Flint House is a domestic dwelling on the Waddesdon Estate, Buckinghamshire, England. It was commissioned by Jacob Rothschild, 4th Baron Rothschild, and completed in 2015, winning that year's RIBA House of the Year Award. [1] The architect was Charlotte Skene Catling, a partner of Skene Catling de la Peña. The stones for the exterior were hand-knapped by master flint knappers John Lord and Simon Williams in Norfolk. [2] The interiors were decorated and furnished by David Mlinaric, using an eclectic mix of modern contemporary pieces and older items from the Rothschild collection. The ethos of the house is that it blends and harmonises with the surrounding landscape and environment.
The site chosen for the house, is an isolated spot at the heart of the Waddesdon estate in open countryside surrounded by grass pastures and arable fields. It can be accessed only by a narrow unmetalled track. While it is only a few hundred metres from its nearest neighbours, the new Rothschild Archive building and a farm cottage, a fold in the landscape prevents the sight of buildings from the house and enhances its senses of isolation and being in nature.
Its architect has described the house as "jutting from the ground like a collision of tectonic plates". [3]
The house was given to the Rothschild Foundation, and is used to accommodate visitors including academics and artists working on projects at Waddesdon Manor, and the Rothschild Getty Fellow when at Waddesdon. It can be visited by arrangement at certain times. [4]
During initial surveys of the site, it was discovered that it sat directly above the seam of chalk which runs from Kent to Norfolk; this inspired the architect to use flint (a sediment of chalk) and limestone as the principal building materials. [5] Despite an abundance of the stone lying naturally on the Waddesdon estate, it was decided to use stone sourced from quarries in Norfolk. The knapped flints were graded into six almost imperceptible shades to create bands of colour in the walls, changing from the darkest flint at ground level to the lightest chalk at roof level. This seemingly naturally occurring colour scheme of stone creates an artful illusion of the building blending into the frequently grey skyscape against which it stands. [5] The flints were hand-knapped by master flint knapper John Lord, who used an ancient technique used to craft square section hand axes, originating in prehistoric Denmark. [2]
The long rectangular structure is designed with an unusual stepped roof which rises from the ground to the building's full height, creating wedge-shaped side elevations. The plan is long and thin, in places only one room wide. The building's triangular shape also resembles a flint.
The house's interior contains an open-plan ground floor with the kitchen at the centre of what is almost an enfilade, which includes a dining room, small sitting room, and a drawing room, beyond which is a study. The study was inspired by the Baron's Room at nearby Waddesdon Manor, where the private study of Baron Ferdinand de Rothschild contains a small spiral staircase leading to his bedroom directly above; at the Flint House, the study too contains a steep spiral staircase leading directly to the principal bedroom. The upper floor also contains two further bedrooms. Each of the three bedrooms has a small adjoining bathroom with a sunken bath, and its own private roof terrace almost hidden in the stepped roof.
Throughout the design, the elements of water, air and fire have been used to create an animation to the plan and reinforce the sense of nature: Air is created by the use of double height spaces and abundance of large windows which not only light the house, but bring the landscape within. Water is used to create a sense of fluidity and reflection: A small stream running near the house, has been diverted to run through and around the building before flowing to a nearby pool. The stream has been further enhance by small dams which limit and adjust the flow of water, from an imperceptibly slow flowing rill to a more agitated, fast flowing stream. In one recessed corner of the house, the stream forms a pool around which a glazed flint grotto, illuminated by small led lights, has been designed. While inside the house the water is visible through a glass floor which seems to create a bridge from the drawing room. Fire is reflected through a glass panel at the rear of the drawing room fireplace into the pool of the grotto at its rear.
The house has a small annex designed in the same style, detached from the main house but linked to it through an architectural scheme that presents a visual avenue flowing from the top of the stepped roof down the ground, then transforming into a rising stepped grass path leading to the annex. The annex itself is a smaller version of the main house intended for staff or guests.
