Air on the G String

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"Air on the G String", also known as "Air for G String" and "Celebrated Air", is August Wilhelmj's 1871 arrangement of the second movement of Johann Sebastian Bach's Orchestral Suite No. 3 in D major, BWV 1068. [1] [2] [3] [4] [5]

Contents

The arrangement differs from the original in that the part of the first violins is transposed down so that the entire piece can be played on just the violin's lowest string (the G string, hence the name). In performance, that part is generally played by a single violin (instead of by the first violins as a group).

Bach's original

Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an "Air" as second movement, following its French overture opening movement. The suite is composed for three trumpets, timpani, two oboes, strings (two violin parts and a viola part), and basso continuo. In the second movement of the suite however only the strings and the continuo play. This is the only movement of the suite where all other instruments are silent.

The music of the "Air" is written on four staves, for first and second violins, viola(s), and continuo. The interweaving melody lines of the high strings contrast with the pronounced rhythmic drive in the bass.

Wilhelmj's arrangement

In 1871, violinist August Wilhelmj arranged the second movement of Bach's third Orchestral Suite for violin and an accompaniment of strings, piano or organ (harmonium). [1] On the score he wrote auf der G-Saite (on the G string) above the staff for the solo violin, which gave the arrangement its nickname.

In Wilhelmj's version the piece is transposed down from its original key (D major) to C major. Then the part of the first violins is transposed further down an octave and given to a solo violin that can play the entire melody on its lowest string, the G string. [6] The dynamic markings added by Wilhelmj are more in line with a romantic interpretation than with the baroque original.

As a violin can't play very loudly in its lowest register, all the other parts of Bach's music were firmly reduced in Wilhelmj's version: the keyboard part is to be played staccato and pianissimo, causing the effects of interweaving melodies and of drive in the bass part to get lost. The accompanying violins and violas play muted ( con sordino ), and the bass part for cellos and double basses is to be played pizzicato and sempre pianissimo, with the same change in effect compared to Bach's original. [7]

Later, a spurious story circulated that the melody was always intended to be played on the G string alone. [8] The solo violin part of Wilhelmj's arrangement is sometimes played on the counter-tenor violoncello.

Wilhelmj's arrangement greatly popularized the piece and although his version is rarely played anymore, his original title on the G string or Air on the G string has been retained as the commonly used name of various arrangements whether or not a string instrument playing on its G string is involved. [6] Most of these versions have in common that the original melody of the first violins is played in the low register of a solo instrument, accompanied by a reduction of the material of the other parts of Bach's piece, although occasionally versions that stay more in line with Bach's original can go by the same name.

Reception

In a period that stretched over three decades, and started in 1905, Henry Wood regularly programmed Wilhelmj's arrangement at the London Proms. [9] [10] [11] Wood recorded his orchestral rendering (i.e., the G string part performed by a group of violins) of the Bach/Wilhelmj "Air" in the early 1930s. [12] [13]

Early recordings

Recordings of Wilhelmj's "Air on the G String" arrangement, from the era preceding the Second World War, include:

Early recordings of Air on the G String
Rec.SoloistAccompaniment or Ensemble (Conductor)Company Matrix (Take)Title
1902Hartmann, LeopoldGramophone 2155BAir auf der G-Saite [14]
1903 Dessau, Bernhard  [ de ]Gramophone 1528xAir auf der G-Saite [15]
1904-02-01 Kreisler, Fritz Gramophone 2087x [16]
1905-03-01 Geyer, Stefi Dienzl, Oszkár  [ scores ] [piano] [17]
1909-05 Rosé, Arnold Gramophone 14680uAir auf der G-Saite [18]
1911-01-01 Vecsey, Ferenc [5]
1911-05-17 Elman, Mischa Kahn, Percy B. [piano]Victor C-9871 (3)Air for G string [19]
1913-10-01 Kubelík, Jan Falkenstein, George [piano]Victor B-13892 (1)Air for G String [4]
1913-11-09 Bournemouth Municipal Orchestra (Godfrey, Dan)Gramophone [20]
1918-07Belov, JoelGayler, Robert [piano]Edison 6289 (A–C)Air for G string [21]
1919-01-03Belov, JoelGayler, Robert [piano]Edison 6289 (F–H)Air for G string [22]
1919-11-11 Elman, Mischa Bonime, Joseph [piano]Victor C-9871 (5)Air for G string [19]
1921-04-01 Weißgerber, Andreas Raucheisen, Michael [piano]Odéon xxB6659 [5]
1923-01-24 Royal Albert Hall Orchestra (Goossens, Eugene)HMV Cc2215(-4) [23]
c.1920–26 Soldat-Roeger, Marie Union A3012 (3) [24] [25]
1923-08-10Strockoff, LeoColumbia AX126 [5]
1924-01-01 Příhoda, Váša [5]
1927 Rosé, Arnold Rosé Quartet HMV Ck2847 (1) [26] [27]
1927-02-14 Thibaud, Jacques Craxton, Harold [piano]HMV Cc9913 [5]
1928 Rosé, Arnold Rosé Quartet HMV Ck2847 (2) [28]
1929-11-04 Hubay, Jenő Budapest Conservatory Orchestra (Zsolt, Nándor)HMV CV713 [26] [29]
1930-02-25 Cassadó, Gaspar [cello]Columbia WAX5416 [5]
1930-09-16 Huberman, Bronisław Schultze, Siegfried  [ fr ] [piano]Columbia WAX5007 [5]
1931-03-05 Zimbalist, Efrem Sanderberg, Theo [piano]Columbia 98737 (1)Air on the G string [30]
1932-06-16 British Symphony Orchestra (Wood, Henry)Columbia CAX6441(-1)Air on G String [12] [13]
1936-05-20 Benedetti, René  [ it; de ] Orch. de la Société des Concerts du Conservatoire Columbia CLX1919 [5]

Soldat-Roeger's recorded performance of the "Air on the G String" was the subject of scholarly analysis. [26] [31]

Appreciation of Wilhelmj's arrangement

In the early 20th century, Joseph Joachim called Wilhelmj's arrangement "a shameless falsification of a work by Bach". [32] In Casper Höweler  [ nl; fr ]'s XYZ der Muziek (1936, here quoted from the 1939 edition):

British musicologist Donald Francis Tovey likewise criticized Wihelmj's arrangement, stating that "At my concerts [the Air] will be heard as Bach wrote it, in its original D major as an angelic soprano strain, not in C major as a display of contralto depths." [6]

In the 1995 film Se7en , the piece is used as Detective Mills and Somerset look through crime photographs. [37] [38]

The piece is used in the 1997 Japanese anime apocalyptic science fiction film The End of Evangelion , towards the end of the movie's first half. [39]

The 2000 Japanese action film Battle Royale features the piece in its soundtrack. [40]

The 2022 anime adaption of the manga "Record of Ragnarok", which depicts famous mythological and historical human figures fighting against the gods of varied cultures and religions, used a rendition of this song, referred to as "massacre in the g battlefield" as the entrance theme for Zeus, one of the fighters.

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References

  1. 1 2 French 2014, II, p. 71.
  2. 1 2 Höweler 1939, pp. 47–48.
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  11. Prom 19: 20:00 Sat 4 Sep 1909 Queen's Hall at BBC website.
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  20. "Search Results for DAN GODFREY'S (BOURNEMOUTH MUNICIPAL) ORCHESTRA". CHARM. Retrieved 2020-10-03.
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Sources