Angela Hewitt, CC OBE (born July 26, 1958) is a Canadian classical pianist. She is best known for her Bach interpretations. [1]
Angela Hewitt, CC OBE (born July 26, 1958) is a Canadian classical pianist. She is best known for her Bach interpretations. [1]
Hewitt was born in Ottawa, Ontario, daughter of the Yorkshire-born Godfrey Hewitt (thus she also has British nationality) who was choirmaster at Christ Church Cathedral in Ottawa. [2] [3] She began piano studies at the age of three with her mother. She earned a scholarship at the age of five. She studied violin with Walter Prystawski, recorder with Wolfgang Grunsky, and ballet with Nesta Toumine in Ottawa. Her first full-length recital was at the age of nine, in The Royal Conservatory of Music in Toronto, where she studied from 1964 to 1973 with Earle Moss and Myrtle Guerrero. She then went on to be the student of French pianist Jean-Paul Sevilla at the University of Ottawa.
Hewitt has performed around the world in recital and as soloist with orchestra. She is best known for her cycle of Bach recordings which she began in 1994 and finished in 2005—covering all of the major keyboard works of J. S. Bach. Her recording of Bach's The Art of Fugue was released on October 17, 2014. [4] Her discography also includes works by Louis Couperin, Jean-Philippe Rameau, Olivier Messiaen, Emmanuel Chabrier, Maurice Ravel, Robert Schumann, Ludwig van Beethoven, Frédéric Chopin, Claude Debussy and Gabriel Fauré. She has recorded two discs of Mozart concertos with the Orchestra da Camera di Mantova, and a third with Ottawa's National Arts Centre Orchestra, conducted by Hannu Lintu. With the DSO Berlin and Lintu, she also recorded the Schumann Piano Concerto.
Her entire 2007–08 season was devoted to complete performances of Bach's The Well-Tempered Clavier in major cities all over the world. Her Hyperion DVD on Bach performance on the piano was released to coincide with the tour.
In July 2005, Hewitt launched the Trasimeno Music Festival in Umbria near Perugia, of which she is artistic director.
Hewitt switched to Fazioli pianos in 2002. [5] Her unique four-pedal F278 Fazioli was dropped by instrument movers in January 2020 and considered unsalvageable by Paolo Fazioli, the company's founder. [6] [7] She chose a new Fazioli (out of five made available for her from which to choose) in January 2021. [8]
In 1975, Hewitt won the Chopin Young Pianists' Competition in Buffalo, New York, and a Bach competition in Washington, D.C. In 1979, she won third prize in the Robert Casadesus International Piano Competition, since renamed the Cleveland International Piano Competition. In 1978, she won piano division in the CBC Radio Competition and in 1980 the Dino Ciani Competition in Milan, Italy. The same year, she won an honorable mention at the X International Chopin Piano Competition in Warsaw. In 1985, she won first prize in the Toronto International Bach Piano Competition, which led to a recording with Deutsche Grammophon. In 1986, she was named artist of the year by the Canadian Music Council.
In 2000, she was made an Officer of the Order of Canada (OC). [9] In 2002, Hewitt was awarded the National Arts Centre Award, a companion award to the Governor General's Performing Arts Awards, given to an artist or group who has had an exceptional performance year. [10]
Hewitt was named an Officer of the Order of the British Empire (OBE) on June 17, 2006 and Gramophone Artist of the Year in 2006. She received the MIDEM Classical Award for Instrumentalist of the Year in 2010, and was awarded the first ever BBC Radio 3 Listener's Award (Royal Philharmonic Society Awards) in 2003. She is also a fellow of the Royal Society of Canada, and has honorary degrees from the University of Ottawa, the University of Toronto, Queen's University (Kingston), The Open University (Milton Keynes, UK), Mount Saint Vincent University (Halifax), the University of Saskatchewan and Carleton University (Ottawa). [11]
On December 30, 2015, Hewitt was promoted to Companion of the Order of Canada, the highest grade of the honour. [12]
After living in Paris from 1978 to 1985, Hewitt moved to London, which has been her principal residence ever since. [1]
Peter-Lukas Graf is a Swiss flautist born in Zürich, Switzerland. He was a pupil of André Jaunet, and later attended the Paris Conservatoire, where he won first prize with Marcel Moyse and Roger Cortot. Besides playing the flute both in orchestras and as a soloist, he is a conductor, and spent several years exclusively as an orchestra and opera conductor. He is also a teacher, and has taught at the Basel Music Academy since 1973 and at the Music Academy Accademia Lorenzo Perosi in Biella. Graf played at James Galway's wedding in May 1972. In 2005 Graf received an honorary doctorate from the Academy of Music in Kraków.