The house rises directly from a planned but seemingly natural tangled wilderness of indigenous grasses and wild flowers. The roof's stepped design incorporates small rectangular pockets designed to be easily colonised by indigenous plants seeding naturally on the wind; this, in time, combined with the naturally occurring mosses and, in time, weather-worn stone steps of the roof, will further permit the building to blend into and be absorbed by the landscape. [6]
In 2015, Flint House won the RIBA House of the Year Award. [7] [1]
The Flint House is open to visitors at certain times or for group visits. [8] [9]
Flint, occasionally flintstone, is a sedimentary cryptocrystalline form of the mineral quartz, categorized as the variety of chert that occurs in chalk or marly limestone. Flint was widely used historically to make stone tools and start fires.
Knapping is the shaping of flint, chert, obsidian, or other conchoidal fracturing stone through the process of lithic reduction to manufacture stone tools, strikers for flintlock firearms, or to produce flat-faced stones for building or facing walls, and flushwork decoration. The original Germanic term knopp meant to strike, shape, or work, so it could theoretically have referred equally well to making statues or dice. Modern usage is more specific, referring almost exclusively to the hand-tool pressure-flaking process pictured. It is distinguished from the more general verb "chip" and is different from "carve", and "cleave".
Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England. Owned by National Trust and managed by the Rothschild Foundation, it is one of the National Trust's most visited properties, with over 463,000 visitors in 2019.
Eythrope is a hamlet and country house in the parish of Waddesdon, in Buckinghamshire, England. It is located to the south east of the main village of Waddesdon. It was bought in the 1870s by a branch of the Rothschild family, and belongs to them to this day.
Ascott House, sometimes referred to as simply Ascott, is a Grade II* listed building in the hamlet of Ascott near Wing in Buckinghamshire, England. It is set in a 32-acre / 13 hectare estate.
Mentmore Towers, historically known simply as "Mentmore", is a 19th-century English country house built between 1852 and 1854 for the Rothschild family in the village of Mentmore in Buckinghamshire. Sir Joseph Paxton and his son-in-law, George Henry Stokes, designed the building in the 19th-century revival of late 16th and early 17th-century Elizabethan and Jacobean styles called Jacobethan. The house was designed for the banker and collector of fine art Baron Mayer de Rothschild as a country home, and as a display case for his collection of fine art. The mansion has been described as one of the greatest houses of the Victorian era. Mentmore was inherited by Hannah Primrose, Countess of Rosebery, née Rothschild, and owned by her descendants, the Earls of Rosebery.
Halton House is a country house in the Chiltern Hills above the village of Halton in Buckinghamshire, England. It was built for Alfred Freiherr de Rothschild between 1880 and 1883. It is used as the main officers' mess for RAF Halton and is listed Grade II* on the National Heritage List for England.
The flintlock mechanism is a type of lock used on muskets, rifles, and pistols from the early 17th to the mid-19th century. It is commonly referred to as a "flintlock", though that term is also commonly used for the weapons themselves as a whole, and not just the lock mechanism.
George Devey was an English architect notable for his work on country houses and their estates, especially those belonging to the Rothschild family. The second son of Frederick and Ann Devey, he was born and educated in London.
Nathaniel Charles Jacob Rothschild, 4th Baron Rothschild,, is a British peer, investment banker and a member of the Rothschild banking family.
Schatzkammer, a German word which means "treasury" or "treasure chamber", is a term sometimes used in English for the collection of treasures, especially objets d’art in precious metals and jewels, of a ruler or other collector which are kept in a secure room and often found in the basement of a palace or castle. It also often included the wider types of object typical of the Renaissance cabinet of curiosities. A very small but evocative Renaissance room in a tower at Lacock Abbey was designed for keeping and viewing the treasures of the newly rich owner.
An aviary is a large enclosure for confining birds, although bats may also be considered for display. Unlike birdcages, aviaries allow birds a larger living space where they can fly; hence, aviaries are also sometimes known as flight cages. Aviaries often contain plants and shrubbery to simulate a natural environment.
