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This is a list of commercial recordings of Johann Sebastian Bach's The Art of Fugue .
Artist | Date | Recording | Instrument and remarks |
---|---|---|---|
Roth Quartet | 1934–1935 | Divine Art 136/45 | string quartet (includes conjectural end played by Donald Tovey on keyboard) |
Richard Buhlig and Wesley Kuhnle | 1934-1938 | Pearl 0150 | piano |
Collegium Musicum conducted by Hermann Diener | 1935 | Electrola EH 1007-16 | orchestra |
Edward Power Biggs | 1940 | RCA Victor Red Seal DM 833 | organ |
Reichs-Bruckner-Orchester (Linz) conducted by Herbert von Karajan | 1944 | MeloClassic MC-5005 | orchestra, abridged version |
Radio-Orchester Beromünster | 1949 | History 204583-308 | orchestra |
Fritz Heitmann | 1950 | Telefunken AJ6.41905 | organ |
Gustav Leonhardt | 1953 | Vanguard Classics OVC 2011/12 | harpsichord |
Isolde Ahlgrimm | 1953 | Philips A 00242-3 L | harpsichord |
Joseph & Grete Dichler | 1954 | Westminster XWN 2216 | 2 pianos |
Pro Arte Kammerorchester München conducted by Kurt Redel | 1955 | Telefunken LT 6535-6 AC | orchestra |
Helmut Walcha | 1956 | Archiv Produktion 463 712-2 | organ |
Ars Rediviva conducted by Milan Munclinger | 1959-1966 | Supraphon SV 8368-69 | orchestra |
Collegium Aureum | 1962 | Deutsche Harmonia Mundi 0287 670047-2 | chamber ensemble |
Glenn Gould | 1962-1967 | Sony Classical SMK 52 595 | organ (1962 : Contrapunctus 1-9) and piano (1967 : Contrapunctus 1, 2, 4, 9, 11, 13 & 14) |
Fine Arts String Quartet and New York Woodwind Quintet | 1962 | Saga XID5302/3 | string quartet and woodwind quintet |
Konrad Philipp Schuba | 1962 | Christophorus SFKLP 78073 | organ |
Ensemble Wolfgang von Karajan | 1963 | André Charlin AMS 44/45 | organ (on three chamber organs) |
Kammerorchester des Saarländischen Rundfunks conducted by Karl Ristenpart | 1963 | Erato STU 70188-70189 | orchestra with Huguette Dreyfus, harpsichord |
Members of Philomusica of London conducted by Ban [ disambiguation needed ] | 1964 | Decca Eloquence 482 5187 | orchestra |
Stuttgart Chamber Orchestra conducted by Karl Münchinger | 1965 | Decca 467 267-2 | orchestra |
Orchestre de la RTSI conducted by Hermann Scherchen | 1965 | Accord 200412 | orchestra with Luciano Sgrizzi, harpsichord |
Vienna Symphony Orchestra and members of the Vienna Radio Orchestra conducted by Hermann Scherchen | 1965 | MCA Records MCAD2-80352 | orchestra with Herbert Tachezi, harpsichord |
CBC Toronto Chamber Orchestra conducted by Hermann Scherchen | 1965 | Tahra | orchestra with Kenneth Gilbert, harpsichord |
Kammerorchester des Saarländischen Rundfunks conducted by Karl Ristenpart | 1966 | Nonesuch HB-73013 | orchestra (adapted for orchestra by Marcel Bitsch and Claude Pascal) |
Charles Rosen | 1967 | Sony Classical SB2K-62331 | piano |
Tatiana Nikolayeva | 1967 | Melodiya MELCD-1002006 | piano |
Isolde Ahlgrimm | 1967 | Tudor 7030 | harpsichord |
Johannes-Ernst Köhler | 1967 | Berlin Classics 0091762BC or 0149282BC (2008 reedition) | organ |
Gisbert Schneider | 1967-1968 | Baedeker Record TST 77 946/47 | organ |
Lionel Rogg | 1969 | EMI His Master's Voice SLS 782 | organ |
Gustav Leonhardt | 1969 | Deutsche Harmonia Mundi GD77013 | harpsichord |
Academy of St. Martin in the Fields conducted by Neville Marriner | 1974 | orchestra with Christopher Hogwood, harpsichord | |
Yuji Takahashi | 1975 | Columbia | electronic version (incomplete) |
Wolfgang Rübsam | 1976 | Philips Classics 438 170-2 | organ |
Herbert Tachezi | 1977 | TELDEC 243 541-2 | organ |
Musica Rediviva conducted by Ludovic Bàcs | 1979 | Electrecord STM-ECE 01306/01307 | orchestra |
