The English conductor Sir Adrian Boult was a prolific recording artist. Unlike many musicians, he felt at home in the recording studio and actually preferred working without an audience. [1] His recording career ran from November 1920, when working with Diaghilev's Ballets Russes he recorded the ballet music, The Good-Humoured Ladies , to December 1978, when he made his final recording of music by Hubert Parry. [2]
A discography of Boult recordings was compiled by Mike Ashman and published in Records and Recording, July 1974. A further discography by Nigel Simeone was published in Sir Adrian Boult: Companion of Honour, 1980, Midas Books. A third, A Boult Discography, compiled by Alan Sanders, was published by The Gramophone in 1981. [2] The following list draws on the first two of these, and on record companies' catalogues and back numbers of The Gramophone. It consists chiefly of Boult's studio recordings. Since his death, some recordings of his live concerts have been released by the BBC and others, and details of these are given below, where known.
The following abbreviations are used in the list:
The London Philharmonic Orchestra (LPO) is one of five permanent symphony orchestras based in London. It was founded by the conductors Sir Thomas Beecham and Malcolm Sargent in 1932 as a rival to the existing London Symphony and BBC Symphony Orchestras.
The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia's younger conductors, the most important to its development was Herbert von Karajan who, though never formally chief conductor, was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London's five symphony orchestras in its first two decades.
The Royal Philharmonic Orchestra (RPO) is a British symphony orchestra based in London.
Antal Doráti was a Hungarian-born conductor and composer who became a naturalized American citizen in 1943.
István Kertész was a Hungarian orchestral and operatic conductor who throughout his brief career led many of the world's great orchestras, including the Cleveland, Chicago, Philadelphia, New York, Los Angeles, Pittsburgh, Detroit, San Francisco and Minnesota Orchestras in the United States, as well as the London Symphony, Vienna Philharmonic, Berlin Philharmonic, Royal Concertgebouw Orchestra, Israel Philharmonic, and L'Orchestre de la Suisse Romande. His orchestral repertoire numbered over 450 works from all periods, and was matched by a repertoire of some sixty operas ranging from Mozart, Verdi, Puccini and Wagner to the more contemporary Prokofiev, Bartók, Britten, Kodály, Poulenc and Janáček. Kertész was part of a musical tradition that produced fellow Hungarian conductors Fritz Reiner, Antal Doráti, János Ferencsik, Eugene Ormandy, George Szell, János Fürst, Peter Erős, Ferenc Fricsay, and Georg Solti.
Sir Harold Malcolm Watts Sargent was an English conductor, organist and composer widely regarded as Britain's leading conductor of choral works. The musical ensembles with which he was associated included the Ballets Russes, the Huddersfield Choral Society, the Royal Choral Society, the D'Oyly Carte Opera Company, and the London Philharmonic, Hallé, Liverpool Philharmonic, BBC Symphony and Royal Philharmonic orchestras. Sargent was held in high esteem by choirs and instrumental soloists, but because of his high standards and a statement that he made in a 1936 interview disputing musicians' rights to tenure, his relationship with orchestral players was often uneasy. Despite this, he was co-founder of the London Philharmonic, was the first conductor of the Liverpool Philharmonic as a full-time ensemble, and played an important part in saving the Royal Philharmonic Orchestra from disbandment in the 1960s.
Paavo Allan Engelbert Berglund was a Finnish conductor and violinist.
Ralph Vaughan Williams dedicated his Symphony No. 4 in F minor to Arnold Bax.
A London Symphony is the second symphony that Ralph Vaughan Williams composed. The work is sometimes referred to as Symphony No. 2, though the composer did not designate that name for the work. First performed in 1914, the original score of this four-movement symphony was lost and subsequently reconstructed. Vaughan Williams continued revisions of the work into its final definitive form, which was published in 1936.
The Kingsway Hall in Holborn, London, was the base of the West London Mission (WLM) of the Methodist Church, and eventually became one of the most important recording venues for classical music and film music. It was built in 1912 and demolished in 1998. Among the prominent Methodists associated with the Kingsway Hall was Donald Soper, who was Superintendent Minister at the West London Mission from 1936 until his retirement in 1978.
Arnold Atkinson Cooke was a British composer, a pupil of Paul Hindemith. He wrote a considerable amount of chamber music, including five string quartets and many instrumental sonatas, much of which is only now becoming accessible through modern recordings. Cooke also composed two operas, six symphonies and several concertos.
This is the discography of Simon Rattle and other produced works by the English conductor.
Robert Augustine Irving, DFC*, was a British conductor whose reputation was mainly as a ballet conductor.
Alsatian conductor Charles Munch was one of the most widely recorded symphonic conductors of the twentieth century. Here is a partial list of his recordings.
The conductor Malcolm Sargent's career as a recording artist began in the days of acoustic recording, shortly before the introduction of the microphone and electrical recording, and continued into the stereo LP era. He recorded prolifically from 1924 until 1967, the year of his death.
Herbert Menges OBE was an English conductor and composer, who wrote incidental music to all of Shakespeare's plays.
The conductor Pierre Monteux made a large number of recordings throughout his career. His first recording was as a violist in "Plus blanche que la blanche hermine" from Les Huguenots by Meyerbeer in 1903 for Pathé with the tenor Albert Vaguet. His first recording as a conductor was the first of his five recordings of Stravinsky's The Rite of Spring. His last studio recordings were with the London Symphony Orchestra in works by Ravel at Wembley Town Hall at the end of February 1964. He recorded works by more than fifty composers. However, he disliked recording, saying of studio sessions,
You may give an excellently played, genuinely felt performance of a movement, but because the engineer is not satisfied because there is some rustling at one point, so you do it again and this time something else goes wrong. By the time you get a "perfect" take of the recording the players are bored, the conductor is bored, and the performance is lifeless and boring. … I detest all my own records.
The Finnish composer Jean Sibelius (1865–1957) was one of the most important symphonists of the early twentieth century: his seven symphonies, written between 1899 and 1924, are the core of his oeuvre and stalwarts of the standard concert repertoire. Many of classical music's conductor–orchestra partnerships have recorded the complete set, colloquially known as the "Sibelius cycle". Specifically, the standard cycle includes:
The conductor Bernard Haitink recorded works, especially symphonies and other orchestral works, with different orchestras. He made recordings for several labels, including Philips Records, EMI Classics, Columbia Records, LSO Live, RCO Live, and CSO Resound.
