The Lark Ascending

Last updated

George Meredith in 1893 by G. F. Watts George Meredith by George Frederic Watts.jpg
George Meredith in 1893 by G. F. Watts

"The Lark Ascending" is a poem of 122 lines by the English poet George Meredith about the song of the skylark. Siegfried Sassoon called it matchless of its kind, "a sustained lyric which never for a moment falls short of the effect aimed at, soars up and up with the song it imitates, and unites inspired spontaneity with a demonstration of effortless technical ingenuity... one has only to read the poem a few times to become aware of its perfection". [1]

Contents

The poem inspired the English composer Ralph Vaughan Williams to write a musical work of the same name, which is now more widely known than the poem.

Poem

Meredith's poem The Lark Ascending (1881) is a hymn or paean to the skylark and his [2] song, written in rhyming tetrameter couplets in two long continuous sections. It first appeared in The Fortnightly Review for May 1881, at a time when (as Meredith wrote in March 1881 to Cotter Morison) he was afflicted by "the dreadful curse of Verse". It was then included in his volume Poems and Lyrics of the Joy of Earth, which first appeared in an unsatisfactory edition in June 1883, and a month later was reprinted by Macmillan at the author's expense in a second issue with corrections. Siegfried Sassoon in his commentary on the 1883 Poems ("one of the landmarks of 19th-Century poetry") observed, "to write of such a poem is to be reminded of its incomparable aloofness from the ploddings of the journeyman critic". [3]

Summary of themes

It is a pastoral, devotional in feeling. The poem describes how "the press of hurried notes" run repeating, changing, trilling and ringing, and bring to our inner being a song of mirth and light like a fountain piercing the "shining tops of day". The joyfulness, purity and unrestrained delight of the "starry voice ascending" awakens "the best in us to him akin". The lark's song is the wine which lifts us with him in the golden cup, the valley of this world: the lark is the woods and brooks, the creatures and the human line, the dance and the marriage of life within it. The hearts of men shall feel them better, shall feel them celestially, "as long as you crave nothing save the song". The poet's voice becomes choric.

The human voice (the song proceeds) cannot express so sweetly what is inmost. Unlike the skylark, Man has not such a "song seraphically free/Of taint of personality". In the lark's song, the human "millions rejoice/For giving their one spirit voice". Yet there are those revered human lives, made substantial by trials and in loving the earth, which though themselves unsinging yet come forth as a song worthy to greet heaven. It rises in that pure song into the highest heavens and is maintained there, so that our soul rises with theirs "through self-forgetfulness divine", filling the skies, showering the world "from human stores", soaring nearer towards silence.

Consciously or unconsciously, Meredith's theme expands upon the sonnet False Poets and True by Thomas Hood (1799-1845), addressed to William Wordsworth, [4] and is of course in debt to Shelley's Ode To a Skylark .

Related Research Articles

<span class="mw-page-title-main">Siegfried Sassoon</span> English war poet and writer (1886–1967)

Siegfried Loraine Sassoon was an English war poet, writer, and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War. His poetry both described the horrors of the trenches and satirised the patriotic pretensions of those who, in Sassoon's view, were responsible for a jingoism-fuelled war. Sassoon became a focal point for dissent within the armed forces when he made a lone protest against the continuation of the war in his "Soldier's Declaration" of July 1917, culminating in his admission to Craiglockhart War Hospital; this resulted in his forming a friendship with Wilfred Owen, who was greatly influenced by him. Sassoon later won acclaim for his prose work, notably his three-volume fictionalised autobiography, collectively known as the "Sherston trilogy".

<span class="mw-page-title-main">Wilfred Owen</span> English poet and soldier (1893–1918)

Wilfred Edward Salter Owen MC was an English poet and soldier. He was one of the leading poets of the First World War. His war poetry on the horrors of trenches and gas warfare was much influenced by his mentor Siegfried Sassoon and stood in contrast to the public perception of war at the time and to the confidently patriotic verse written by earlier war poets such as Rupert Brooke. Among his best-known works – most of which were published posthumously – are "Dulce et Decorum est", "Insensibility", "Anthem for Doomed Youth", "Futility", "Spring Offensive" and "Strange Meeting". Owen was killed in action on 4 November 1918, a week before the war's end, at the age of 25.

<span class="mw-page-title-main">Lark</span> Family of birds

Larks are passerine birds of the family Alaudidae. Larks have a cosmopolitan distribution with the largest number of species occurring in Africa. Only a single species, the horned lark, occurs in North America, and only Horsfield's bush lark occurs in Australia. Habitats vary widely, but many species live in dry regions. When the word "lark" is used without specification, it often refers to the Eurasian skylark (Alauda arvensis).

<span class="mw-page-title-main">Anthem for Doomed Youth</span> 1917 poem by Wilfred Owen

"Anthem for Doomed Youth" is a poem written in 1917 by Wilfred Owen. It incorporates the theme of the horror of war.

<span class="mw-page-title-main">George Meredith</span> British novelist and poet of the Victorian era

George Meredith was an English novelist and poet of the Victorian era. At first his focus was poetry, influenced by John Keats among others, but he gradually established a reputation as a novelist. The Ordeal of Richard Feverel (1859) briefly scandalised Victorian literary circles. Of his later novels, the most enduring is The Egoist (1879), though in his lifetime his greatest success was Diana of the Crossways (1885). His novels were innovative in their attention to characters' psychology, and also took a close interest in social change. His style, in both poetry and prose, was noted for its syntactic complexity; Oscar Wilde likened it to "chaos illumined by brilliant flashes of lightning". He was an encourager of other novelists, as well as an influence on them; among those to benefit were Robert Louis Stevenson and George Gissing. He was nominated for the Nobel Prize in Literature seven times.