Ars Rediviva conducted by Milan Munclinger | 1979 | Supraphon 1411 2971-2 | orchestra |
Grigory Sokolov | 1982 | Melodiya RCID26063363 | piano |
Neues Bachisches Collegium Musicum conducted by Max Pommer | 1983 | Capriccio 10 026/1-2 | orchestra |
Zoltán Kocsis | 1984 | Philips Classics 412 729-2 | piano |
Musica Antiqua Köln (director Reinhard Goebel) | 1984 | Deutsche Grammophon 463027-2 | string quartet/harpsichord and various such instrumental combinations |
Davitt Moroney | 1985 | Harmonia Mundi HMG50116970 | harpsichord |
Quartetto Italiano | 1985 | Nuova Era 7342 | string quartet |
Franz Liszt Chamber Orchestra conducted by János Rolla) | 1985 | Hungaroton 12810/11-2 | orchestra with Miklós Spányi, harpsichord |
Jordi Savall with Hesperion XX | 1986 | Astrée E-2001/E-2002 | orchestra |
Juilliard String Quartet | 1987 | Sony Classical S2K 45 937 | string quartet [1] |
The Canadian Brass | 1987 | CBS Masterworks MK 44501 | brass quintet |
Felix Gottlieb | 1987 | Melodiya 10 10 01645 | harpsichord |
David Lively | 1988 | BNL Productions 112729 | piano |
Yuji Takahashi | 1988 | Lontec Music | piano (earlier version of the autograph score) |
Kenneth Gilbert | 1989 | Archiv Produktion | harpsichord (earlier version of the autograph score) |
Evgeni Koroliov | 1990 | Tacet 13 | piano |
Barbara Harbach | 1990 | Gasparo (1990) or MSR Classics MS-1442 (2014 reedition) | organ |
Berliner Saxophon Quartett | 1990 | CPO 999 058-2 | saxophone quartet |
Cluj Philharmonic Orchestra conducted by Erich Bergel | 1991 | Budapest Music Center 011 | orchestra |
Tatiana Nikolayeva | 1992 | Hyperion CDA-66631/2 | piano |
Josef Popelka and Zuzana Němečková | 1992 | Bonton 71 0107-2 | organ |
Wolfgang Rübsam | 1992 | Naxos 8.550703/04 | organ |
Marie-Claire Alain | 1993 | Erato 4509-91946-2 | organ |
Louis Thiry | 1993 | Studio SM 12 22.15 | organ (Silbermann organ of Saint Thomas Church, Strasbourg) |
Ton Koopman and Tini Mathot | 1994 | Erato 0630-16173-2 | harpsichords |
Andrei Vieru | 1994 | INA IMV025 | piano |
Vladimir Feltsman | 1996 | Nimbus NI 2549/50 | piano |
Keller Quartet | 1997 | ECM 1652 | string quartet |
Amsterdam Loeki Stardust Quartet | 1998 | Channel Classics CCS12698 | recorder quartet |
Phantasm (director: Laurence Dreyfus) | 1998 | Simax PSC 1135 | viola da gamba four-part consort. Excerpts : movements 1 to 11 and 19 |
Robert Hill | 1998 | Hänssler Classic 92.134 | harpsichord |
Rinaldo Alessandrini and Concerto Italiano | 1998 | Naïve OP30191 | orchestra |
André Isoir | 1999 | La Dolce Volta LDV200 or LDV515 (reedition) | organ. Some movements performed as a duet with Pierre Farago, on the Grenzing organ of Saint-Cyprien in Périgord, France |
Menno Van Delft | 1999 | Brilliant Classics 99372-8 | harpsichord |
Hans Fagius | 2000 | BIS 1034 | organ (on the Carsten Lund organ of the Garnisons Church, Copenhagen, Denmark) |
Delmé Quartet | 2000 | Hyperion 67138 | string quartet (arranged by composer Robert Simpson, including versions of Contrapuntus XIV unfinished and completed following Tovey's version) |
Kevin Bowyer | 2001 | Nimbus Records NI 5738/40 | organ (on the Marcussen organ of Saint Hans Church, Odense, Denmark) |
Peter Elyakim Taussig | 2001 | Pilgrim Records | piano |
József Eötvös | 2002 | Self-published EJ-06WZ | two eight-string guitars |
Fretwork | 2002 | Harmonia Mundi HMU907296 | consort of Viols |
Stuttgart Chamber Orchestra conducted by Karl Münchinger | 2002 | Decca E4672672 | orchestra |
Emerson Quartet | 2003 | Deutsche Grammophon 4744952 | string quartet |
