Tiziano Vecellio, Latinized as Titianus, hence known in English as Titian, was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, 'from Cadore', taken from his native region.
Richard Westall was an English painter and illustrator of portraits, historical and literary events, best known for his portraits of Byron. He was also Queen Victoria's drawing master.
The Chandos portrait is the most famous of the portraits that are believed to depict William Shakespeare (1564–1616). Painted between 1600 and 1610, it may have served as the basis for the engraved portrait of Shakespeare used in the First Folio in 1623. It is named after the 3rd Duke of Chandos, who formerly owned the painting. The portrait was given to the National Portrait Gallery, London, on its foundation in 1856, and it is listed as the first work in its collection.
Martin Droeshout was an English engraver of Flemish descent, who is best known as illustrator of the title portrait for William Shakespeare's collected works, the First Folio of 1623, edited by John Heminges and Henry Condell, fellow actors of the Bard. Nevertheless, Droeshout produced other more ambitious designs in his career.
Cornelius Johnson or Cornelis Janssens van Ceulen was an English painter of portraits of Dutch or Flemish parentage. He was active in England, from at least 1618 to 1643, when he moved to Middelburg in the Netherlands to escape the English Civil War. Between 1646 and 1652 he lived in Amsterdam, before settling in Utrecht, where he died.
Samson and Delilah is a painting long attributed to the Flemish Baroque artist Peter Paul Rubens (1577–1640) in the National Gallery, London. It dates from about 1609 to 1610.
The Feast of the Gods is an oil painting by the Italian Renaissance master Giovanni Bellini, with substantial additions in stages to the left and center landscape by Dosso Dossi and Titian. It is one of the few mythological pictures by the Venetian artist. Completed in 1514, it was his last major work. It is now in the National Gallery of Art in Washington D.C., which calls it "one of the greatest Renaissance paintings in the United States".
No contemporary physical description of William Shakespeare is known to exist. The two portraits of him that are the most famous are the engraving that appears on the title-page of the First Folio, published in 1623, and the sculpture that adorns his memorial in Stratford upon Avon, which dates from before 1623. Experts and critics have argued that several other paintings from the period may represent him, and more than 60 portraits purporting to be of Shakespeare were offered for sale to the National Portrait Gallery within four decades of its foundation in 1856, but in none of them has Shakespeare's identity been proven.
Gerard Johnson Jr. was a sculptor working in Jacobean England who is traditionally supposed to have created Shakespeare's funerary monument. In May 1612 Johnson was paid for making part of a fountain for the east garden at Hatfield House, Hertfordshire.
Hildegard Hammerschmidt-Hummel was a German professor of English, literary critic, Shakespeare scholar and writer who claims to have found conclusive answers to many of the unresolved problems of Shakespeare's life and literary career using trans-disciplinary research methods. Among the answers she claims to have found are Shakespeare's religion, the identity of the 'Dark Lady' of his sonnets, and the authentic portraits.
The Cobbe portrait is an early Jacobean panel painting of a gentleman which has been argued to be a life portrait of William Shakespeare. It is displayed at Hatchlands Park in Surrey, a National Trust property, and the portrait is so-called because of its ownership by Charles Cobbe, Church of Ireland (Anglican) Archbishop of Dublin (1686–1765). There are numerous early copies of the painting, most of which were once identified as Shakespeare.
Pieter Borsseler or Pieter Borselaer was a Dutch portrait painter who was prominent in England during the second half of the 17th century.
The Lucan portrait of Leonardo da Vinci is a late 15th- or early 16th-century portrait of a man. The picture was discovered in 2008 in a cupboard of a private house in Italy.
John Swaine, was an English draughtsman and engraver.
The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1623. It is one of only two works of art definitively identifiable as a depiction of the poet; the other is the statue erected as his funeral monument in Shakespeare's home town of Stratford-upon-Avon. Both are posthumous.
Abraham Wivell was a British portrait painter, writer and pioneer of fire protection, credited with inventing the first effective fire escape system. After working as a hairdresser, Wivell established himself as a society portrait painter before concentrating his efforts on fire safety measures.
The only surviving image that may depict Anne Hathaway, the wife of William Shakespeare, is a portrait line-drawing made by Sir Nathaniel Curzon in 1708, referred to as "Shakespear's Consort". It was probably traced from a lost Elizabethan original. The drawing is currently located in the Colgate University Libraries, Special Collections and University Archives, Hamilton, NY.
Tarnya Cooper is an art historian and author who is currently the National Trust's Curatorial & Collections Director.
The Sanders portrait is reputed to be one of the few images of William Shakespeare done in his lifetime. It features a middle-aged man wearing a black doublet with silver ornamentation. It also has a label affixed to the back which reads:
Shakspere [sic]
Born April 23=1564
Died April 23-1616
Aged 52
This Likeness taken 1603
Age at that time 39 ys
The "Streatham" portrait is an oil painting on panel from the 1590s believed to be a later copy of an earlier portrait of the English noblewoman Lady Jane Grey. It shows a three-quarter-length depiction of a young woman in Tudor-period dress holding a prayer book, with the faded inscription "Lady Jayne" or "Lady Iayne" in the upper-left corner. It is in poor condition and damaged, as if it has been attacked. As of January 2015 the portrait is in Room 3 of the National Portrait Gallery in London.
