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Klezmer is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker.
Naftule Brandwein, or Naftuli Brandwine, was an Austrian-born Jewish American Klezmer musician, clarinetist, bandleader and recording artist active from the 1910s to the 1940s. Along with Dave Tarras, he is considered to be among the top klezmer musicians of the twentieth century, and has a continuing influence on musicians in the genre a century later. Along with Tarras and other contemporaries like Israel J. Hochman, Max Leibowitz and Harry Kandel, he also helped forge the new American klezmer sound of the early twentieth century, which gradually gravitated towards a sophisticated big-band sound.
Harry Kandel was an American clarinetist and klezmer bandleader of the early twentieth century. His recording career with the Victor Recording Company lasted from 1916 to 1927, during which he released dozens of Jewish music records.
Abe Schwartz was an American klezmer violinist, composer, Yiddish theater and ethnic recordings bandleader from the 1910s to the 1940s. In his various orchestras, he recorded many of the leading klezmer musicians of the early twentieth century, including Naftule Brandwein and Dave Tarras.
KlezKamp was a yearly Klezmer music and Yiddish culture festival in New York State.
Dave Tarras was a Ukrainian-born American klezmer clarinetist and bandleader, a celebrated klezmer musician, instrumental in Klezmer revival.
Joel Rubin is an American clarinetist, klezmer musician, ethnomusicologist, and scholar of Jewish music. Since becoming involved in the klezmer revival in the late 1970s, he has been researching, teaching and performing klezmer music and related genres. He has been a member of, or performed with, such groups as Brave Old World, the Joel Rubin Ensemble, and Veretski Pass.
Joshua Dolgin, better known by his stage name Socalled, is a Canadian rapper and record producer, known for his eclectic mix of hip hop, klezmer, and other styles such as drum & bass and folk music. A pianist and accordion player, he has taught the latter at Klezfest London, where he has also run workshops in "hiphopkele". He has played with clarinetist David Krakauer's Klezmer Madness!, Michael Winograd and has also worked with artists such as rappers C-Rayz Walz, Chilly Gonzales, funk trombonist Fred Wesley, and Sophie Solomon. Dolgin has Ukrainian, Romanian and Russian roots.
Shloimke Beckerman also known as Samuel Beckerman, was a klezmer clarinetist and bandleader in New York City in the early twentieth century; he was a contemporary of Dave Tarras and Naftule Brandwein. He was the father of Sid Beckerman, also a klezmer bandleader.
Adrienne Cooper was a Yiddish singer, musician and activist who was integral to the contemporary revival of klezmer music.
Breslov Bar Band is an American experimental klezmer band based in Brooklyn, New York. Formed in 2009 by bandleader Binyomin Ginzberg, the band has released three albums, Have No Fear (2010), Happy Hour (2013), and Holy Chutzpah (2022). They are noted for their experimental interpretations of traditional Breslov nigunim.
KlezKanada is a Canadian organization for the promotion of klezmer music and Yiddish culture. Its principal program is a week-long Jewish music festival founded in 1996 that takes place annually in August at Camp B'nai B'rith in Lantier, Quebec. The organization also hosts workshops, concerts, and other educational programs in Montreal throughout the year.
Joseph Cherniavsky was a Jewish American cellist, theatre and film composer, orchestra director, and recording artist. He wrote for the Yiddish theatre, made some of the earliest novelty recordings mixing American popular music, Jazz and klezmer in the mid-1920s, was also musical director at Universal Studios in 1928-1929, and had a long career in radio and musical theatre.
Itzikl Kramtweiss or Krantweiss, also known by the anglicized name Isadore Krantweiss, was a Russian-born American klezmer musician and recording artist of the early twentieth century. He was leader of the Broder Kapelle, a popular klezmer orchestra in Philadelphia which made recordings for the Victor Recording Company in the late 1920s.
Abraham Katzman was an American Klezmer violinist, bandleader, composer, and Brunswick Records recording artist of the 1920s. He was the father of film producer Sam Katzman, uncle of American arranger and bandleader Louis Katzman and the great-uncle of Henry Katzman and Leonard Katzman.
Abraham "Art" Shryer was a Russian-born American Klezmer cornetist, bandleader, and recording artist who was active in the New York City area in the 1920s and 1930s. In the late 1920s he recorded a number of Jewish and other Eastern European music sides for Brunswick Records, Vocalion Records, and Victor Records.
J. & J. Kammen Music Company, commonly known as the Kammen Brothers, was a sheet music publishing company operated in Brooklyn, New York by Jack and Joseph Kammen from the 1920s to the 1970s. The company published Jewish music as well as non-Jewish music. They owned the rights to some well-known songs such as Bei Mir Bistu Shein. Their Klezmer Fake books were by far the most popular of their time, offering arranged interpretations of Jewish wedding repertoire for non-specialist musicians.
Christian Dawid is a German clarinetist, Klezmer musician, educator, and composer. He is generally regarded as one of the top Klezmer musicians in Germany, and has performed with groups such as Trio Yas and Khupe, as well as with international Klezmer groups such as Brave Old World, Daniel Kahn & the Painted Bird, Ben Caplan, Budowitz and The Other Europeans.
References
- 1 2 Gelfand, Alexander (1 Aug 2008). "Everything Old is New Again". Forward. New York, N.Y. p. 14.
- 1 2 Rubin, Joel (2020). New York klezmer in the early twentieth century: the music of Naftule Brandwein and Dave Tarras. Rochester (NY): University of Rochester Press. pp. 274–5. ISBN 9781580465984.
- 1 2 3 4 5 Winograd, Michael (2011-08-24). "Michael Winograd's Oral History" (Interview). Interviewed by Pauline Katz. Saint Agathe des Monts, Quebec: Yiddish Book Center. Retrieved 2023-05-26.
- 1 2 Kutzik, Jordan (13 March 2018). "With a New Director, Klezkanada Looks to the Future". The Forward.
- 1 2 3 Gunter, Ezra (3 Apr 2008). "Brooklyn clarinettist is a poster child for klezmer continuity". Canadian Jewish News. Don Mills, Ont. p. 59.
- ↑ Young, Bob (10 Dec 2003). "Music; NEC student klezmerized by Old World music style". Boston Herald. Boston, Mass. p. 56.
- ↑ Davidson, Susie (11 Mar 2004). "Khevre, cutting-edge klezmer". Jewish Advocate. Boston. p. 25.
- ↑ "Michael Winograd and the Klezmer Orchestra". The Sun. Lowell, Mass. 25 July 2012.
- ↑ "Michael Winograd Trio Performs at the Jewish Museum's Summernights Series Thursday, July 28". Washington, D.C. Targeted News Service. 13 July 2011.
- ↑ Scherbenske, Amanda L. (2012). "From Folksmentshn to Creative Individuals: Klezmer Transmission in the Twenty-First Century". MUSICultures. Calgary. 39 (2): 103–XI.
- ↑ Rubin, Joel (2015). "Klezmer music – a historical overview". In Walden, Joshua S. (ed.). The Cambridge companion to Jewish music. Cambridge, United Kingdom: Cambridge University Press. p. 135. ISBN 9781107023451.
- ↑ Alexander, Phil (2021). Sounding Jewish in Berlin: klezmer music and the contemporary city. New York: Oxford University Press. pp. 244–59. ISBN 9780190064457.
- ↑ Marmer, Jake (25 January 2013). "A Klezmerizing Performer". Forward. New York, N.Y. pp. 11–13.
- ↑ "Michael Winograd". Discogs. Retrieved 26 May 2023.
