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You may give an excellently played, genuinely felt performance of a movement, but because the engineer is not satisfied because there is some rustling at one point, so you do it again and this time something else goes wrong. By the time you get a "perfect" take of the recording the players are bored, the conductor is bored, and the performance is lifeless and boring. … I detest all my own records.
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References
Procter-Gregg, Humphry (ed) (1976). Beecham Remembered, pp. 201–03. London: Duckworth. ISBN 0-7156-1117-8
