The fish palettes of predynastic Egypt are one of the common types of cosmetic palettes, or more specifically zoomorphic palettes, which are shaped in the form of the animal portrayed. The fish palettes are mostly ovoid in shape.
The palettes are made mostly of schist, greywacke, mudstone, etc.
The oldest cosmetic palettes from the Badarian, or Naqada I period are less adorned than later versions; also some gradation of ornateness should be considered for graves and tombs of less high-status individuals being interred, as these were common forms of grave goods during the Naqada periods.
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The North Carolina Museum of Art has a Bulti-fish palette, greywacke, with dimensions about 5 x 3.25 in. It is smaller than the large palettes, but has fins portrayed on the dorsal, tail, and pectoral fins, front and rear. The mouth is formed, and there is a suspension hole. [1]
A 19 cm (7 in) long Bulti-fish type palette was found at Adaima, Egypt, Tomb S218. It is probably Naqada I, has a simple, truncated height dorsal fin, but is of the extended body length, as in the Bulti fish. It has a very simple stub of a tail fin, no fins incised, and 3 lines each for forward, and rear pectoral fins. Two forward arced lines form gill slits, and a yellowish eye is made with inlay. [2]
The Louvre dolphin type fish palette is a Naqada I, or II palette. It has simple fish fin grooves on its tail, and its dorsal fin, towards the rear. The palette has an inlaid white eye, (often of shell). Because of its extended length, it contains three suspension holes.
The fish palette at the Kunsthistorisches Museum, Vienna, is more ornate than common fish palettes. It is a Bulti-fish type, and notable for a large cosmetic mixing circle adorning the center of the fish (photo: ). [3] Other small animals are inscribed on the fish body in low bas relief, a fish, a duck with two ducklings, a crocodile, and a 2nd bird.
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The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest hieroglyphic inscriptions ever found. The tablet is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. On one side, the king is depicted with the bulbed White Crown of Upper (southern) Egypt, and the other side depicts the king wearing the level Red Crown of Lower (northern) Egypt. Along with the Scorpion Macehead and the Narmer Maceheads, also found together in the main deposit at Nekhen, the Narmer Palette provides one of the earliest known depictions of an Egyptian king. The Palette shows many of the classic conventions of Ancient Egyptian art, which must already have been formalized by the time of the Palette's creation. The Egyptologist Bob Brier has referred to the Narmer Palette as "the first historical document in the world".
The prehistory of Egypt spans the period from the earliest human settlement to the beginning of the Early Dynastic Period around 3100 BC, starting with the first Pharaoh, Narmer for some Egyptologists, Hor-Aha for others, with the name Menes also possibly used for one of these kings. This Predynastic era is traditionally equivalent to the final part of the Neolithic period beginning c. 6000 BC and ending in the Naqada III period c. 3000 BC.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs.
Hedjet is the formal name for the White Crown of pharaonic Upper Egypt. After the unification of Upper and Lower Egypt, it was combined with the Deshret, the Red Crown of Lower Egypt, to form the Pschent, the double crown of Egypt. The symbol sometimes used for the White Crown was the vulture goddess Nekhbet shown next to the head of the cobra goddess Wadjet, the uraeus on the Pschent.
The serpopard is a mythical animal known from ancient Egyptian and Mesopotamian art. The word "serpopard" is a modern coinage. It is a portmanteau of "serpent" and "leopard", derived from the interpretation that the creature represents an animal with the body of a leopard and the long neck and head of a serpent. However, they have also been interpreted as "serpent-necked lions". There is no known name for the creature in any ancient texts.
Naqada III is the last phase of the Naqada culture of ancient Egyptian prehistory, dating from approximately 3200 to 3000 BC. It is the period during which the process of state formation, which began in Naqada II, became highly visible, with named kings heading powerful polities. Naqada III is often referred to as Dynasty 0 or the Protodynastic Period to reflect the presence of kings at the head of influential states, although, in fact, the kings involved would not have been a part of a dynasty. In this period, those kings' names were inscribed in the form of serekhs on a variety of surfaces including pottery and tombs.
This is a glossary of ancient Egypt artifacts.
Cosmetic palettes are archaeological artifacts, originally used in predynastic Egypt to grind and apply ingredients for facial or body cosmetics. The decorative palettes of the late 4th millennium BCE appear to have lost this function and became commemorative, ornamental, and possibly ceremonial. They were made almost exclusively out of siltstone with a few exceptions. The siltstone originated from quarries in the Wadi Hammamat.
The Amratian culture, also called Naqada I, was an archaeological culture of prehistoric Upper Egypt. It lasted approximately from 4000 to 3500 BC.
The zoomorphic palette is a type of cosmetic palette made during the predynastic period of Egypt. The palettes are found at burial sites, for example Abydos in the second half of the 4th millennium BC.
The Throw stick hieroglyph of ancient Egypt is an old hieroglyph that dates from the Predynastic Period; it is from the assemblage of hieroglyphs used on the ornamental, or ceremonial cosmetic palettes. It is used on the palettes both as a throwing-stick weapon in the animal hunt being portrayed-(the Hunters Palette), as well as on certain palettes, as a determinative referring to a "foreigner", or "foreign territory".
The Battlefield Palette may be the earliest battle scene representation of the dozen or more ceremonial or ornamental cosmetic palettes of ancient Egypt. Along with the others in this series of palettes, including the Narmer Palette, it includes some of the first representations of the figures, or glyphs, that became Egyptian hieroglyphs. Most notable on the Battlefield Palette is the standard, and Man-prisoner hieroglyph, probably the forerunner that gave rise to the concept of the Nine bows.
The Min Palette, or El Amrah Palette is an ancient Egyptian cosmetic palette from El-Amrah, Egypt, found in Naqada, tomb B62. It is held in the British Museum, no. 35501.
The Hunters Palette or Lion Hunt Palette is a circa 3100 BCE cosmetic palette from the Naqada III period of late prehistoric Egypt. The palette is broken: part is held by the British Museum and part is in the collection of the Louvre.
The Bull Palette is the fragment of an Ancient Egyptian greywacke palette, carved in low relief and used, at least in principle, as a cosmetic palette for the grinding of cosmetics. It is dated to Naqada III, the final two centuries of the fourth millennium BC, immediately preceding the Early Dynastic Period). It is in the collection of the Louvre, inventory no. E11255.
The Manshiyat Ezzat Palette is an ornately adorned schist cosmetic palette from predynastic Egypt found at a cemetery in the eastern Delta town of Manshiyat Ezzat, Dakahlia Governorate. The gravesite is from Pharaoh Den's reign, First Dynasty of Egypt. The palette is of low to moderate bas relief.
The following outline is provided as an overview of a topical guide to ancient Egypt:
The Nile River is a major resource for the people living along it, especially thousands of years ago. The El Salha Archaeological Project discovered an abundance of evidence of an ancient boat that traveled the Nile River dating back to 3,000 years ago. Pictographs and pebble carvings were uncovered, indicating a boat more advanced than a simple canoe. This evidence of a progressed Nile boat includes a steering system which may have been used in the Nile for fishing and transportation.
The ancient Egyptians regarded beauty as a sign of holiness. Everything they used had a spiritual aspect to it, including cosmetics. Both men and women wore makeup. Traders traded makeup often, especially in the upper classes. In tombs, cosmetic palettes were found buried in gold with the deceased as grave goods, which further emphasized the idea that cosmetics were not only used for aesthetic purposes but rather magical and religious purposes.