Pieter Dirksen | 2003 | Etcetera KTC1348 | harpsichord |
New Century Saxophone Quartet | 2004 | Channel Classics CCS SA 20204 | saxophone quartet |
Aurelia Saxophone Quartet | 2005 | Challenge Classics CC72148 | saxophone quartet |
The Version of Jacques Chailley instrumentation of Pascal Vigneron | 2005 | wind quartet, brass quartet and organ | |
Sébastian Guillot | 2006 | Naxos 8.557796 | harpsichord |
Walter Riemer | 2006 | ORF | fortepiano (using a fortepiano of Mozart type) [2] |
Bradley Brookshire | 2007 | Bach Harpsichord BHI1080 | harpsichord (includes an additional CD-ROM with score to follow along as MP3s play) |
Gösta Funck | 2007 | Classic Concert Record CCR-42408 | harpsichord (Christian Zell, 1728) |
Laibachkunstderfuge, by Neue Slowenische Kunst industrial band Laibach | 2008 | electronic version | |
An electronic version by Jeffrey C Hall | 2007? | ||
Pierre-Laurent Aimard | 2008 | Deutsche Grammophon 4794381 | piano |
Sergio Vartolo | 2008 | Naxos 8.570577-78 | harpsichord |
Gavin Black & George Hazelrigg | 2009 | Outer Marker Records OM07100H | harpsichords (on two harpsichords with voices shared equally throughout) |
Akademie für Alte Musik Berlin | 2011 | Harmonia Mundi HMC902064 | orchestra |
Angela Hewitt | 2014 | Hyperion CDA67980 | piano |
Martha Cook | 2015 | Passacaille PAS1014 | harpsichord |
Schaghajegh Nosrati | 2015 | Genuin GEN15374 | piano |
Marco Angius with Orchestra di Padova e del Veneto | 2015 | Stradivarius STR37008 | orchestra (adapted for orchestra by Hermann Scherchen) |
Roberto Giordano | 2015 | La Bottega Discantica BDI287 | piano |
Rachel Podger and Brecon Baroque | 2015 | Channel CCSSA38316 | string quartet/harpsichord and various such instrumental combinations |
Jörg Abbing | 2016 | IFO ORG7260 | organ |
Stephanie Ho and Saar Ahuvia | 2016 | New Focus FCR181 | piano duo |
FM_Kantor | 2016 | Die Verkehrung der Fuge | Yamaha DX7, Yamaha TX7 synthesizers [3] |
L'Arte della Fuga | 2016 | Oehms OC1854 | violin, viola, cello, bassoon, and contrabass |
Kimiko Douglass-Ishizaka, including her own completion to the final fugue | 2017 | piano [4] | |
Accademia Bizantina (director Ottavio Dantone) | 2017 | Decca 4832329 | string quartet/harpsichord and various such instrumental combinations |
Quintaessentia | 2017 | ARS Produktion ARS38230 | recorder quartet |
Wolfgang Rubsam | 2017 | Counterpoint Records CR23351/52 | Lautenwerk (lute-harpsichord) |
Bálint Karosi | 2017 | Hungaroton HCD32784-85 | organ, harpsichord and clavichord |
Bob van Asperen | 2018 | Aeolus AE10154 | harpsichord |
Vincent Grappy | 2018 | Hortus 246748 | organ |
Berlin Saxophone Quartet | 2018 | CPO 555162-1 | saxophone quartet |
Matthias Maierhofer | 2019 | Ambiente 2037 | organ |
Pieter-Jan Belder | 2019 | Brilliant Classics 96035 | harpsichord/clavichord |
Samuel Kummer | 2020 | Aeolus AE11291 | organ |
Les inAttendus | 2021 | Harmonia Mundi HMM905313 | chamber ensemble |
Margaret Phillips (musician) | 2021 | Regent REGCD558 | organ |
Salzburg Chamber Soloists | 2021 | Gramola 98009 | string orchestra |
Aston Magna (ensemble) | 2021 | Centaur CRC3851 | chamber ensemble |
Geoffrey Douglas Madge | 2021 | Zefir ZEF9683 | piano |
Eloise Bella Kohn | 2021 | Hänssler HC21049 | piano |
Filippo Gorini | 2021 | Alpha 755 | piano |
Kenneth Weiss | 2022 | Paraty PTY12211115 | harpsichord |
Maurizio Ricci | 2023 | Casa Musicale Eco 860272 | organ |
New Collegium | 2023 | Ramée RAM2208 | chamber ensemble |
Noël Akchoté | 2023 | NoA OWSG-000 | guitar |
Cuarteto Casals | 2023 | Harmonia Mundi HMM902717 | string quartet |