The Gramophone Classical Music Awards, launched in 1977, are one of the most significant honours bestowed on recordings in the classical record industry. They are often viewed as equivalent to or surpassing the American Grammy award, and referred to as the Oscars for classical music. They are widely regarded as the most influential and prestigious classical music awards in the world. According to Matthew Owen, national sales manager for Harmonia Mundi USA, "ultimately it is the classical award, especially worldwide."
James Ehnes, is a Canadian concert violinist and violist.
Jill Crossland is an English pianist, born in Yorkshire. She studied with Ryszard Bakst at Chetham's School of Music and the Royal Northern College of Music in Manchester, and with Paul Badura-Skoda in Vienna. She has a preference for Baroque and Classical periods of the repertoire, with a focus on the music by Johann Sebastian Bach, playing it on the piano. She has performed his Well-Tempered Clavier from memory since her student years.
Elena Kuschnerova is a Russian-born classical pianist.
The Well-Tempered Synthesizer is the second studio album from the American musician and composer Wendy Carlos, originally released under her birth name Walter Carlos, in November 1969 on Columbia Masterworks Records. Following the success of her previous album, Switched-On Bach (1968), Carlos proceeded to record a second album of classical music performed on a modular Moog synthesizer from multiple composers, including Johann Sebastian Bach, Claudio Monteverdi, Domenico Scarlatti, and George Frideric Handel. Its title is a play on words from Bach's set of preludes and fugues named The Well-Tempered Clavier.
E-flat minor is a minor scale based on E♭, consisting of the pitches E♭, F, G♭, A♭, B♭, C♭, and D♭. Its key signature consists of six flats. Its relative key is G-flat major and its parallel key is E-flat major. Its enharmonic equivalent, D-sharp minor, contains the same number of sharps.
Nikolai Demidenko is a Russian-born classical pianist.
Sir Stephen Andrew Gill Hough is a British-born classical pianist, composer and writer. He became an Australian citizen in 2005 and thus has dual nationality.
Daniel Müller-Schott is a German cellist.
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Jean-Paul Sevilla is a French pianist and musician of Spanish descent.
Alina Rinatovna Ibragimova is a Russian-British violinist.
Marcelle Meyer was a French pianist. She worked with a group of composers known as Les Six, of whom she was the favored pianist.
Anne Queffélec is a French classical pianist, born in Paris.
Catherine Collard was a French classical pianist.
Angela Tosheva Tosheva, Ph.D , is a Bulgarian freelance pianist, chamber musician, piano and chamber music pedagogue, editor and with Michail Goleminov director of Orange Factory psychoacoustic arts and music publishing house, Sofia, Bulgaria.
Jonathan Cohen is an English cellist and conductor.
The Clarinet Concerto No. 1 in C minor, Op. 26, was composed by Louis Spohr between fall of 1808 and early 1809, and published in 1812. The concerto was the first of four that Spohr would compose in his lifetime, all of which were dedicated to the German clarinet virtuoso Johann Simon Hermstedt.
The Piano Sonata No. 2 in G major by Paul Hindemith was composed in 1936. A typical performance lasts 13 minutes. The shortest of his three piano sonatas, Hindemith thought of this sonata as a sonatina, and its writing is considered to be accessible even to amateurs.
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