Norma Burrowes (born 24 April 1944) is an Irish coloratura soprano, particularly associated with Handel and Mozart roles.
Born in Bangor, County Down, Northern Ireland, Burrowes studied at The Queen's University of Belfast and then at Royal Academy of Music with Flora Nielsen and Rupert Bruce-Lockhart. She made her professional debut with the Glyndebourne Touring Opera Company, as Zerlina, in 1970. [1] The same year, she made her debut at the Royal Opera House in London, as Fiakermilli, and at the Glyndebourne Festival, as Papagena. She also sang in various productions with the English Opera Group, including Henry Purcell's The Fairy-Queen , [2] King Arthur , [3] and Dido and Aeneas . [4]
Burrowes joined the English National Opera in 1971, and quickly began to appear on the international scene, notably at the Salzburg Festival, the Paris Opéra, and the Aix-en-Provence Festival. She made her Metropolitan Opera debut in 1979 as Blondchen. [1] [5]
She began her career singing mostly soubrette roles, such as Blonde, Susanna and Despina; but she gradually expanded to light coloratura parts, such as Adina, Norina, Marie, Oscar, Nanetta and Zerbinetta, later adding more lyrical roles such as Pamina, Juliette and Manon. She also excelled in operas by Purcell, Handel, and Haydn, in which she can be heard on several recordings.
From 1969 to 1980 she was married to the conductor Steuart Bedford, [5] with whom she recorded the role of Alison in Holst's The Wandering Scholar .
A singer with a pure and silvery voice, secure coloratura technique and delightful stage presence, Burrowes retired from the stage in 1982. [1] She married former tenor Emile Belcourt, and in 1992 joined him at the University of Saskatoon as a vocal coach. [6] In 1994 they resettled with their family in Toronto, [6] where Burrowes is currently a member of the vocal faculty at York University.
A mezzo-soprano (Italian:[ˌmɛddzosoˈpraːno], lit. 'half soprano'), or mezzo ( MET-soh), is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic.
Carolyn Watkinson is an English mezzo-soprano, specialising in baroque music. Her voice is alternately characterized as mezzo-soprano and contralto.
Dame Janet Abbott Baker is an English mezzo-soprano best known as an opera, concert, and lieder singer.
Dido and Aeneas is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain. It was composed no later than July 1688, and had been performed at Josias Priest's girls' school in London by the end of 1689. Some scholars argue for a date of composition as early as 1683. The story is based on Book IV of Virgil's Aeneid. It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons her. A monumental work in Baroque opera, Dido and Aeneas is remembered as one of Purcell's foremost theatrical works. It was also Purcell's only true opera, as well as his only all-sung dramatic work. One of the earliest known English operas, it owes much to John Blow's Venus and Adonis, both in structure and in overall effect.
A soubrette is a female minor stock character in opera and theatre, often a pert lady's maid. By extension, the term can refer generally to any saucy or flirtatious young woman. The term arrived in English from Provençal via French, and means "conceited" or "coy".
Jill Carnegy, Countess of Northesk is a Trinidadian and British soprano who enjoyed an active career on the operatic stage and in the concert hall in a wide repertoire, and has made many recordings.
Kate Royal is an English lyric soprano.
Susan Gritton is an English operatic soprano. She was the 1994 winner of the Kathleen Ferrier Award and has sung leading roles in a wide-ranging repertoire from Handel and Mozart to Britten, Janáček and Strauss.
Dame Sarah Patricia Connolly is an English mezzo-soprano. Although best known for her baroque and classical roles, Connolly has a wide-ranging repertoire which has included works by Wagner as well as various 20th-century composers. She was appointed a Commander of the Order of the British Empire (CBE) in the 2010 New Year Honours and a Dame Commander of the Order of the British Empire (DBE) in the 2017 Birthday Honours for services to music.
Opéra de Baugé is an opera festival held each summer near the Loire town of Baugé-en-Anjou, 40 kilometres east of Angers, France.
The Wandering Scholar, Op. 50 is a chamber opera in one act by the English composer Gustav Holst, composed 1929–30. The libretto, by Clifford Bax, is based on the book The Wandering Scholars by Helen Waddell.
Terence Weil was a British cellist, principal cellist of the English Chamber Orchestra, a founding member of the Melos Ensemble, a leading chamber musician and an influential teacher at the Royal Northern College of Music.
Rae Woodland was a British soprano who studied with Roy Henderson. Her debut was as Queen of the Night at Sadlers Wells. She sang in many European festivals, and debuted at Covent Garden in La sonnambula with Joan Sutherland and Luciano Pavarotti. She was first asked to sing for Benjamin Britten on the English Opera Group's tour of Russia, and played many roles for him subsequently. She also created roles for Gottfried von Einem, Nicholas Maw and Sir Arthur Bliss, and made many live broadcasts for the BBC, from the RAH Proms to Friday Night is Music Night. She retired from the opera stage in 1984. She then taught singing at the Royal Academy of Music in London, and at the Britten-Pears School in Snape Maltings on the invitation of Sir Peter Pears.
Nancy Evans OBE was an English mezzo-soprano who had a notable career as a concert and opera singer. She is particularly associated with Benjamin Britten who wrote his song cycle, A Charm of Lullabies, and the role of Nancy in his opera Albert Herring for her.
April Rosemary Cantelo was an English soprano. She created roles in operas by major composers, including the title role of Semele by John Eccles, Helena in Britten's A Midsummer Night's Dream, and in several works by Malcolm Williamson such as English Eccentrics.
James Oldfield is an English bass-baritone. In 2008 he was awarded a Sybil Tutton Award from the Musicians Benevolent Fund, and in 2010 he was given the Leonard Ingrams Award from Garsington Opera.
New Chamber Opera is a professional opera company located in Oxford, United Kingdom. It specialises in the fields of chamber opera and music theatre, and produces rarely performed works from the Baroque era to the present. It is a member of the Opera and Music Theatre Forum. New Chamber Opera has received financial support from the Arts Council of Great Britain and The National Lottery.
Jean Allister was an opera singer who encompassed a wide range of repertoire both on stage and on the concert platform in a career spanning over 30 years.
Patricia Johnson is an English operatic mezzo-soprano. She made an international career and is known for her dramatic voice and her stage presence. She appeared in leading roles of the repertory, such as Carmen and Eboli, and created new roles, such as the Baronin Grünwiesel in Henze's Der junge Lord, and the Princess in Nicolas Nabokov's Love's Labour's Lost.
Christian Curnyn is a British conductor, harpsichordist and baroque music specialist.