Les Récréations | 2023 | Ricercar RIC453 | chamber ensemble |
Christophe Rousset | 2023 | Aparté AP313 | harpsichord |
Andrzej Ślązak | 2023 | DUX 2053-54 | piano |
Aapo Häkkinen | 2024 | Ondine ODE1437-2 | harpsichord |
Masaaki Suzuki | 2024 | BIS 2531 | harpsichord |
Quartetto di Cremona | 2024 | Orchid Classics ORC100342 | string quartet |
In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, B flat, A, C, B natural. In German musical nomenclature, in which the note B natural is named H and the B flat named B, it forms Johann Sebastian Bach's family name. One of the most frequently occurring examples of a musical cryptogram, the motif has been used by countless composers, especially after the Bach Revival in the first half of the 19th century.
The Art of Fugue, or The Art of the Fugue, BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach. Written in the last decade of his life, The Art of Fugue is the culmination of Bach's experimentation with monothematic instrumental works.
Karl Richter was a German conductor, choirmaster, organist, and harpsichordist.
Arthur Emil Helmut Walcha was a German organist, harpsichordist, music teacher and composer who specialized in the works of the Dutch and German baroque masters.
Hermann Scherchen was a German conductor, who was principal conductor of the city orchestra of Winterthur from 1922 to 1950. He promoted contemporary music, beginning with Schoenberg's Pierrot Lunaire, followed by works by Richard Strauss, Anton Webern, Alban Berg, Edgard Varèse, later Iannis Xenakis, Luigi Nono and Leon Schidlowsky. He usually conducted without using a baton.
Fantasia contrappuntistica(BV 256) is a solo piano piece composed by Ferruccio Busoni in 1910. Busoni created a number of versions of the work, including several for solo piano and one for two pianos. It has been arranged for organ and for orchestra under the composer's supervision.
Rachel Podger is a British violinist and conductor specialising in the performance of Baroque music.
Friedrich Wilhelm Marpurg was a German music critic, music theorist and composer. He was friendly and active with many figures of the Enlightenment of the 18th century.
Lionel Rogg is a Swiss organist, composer and teacher of musical theory. He is best known for performing the music of Johann Sebastian Bach, whose complete organ works he has recorded three times.
Isolde Ahlgrimm was an Austrian harpsichordist and fortepianist. In 1975 she was awarded the Austrian Gold Medal.
Enrique Sánchez Lansch is a Spanish-German film director and screenwriter.
Laibachkunstderfuge is a concept album by NSK industrial group Laibach. The album is a reinterpretation of Johann Sebastian Bach's The Art of Fugue.
The Bach-Busoni Editions are a series of publications by the Italian pianist-composer Ferruccio Busoni (1866–1924) containing primarily piano transcriptions of keyboard music by Johann Sebastian Bach. They also include performance suggestions, practice exercises, musical analysis, an essay on the art of transcribing Bach's organ music for piano, an analysis of the fugue from Beethoven's 'Hammerklavier' sonata, and other related material. The later editions also include free adaptations and original compositions by Busoni which are based on the music of Bach.
Erich Bergel was a German trumpet player and conductor.
Matteo Messori is an Italian keyboard player, conductor, musicologist, composer and teacher. He performs on period instruments including the harpsichord, pipe organ, clavichord and pedal piano. He founded the early music ensemble Cappella Augustana.
Fritz Heitmann was a German organist.