"Dulce et Decorum est" is a poem written by Wilfred Owen during World War I, and published posthumously in 1920. The Latin title is taken from Ode 3.2 (Valor) of the Roman poet Horace and means "it is sweet and fitting". It is followed by pro patria mori, which means "to die for one's country". One of Owen's most renowned works, the poem is known for its horrific imagery and condemnation of war. It was drafted at Craiglockhart in the first half of October 1917 and later revised, probably at Scarborough but possibly Ripon, between January and March 1918. The earliest surviving manuscript is dated 8 October 1917 and addressed to his mother, Susan Owen, with the message: "Here is a gas poem done yesterday ."

<span class="mw-page-title-main">Eurasian skylark</span> Species of bird

The Eurasian skylark is a passerine bird in the lark family, Alaudidae. It is a widespread species found across Europe and the Palearctic with introduced populations in New Zealand, Australia and on the Hawaiian Islands. It is a bird of open farmland and heath, known for the song of the male, which is delivered in hovering flight from heights of 50 to 100 metres. The sexes are alike. It is streaked greyish-brown above and on the breast and has a buff-white belly.

<span class="mw-page-title-main">Archibald Lampman</span> Canadian poet

Archibald Lampman was a Canadian poet. "He has been described as 'the Canadian Keats;' and he is perhaps the most outstanding exponent of the Canadian school of nature poets." The Canadian Encyclopedia says that he is "generally considered the finest of Canada's late 19th-century poets in English."

<span class="mw-page-title-main">Emma Lazarus</span> American poet (1849–1887)

Emma Lazarus was an American author of poetry, prose, and translations, as well as an activist for Jewish and Georgist causes. She is remembered for writing the sonnet "The New Colossus", which was inspired by the Statue of Liberty, in 1883. Its lines appear inscribed on a bronze plaque, installed in 1903, on the pedestal of the Statue of Liberty. The last lines of the sonnet were set to music by Irving Berlin as the song "Give Me Your Tired, Your Poor" for the 1949 musical Miss Liberty, which was based on the sculpting of the Statue of Liberty. The latter part of the sonnet was also set by Lee Hoiby in his song "The Lady of the Harbor" written in 1985 as part of his song cycle "Three Women".

<span class="mw-page-title-main">To a Skylark</span> Poem by Shelley

"To a Skylark" is a poem completed by Percy Bysshe Shelley in late June 1820 and published accompanying his lyrical drama Prometheus Unbound by Charles and James Ollier in London.

— Wilfred Owen, concluding lines of "Dulce et Decorum est", written 1917, published posthumously this year

<span class="mw-page-title-main">Sonnet 130</span> Poem by William Shakespeare

William Shakespeare's Sonnet 130 mocks the conventions of the showy and flowery courtly sonnets in its realistic portrayal of his mistress.

Sonnet 29 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is part of the Fair Youth sequence. In the sonnet, the speaker bemoans his status as an outcast and failure but feels better upon thinking of his beloved. Sonnet 29 is written in the typical Shakespearean sonnet form, having 14 lines of iambic pentameter ending in a rhymed couplet.

Sonnet 17 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is the final poem of what are referred to by scholars as the procreation sonnets with which the Fair Youth sequence opens.

<span class="mw-page-title-main">Sonnet 21</span> Poem by William Shakespeare

Sonnet 21 is one of 154 sonnets written by the English playwright and poet William Shakespeare and is part of the "fair youth" sequence. Like Sonnet 130, it addresses the issue of truth in love, as the speaker asserts that his lines, while less extravagant than those of other poets, are more truthful. Contrary to most of Shakespeare's sonnets, Sonnet 21 is not addressed to any one person. There is no second person, no overt "you" or "thou" expressed in it.

Christ II, also called The Ascension, is one of Cynewulf's four signed poems that exist in the Old English vernacular. It is a five-section piece that spans lines 440–866 of the Christ triad in the Exeter Book, and is homiletic in its subject matter in contrast to the martyrological nature of Juliana, Elene, and Fates of the Apostles. Christ II draws upon a number of ecclesiastical sources, but it is primarily framed upon Gregory the Great’s Homily XXIX on Ascension Day.

Nationality words link to articles with information on the nation's poetry or literature.

"Night" is a poem in the illuminated 1789 collection Songs of Innocence by William Blake, later incorporated into the larger compilation Songs of Innocence and of Experience. "Night" speaks about the coming of evil when darkness arrives, as angels protect and keep the sheep from the impending dangers.

<i>The Lark Ascending</i> (Vaughan Williams) Musical composition by English composer Ralph Vaughan Williams

The Lark Ascending is a short, single-movement work by the English composer Ralph Vaughan Williams, inspired by the 1881 poem of the same name by the English writer George Meredith. It was originally for violin and piano, completed in 1914, but not performed until 1920. The composer reworked it for solo violin and orchestra after the First World War. This version, in which the work is chiefly known, was first performed in 1921. It is subtitled "A Romance", a term that Vaughan Williams favoured for contemplative slow music.

"The Kraken" is a sonnet by Alfred Tennyson (1809–1892) that describes the Kraken, a mythical creature. It was published in Tennyson's Poems, Chiefly Lyrical (1830).

References

  1. Siegfried Sassoon, Meredith (Constable, London 1948), pp. 163–64.
  2. It is the male of the species which soars and sings.
  3. Sassoon, Meredith, pp. 159–164.
  4. "Sonnets. IV: False Poets and True", in Poems by Thomas Hood, 2 vols (Edward Moxon, London 1846), II, p. 39 (Google).