collaborative live album by American jazz trumpeter Miles Davis and conductor Quincy Jones. It was recorded at the 1991 Montreux Jazz Festival and released by Warner Bros. Records in 1993.
Crossings is the tenth album by jazz pianist Herbie Hancock, released in 1972. It is the second album in his Mwandishi period, which saw him experimenting in electronics and funk with a sextet featuring saxophonist Bennie Maupin, trumpeter Eddie Henderson, trombonist Julian Priester, bassist Buster Williams and drummer Billy Hart. The album is the band's first to feature synthesizer player Patrick Gleeson. He was scheduled to "set up his Moog for Hancock to play." However, Hancock was so impressed with Gleeson that he "asked Gleeson not only to do the overdubs on the album but join the group."
Miles Davis & Gil Evans: The Complete Columbia Studio Recordings is a box set of music by jazz musicians Miles Davis and Gil Evans originally released on CD in 1996 and remastered and re-released in 2004. It collects work from 1957 through 1968 at Columbia Records recording studios.
Iron Man is an album by American jazz multi-instrumentalist Eric Dolphy, recorded in 1963 and released by the Douglas International label in 1968. The album was reissued on disc two of Musical Prophet: The Expanded 1963 New York Studio Sessions, released in 2018 by Resonance Records.
Sama Layuca is a studio album by American jazz pianist McCoy Tyner, released in 1974 by Milestone Records. It was recorded on March 26, 27, and 28, 1974, featuring oboist/flautist John Stubblefield, alto saxophonist Gary Bartz, tenor saxophonist Azar Lawrence, vibraphonist Bobby Hutcherson, bassist Buster Williams, drummer Billy Hart and percussionists Guilherme Franco and Mtume.
Focal Point is a 1976 album by jazz pianist McCoy Tyner, his tenth to be released on the Milestone label. It was recorded during four days in August 1976 and features a septet fronted by three reed players who were in part multiplied through overdubs. On one track Tyner is heard picking a dulcimer backed by tablas, evoking the sound of an Indian sitar. "Parody" is a duo with Eric Gravatt on drums. The album was digitally remastered at Fantasy Studios in 1999 and re-released on Original Jazz Classics.
Together is a 1979 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in August and September 1978 and features performances by Tyner with trumpeter Freddie Hubbard, flautist Hubert Laws, tenor saxophonist/bass clarinetist Bennie Maupin, vibraphonist Bobby Hutcherson, bassist Stanley Clarke, drummer Jack DeJohnette and percussionist Bill Summers.
Straight Ahead is a jazz studio album by saxophonist Oliver Nelson. It features acclaimed musicians such as Eric Dolphy on sax, clarinet and flute, and Roy Haynes on drums. It was recorded in March 1961 at the celebrated Van Gelder Studio in Englewood Cliffs. All the pieces were first takes; Joe Goldberg recalls: "The session was scheduled for one in the afternoon and I arrived at 3:30, thinking that by then the music would have been rehearsed and the men would be starting to play. What I found was a studio empty of everyone but A&R man Esmond Edwards", the supervisor, "and engineer Rudy Van Gelder, who were packing up to leave and looking very satisfied." Released in 1961 for the Prestige/New Jazz label and remastered in 1989, the album is notable for its long and thoughtful horn duets by Dolphy and Nelson. Don DeMicheal described the album "All in all, a warm, very human record".
Crystals is an album by Sam Rivers released by Impulse! Records in 1974 in a stereo/quadraphonic format.
Conversations is a 1963 album by American jazz multi-instrumentalist, Eric Dolphy first released by the FM label and later reissued by Vee-Jay as The Eric Dolphy Memorial Album the following year. The album was reissued on disc one of Musical Prophet: The Expanded 1963 New York Studio Sessions, released in 2018 by Resonance Records.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
Illumination! is a 1964 album by the Elvin Jones/Jimmy Garrison Sextet, featuring John Coltrane Quartet bandmates Jones, Garrison and pianist McCoy Tyner playing with alto saxophonist Sonny Simmons, flautist Prince Lasha and baritone saxophonist Charles Davis.
Sunburst is an album by American jazz trumpeter Eddie Henderson recorded in 1975 and released on the Blue Note label.
Giant Box is a double album by American arranger/conductor and composer Don Sebesky recorded in 1973 and released on the CTI label.
Music from Other Galaxies and Planets is an album by trumpeter/bandleader Don Ellis recorded in 1977 and released on the Atlantic label. The album features Ellis' recording of the "Theme from Star Wars" which was released as a single.
The Cry! is an album by saxophonists Prince Lasha and Sonny Simmons which was recorded in late 1962 and released on the Contemporary label.
Inside Story is an album by saxophonist Prince Lasha, recorded in 1965 but not released on the Enja label until 1981. The compact disc appends the album Search for Tomorrow, a 1974 live album recorded at the Berkeley Jazz Festival, and previously released as Live At Berkeley Jazz Festival Vol. 2.
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