Flute Sonata in E minor, BWV 1034

Last updated

Sonata in E minor for flute and basso continuo by J. S. Bach (BWV 1034) is a sonata in four movements:

The basso continuo can be provided by a variety of instruments. For example, in complete Bach recordings, Stephen Preston on Brilliant Classics (originally recorded by CRD UK) is accompanied by harpsichord and viola da gamba while on Hänssler Classic Jean-Claude Gérard is accompanied by piano and bassoon.

The piece is largely believed to have been written during Bach's Köthen period (1717–23), when he was employed as Kapellmeister for Leopold, Prince of Anhalt-Köthen. However, there is some evidence that this may have been written slightly later, after Bach's move to Leipzig. [1]

Related Research Articles

<span class="mw-page-title-main">Carl Philipp Emanuel Bach</span> German composer (1714–1788)

Carl Philipp Emanuel Bach, also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German Classical period composer and musician, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach.

The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. It originated in the early 17th century and was a favorite chamber ensemble combination in the Baroque era.

<i>Brandenburg Concertos</i> Collection of six works by Johann Sebastian Bach

The Brandenburg Concertos by Johann Sebastian Bach are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721. The original French title is Six Concerts Avec plusieurs instruments, meaning "Six Concertos for several instruments". Some of the pieces feature several solo instruments in combination. They are widely regarded as some of the greatest orchestral compositions of the Baroque era.

<span class="mw-page-title-main">Lautenwerck</span>

The lautenwerck, alternatively called lute-harpsichord (lute-clavier) or keyboard lute, is a European keyboard instrument of the Baroque period. It is similar to a harpsichord, but with gut rather than metal strings, producing a mellow tone.

<span class="mw-page-title-main">Keyboard concertos by Johann Sebastian Bach</span> For harpsichord/organ, strings and continuo; BWV 1052–1065

The keyboard concertos, BWV 1052–1065, are concertos for harpsichord, strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord, three concertos for two harpsichords, two concertos for three harpsichords, and one concerto for four harpsichords. Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and Brandenburg Concerto No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord which adds an oboe to the strings and continuo.

The Sonata in E major for flute and harpsichord, probably by J. S. Bach, is a sonata in 3 movements:

The Sonata in A major for transverse flute and harpsichord by Johann Sebastian Bach is a sonata in 3 movements:

The Sonata in C major for flute and basso continuo is a sonata in 4 movements. It is attributed to Johann Sebastian Bach in the manuscript, which is in the hand of his son Carl Philipp Emanuel Bach and has been dated to about 1731, although scholars question the attribution

<span class="mw-page-title-main">Flute Sonata in E major, BWV 1035</span>

The Sonata in E major for flute and basso continuo is a sonata for transverse flute and figured bass composed by J. S. Bach in the 1740s. It was written as the result of a visit in 1741 to the court of Frederick the Great in Potsdam, where Bach's son Carl Philipp Emanuel had been appointed principal harpsichordist to the king the previous year. It was dedicated to Michael Gabriel Fredersdorf, the king's valet and private secretary, who, like the king, was an amateur flautist.

The Partita in A minor for solo flute, BWV 1013, is a partita in four movements composed by Johann Sebastian Bach. Its date of composition is uncertain, though on the basis of its advanced playing technique, which is more demanding than in the flute part for the Fifth Brandenburg Concerto, for example, it must have been written after 1723. The title, however, is the work of 20th-century editors. The title in the only surviving 18th-century manuscript is "Solo p[our une] flûte traversière par J. S. Bach".

An organ concerto is an orchestral piece of music in which a pipe organ soloist is accompanied by an an orchestra, although some works exist with the name "concerto" which are for organ alone.

Fitzwilliam Sonatas is the name first given by Thurston Dart to an arrangement he made, based on two recorder sonatas by George Frideric Handel, which he recast as a group of three sonatas. The term was applied by later editors to the original two sonatas as Handel wrote them, and was also expanded to encompass several other sonatas for various instruments included in the Handel autograph manuscripts held by the Fitzwilliam Museum in Cambridge.

<span class="mw-page-title-main">Martha Goldstein</span> American harpsichordist and pianist (1919–2014)

Martha Goldstein was an American harpsichordist and pianist, who gave concerts in the United States, North Africa, the Middle East, and Europe. She performed works by George Frideric Handel, Frédéric Chopin, Georg Philipp Telemann, Franz Liszt, Ferruccio Busoni, Johann Sebastian Bach, and others.

<span class="mw-page-title-main">Concerto for two harpsichords in C minor, BWV 1060</span> Composition by Johann Sebastian Bach

The concerto for two harpsichords in C minor, BWV 1060, is a concerto for two harpsichords and string orchestra by Johann Sebastian Bach. It is likely to have originated in the second half of the 1730s as an arrangement of an earlier concerto, also in C minor, for oboe and violin. That conjectural original version of the concerto, which may have been composed in Bach's Köthen years (1717–1723), is lost, but has been reconstructed in several versions known as BWV 1060R.

<span class="mw-page-title-main">Sonata in G major for two flutes and basso continuo, BWV 1039</span>

The Sonata in G major for two flutes and basso continuo, BWV 1039, is a trio sonata by Johann Sebastian Bach. It is a version, for a different instrumentation, of the Gamba Sonata, BWV 1027. The first, second and fourth movement of these sonatas also exist as a trio sonata for organ.

<span class="mw-page-title-main">Six Sonatas for Violin and Harpsichord, BWV 1014–1019</span> Works by J. S. Bach

The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba. Unlike baroque sonatas for solo instrument and continuo, where the realisation of the figured bass was left to the discretion of the performer, the keyboard part in the sonatas was almost entirely specified by Bach. They were probably mostly composed during Bach's final years in Cöthen between 1720 and 1723, before he moved to Leipzig. The extant sources for the collection span the whole of Bach's period in Leipzig, during which time he continued to make changes to the score.

<span class="mw-page-title-main">Sonatas for viola da gamba and harpsichord (Bach)</span>

The sonatas for viola da gamba and harpsichord, BWV 1027–1029, are three sonatas composed by Johann Sebastian Bach for viola da gamba and harpsichord. They probably date from the late 1730s and early 1740s.

The Triple Concerto, BWV 1044, is a concerto in A minor for traverso, violin, harpsichord, and string orchestra by Johann Sebastian Bach. He based the composition on his Prelude and Fugue BWV 894 for harpsichord and on the middle movement of his Organ Sonata BWV 527, or on earlier lost models for these compositions.

<i>Brandenburg Concerto</i> No. 5 Instrumental work by J S Bach

Johann Sebastian Bach wrote his fifth Brandenburg Concerto, BWV 1050.2, for harpsichord, flute and violin as soloists, and an orchestral accompaniment consisting of strings and continuo. An early version of the concerto, BWV 1050.1, originated in the late 1710s. On 24 March 1721 Bach dedicated the final form of the concerto to Margrave Christian Ludwig of Brandenburg.

References

  1. "Piece details", Los Angeles Philharmonic