Waddesdon Church of England School is a mixed secondary school in the village of Waddesdon, in Buckinghamshire. In September 2011 the school became an Academy. It takes children from the age of 11 through to the age of 18 and has approximately 950 pupils, including a sixth form of approximately 200 students. It is a Church of England school and is the only CofE secondary school in Buckinghamshire. It is administered by the Oxford Diocese.
Servants' quarters are those parts of a building, traditionally in a private house, which contain the domestic offices and staff accommodation. From the late 17th century until the early 20th century, they were a common feature in many large houses. Sometimes they are an integral part of a smaller house—in the basements and attics, especially in a town house, while in larger houses they are often a purpose-built adjacent wing or block. In architectural descriptions and guidebooks of stately homes, the servants' quarters are frequently overlooked, yet they form an important piece of social history, often as interesting as the principal part of the house itself.
Hangleton Manor Inn, the adjoining Old Manor House and associated buildings form a bar and restaurant complex in Hangleton, an ancient village which is part of the English city of Brighton and Hove. The manor house is the oldest secular building in the Hove part of the city; some 15th-century features remain, and there has been little change since the High Sheriff of Sussex rebuilt it in the mid-16th century. Local folklore asserts that a 17th-century dovecote in the grounds has been haunted since a monk placed a curse on it. The buildings that comprise the inn were acquired by Hangleton Manor Ltd in 1968, and converted to an inn under the Whitbread banner. The brewery company Hall & Woodhouse have owned and operated it since 2005. English Heritage has listed the complex at Grade II* for its architectural and historical importance, and the dovecote is listed separately at Grade II.
In 1898, Baron Ferdinand de Rothschild bequeathed to the British Museum as the Waddesdon Bequest the contents from his New Smoking Room at Waddesdon Manor. This consisted of a wide-ranging collection of almost 300 objets d'art et de vertu, which included exquisite examples of jewellery, plate, enamel, carvings, glass and maiolica. One of the earlier objects is the outstanding Holy Thorn Reliquary, probably created in the 1390s in Paris for John, Duke of Berry. The collection is in the tradition of a schatzkammer, or treasure house, such as those formed by the Renaissance princes of Europe; indeed, the majority of the objects are from late Renaissance Europe, although there are several important medieval pieces, and outliers from classical antiquity and medieval Syria.
Le Goût Rothschild,, describes a detailed, elaborate style of interior decoration and living which had its origin in France, Britain, Austria, and Germany during the nineteenth century, when the rich, famous, and powerful Rothschild family was at its height. The Rothschild aesthetic and life-style later influenced other rich and powerful families, including the Astors, Vanderbilts and Rockefellers, and became hallmarks of the American Gilded Age. Aspects of le goût Rothschild continued into the twentieth century, affecting such designers as Yves Saint Laurent and Robert Denning.
Spa Green Estate between Rosebery Avenue and St John St in Clerkenwell, London EC1, England, is the most complete post-war realisation of a 1930s radical plan for social regeneration through Modernist architecture. Conceived as public housing, it is now a mixed community of private owners and council tenants, run by a resident-elected management organization. In 1998 this work by the architect Berthold Lubetkin received a Grade II* listing for its architectural significance, and the major 2008 restoration brought back the original colour scheme, which recalls Lubetkin's contacts with Russian Constructivism.
Elie Lainé (1829-1911) was a French landscape architect, chiefly remembered for the restoration of the gardens at Vaux le Vicomte, the layout of the grounds at Waddesdon Manor and the creation of numerous parks and gardens for Léopold II, the king of Belgium.
Windmill Hill is a purpose-built archive and office complex near Waddesdon Manor. It houses family archives from Waddesdon Manor, a contemporary art collection, a reading room, and performance spaces. It was built in 2011 by Stephen Marshall Architects of London. Originally a dairy farm, the building is now representative of the conservation and environmental work of the Rothschild Foundation.
Charlotte Skene Catling, Skene Catling de la Peña, RIBA House of the Year Winner 2015