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Ottavio Dantone (born 9 October 1960) is an Italian conductor and keyboardist (primarily harpsichord and fortepiano) particularly noted for his performances of Baroque music. He has been the music director of the Accademia Bizantina in Ravenna since 1996.
Dantone trained at the Conservatorio "Giuseppe Verdi" in Milan where he graduated in organ and harpsichord. In 1985 he was awarded the Basso Continuo prize at the International Paris Festival and was also a laureate in the 1986 International Bruges Festival.
Dantone made his debut as an opera conductor in 1999 with the first performance in modern times of Giuseppe Sarti's Giulio Sabino at the Teatro Alighieri in Ravenna. [1] He made his La Scala debut in 2005 conducting Handel's Rinaldo , [2] and would conduct performances of the same opera at Glyndebourne in 2011. [3]
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Giuseppe Sarti was an Italian opera composer.
L'Olimpiade is an opera libretto in three acts by Metastasio originally written for an operatic setting by Antonio Caldara of 1733. Metastasio’s plot vaguely draws upon the narrative of "The Trial of the Suitors" provided from Book 6 of The Histories of Herodotus, which had previously been the base for Apostolo Zeno's libretto Gli inganni felici (1695). The story, set in Ancient Greece at the time of the Olympic Games, is about amorous rivalry and characters' taking places to gain the loved one. The story ends with the announcement of two marriages.
Christophe Rousset is a French harpsichordist and conductor, who specializes in the performance of Baroque music on period instruments. He is also a musicologist, particularly of opera and European music of the 17th and 18th centuries and is the founder of the French music ensemble Les Talens Lyriques.
Sandrine Piau is a French soprano. She is particularly renowned in Baroque music although also excels in Romantic and modernist art songs. She has the versatility to perform works from Vivaldi, Handel, Mozart to Schumann, Debussy, and Poulenc. In addition to an active career in concerts and operas, she is prolific in studio recordings, primarily with Harmonia Mundi, Naïve, and Alpha since 2018.
The French musical ensemble Les Talens Lyriques was created in 1991 in Paris, France, by the harpsichordist and orchestral conductor Christophe Rousset. This instrumental and vocal formation derives its name from the subtitle of Les fêtes d'Hébé (1739) an opera by Jean-Philippe Rameau.
Giulio Sabino is a dramma per musica in three acts by Giuseppe Sarti. The libretto was by Pietro Giovannini.
Lorenzo Regazzo, is an opera singer. His voice can be categorised as bass, bass-baritone or basso cantante. He is especially well known for interpreting Baroque, Classical, and bel canto repertoire. Among the qualities frequently noted by the critical press are his virtuosic coloratura technique, sumptuous tone, and vivid stage presence.
Christophe Dumaux is a French classical countertenor.
La verità in cimento is an opera by Antonio Vivaldi to a libretto by Giovanni Palazzi. The opera, Vivaldi's 13th, was premiered during the Carnival at Venice in 1720. The work is dedicated to Count Sava Vladislavich, a Serbian merchant and diplomat in the employ of Peter the Great, who resided in Venice from 1716 to 1722. The work is listed as RV 739 in the Vivaldi catalogue.
Scanderbeg is an opera in three acts composed by Antonio Vivaldi to an Italian libretto by Antonio Salvi. It was first performed at the Teatro della Pergola in Florence on 22 June 1718 to mark the re-opening of the theatre to public performances. While the libretto has been preserved, only fragments of the original score remain.
Julia Mikhaylovna Lezhneva is a Russian soprano opera singer and recitalist, specializing in soprano and coloratura mezzo-soprano material of the 18th and early 19th century. She studied with Tamara Cherkasova, Irina Zhurina, Elena Obraztsova, Dennis O'Neill and Yvonne Kenny.
Sara Mingardo is an Italian classical contralto who has had an active international career in concerts and operas since the 1980s. Her complete recording of Anna in Hector Berlioz's Les Troyens won a Gramophone Award and both the Grammy Award for Best Opera Recording and the Grammy Award for Best Classical Album in 2002. Some of the other roles she has performed on stage or on disc include Andronico in Tamerlano, Mistress Quickly in Falstaff, Rosina in The Barber of Seville, and the title roles in Carmen, Giulio Cesare, Riccardo Primo, and Rinaldo. She has also recorded several Vivaldi cantatas, Bach cantatas, and such concert works as Mozart's Requiem, Rossini's Stabat Mater, and Vivaldi's Gloria among others.
Maria Grazia Schiavo is an Italian classical soprano, particularly known for her performances of music from the baroque period. She has performed with major opera houses in Austria, France, Germany, Italy, and Spain, and has appeared in concerts throughout Europe.
Tim Mead is an English countertenor.
Il GiustinoRV 717 is a 1724 opera by Vivaldi set to a libretto by Nicolò Beregan, originally used for the 1683 opera of the same name by Giovanni Legrenzi, and also later set by Albinoni and Handel. The opera was composed for the 1724 carnival season in Rome and premiered at the Teatro Capranica.
Delphine Galou is a French contralto. Her vocal style allows her to perform the most virtuoso roles of the baroque repertoire.
The Fondazione Academia Montis Regalis is an Italian cultural foundation promoting baroque and classical orchestral training based in the town of Mondovì since 1992. In 1994 it was recognised as a non-profit organisation Organizzazione non lucrative di utilità sociale (Onlus) by the Piedmont Region.
Il Flaminio is a 1735 opera buffa by Giovanni Battista Pergolesi to a Neapolitan libretto by Gennaro Antonio Federico, first performed at the Teatro Nuovo, Naples. Untypically in Pergolesi's difficult and short career the opera was an immediate success and continued to be staged up to 1750.
La contadina astuta, or Livietta e Tracollo, is an opera buffa composed by Giovanni Battista Pergolesi to a libretto by Tommaso Mariani. It was originally composed as an intermezzo for Pergolesi's opera Adriano in Siria but subsequently became popular in its own right and was performed throughout Europe. It premiered along with Adriano in Siria on 25 October 1734 at the Teatro San Bartolomeo in Naples.
Adriano in Siria is an opera by Giovanni Battista Pergolesi setting Metastasio's libretto of the same name. It was the third of his four opere serie, premiered at Teatro San Bartolomeo in Naples on 25 October 1734. It has a historical subject. Adriano is the Italian name for the Roman emperor Hadrian. Pergolesi also provided a comic intermezzo La contadina astuta, later better known as Livietta e Tracollo, to a libretto by Tommaso Mariani.
