Folly of Love | |
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Directed by | Robert Wiene |
Written by | Alexander Castell (novel) Max Glass |
Produced by | Max Glass |
Starring | Maria Jacobini Jack Trevor Betty Astor Angelo Ferrari |
Cinematography | Giovanni Vitrotti |
Music by | Giuseppe Becce |
Production company | |
Distributed by | Terra Film |
Release date |
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Country | Germany |
Languages | Silent German intertitles |
Folly of Love (German: Unfug der Liebe) is a 1928 German silent comedy film directed by Robert Wiene and starring Maria Jacobini, Jack Trevor and Betty Astor. While several of Wiene's previous films had met with mixed responses, Folly of Love was universally praised by critics. [1] The film was made at the Marienfelde Studios of Terra Film. It was Wiene's last silent film. His next work was the 1930 sound film The Other .
The Queen's Secretary is a 1916 German silent comedy film directed by Robert Wiene and starring Käthe Dorsch, Ressel Orla and Margarete Kupfer. A young Queen secretly marries the commander of her bodyguard, but things are complicated when his ex-lover arrives with a touring opera company. The film was widely praised for its direction, acting and cinematography.
Lehmann's Honeymoon is a 1916 German silent comedy film directed by Robert Wiene and starring Guido Herzfeld, Christel Lorenz, and Arnold Rieck. In order to persuade a daydreaming Professor of Greek History to marry his cousin, his family dress themselves up as Ancient Greeks.
Life Is a Dream is a 1917 German silent drama film directed by Robert Wiene and starring Emil Jannings, Bruno Decarli and Maria Fein. A young aristocrat meets a man and marries him, but soon discovers he is a monster. After his death she grows increasingly mad, until a revolutionary new cure is attempted which makes her believe that the whole episode was simply a dream.
Steadfast Benjamin is a 1917 German silent comedy film directed by Robert Wiene and starring Arnold Rieck, Guido Herzfeld and Martha Altenberg.
The Man in the Mirror is a 1917 German silent drama film directed by Robert Wiene and starring Maria Fein, Bruno Decarli and Emil Rameau.
The Queen's Love Letter is a 1916 German silent comedy film directed by Robert Wiene and starring Henny Porten, Arthur Schröder and Rudolf Biebrach. Its story is unconnected with Wiene's film The Queen's Secretary which was released the same year.
Frau Eva is a 1916 German silent drama film directed by Robert Wiene and starring Erna Morena, Emil Jannings and Theodor Loos. It was based on the 1874 novel Fromont and Risler by Alphonse Daudet. The film was Jannings' first starring role, his previous appearance having been as an extra in Im Schützengraben.
Panic in the House of Ardon is a 1920 German silent crime film directed by Robert Wiene and starring Stella Harf, Max Kronert and Paul Mederow. The film was finished by August 1920, but did not have its premiere until July 1921. It also had several alternative titles including Die Welteroberer. A crime syndicate attempts to discover the scientific secrets of the chemical company Ardon. The film was made in the Expressionist style that had been used for Wiene's earlier hit The Cabinet of Dr. Caligari. It features the popular detective Stuart Webbs, closely modeled on Sherlock Holmes.
A Woman's Revenge is a 1921 German silent drama film directed by Robert Wiene and starring Vera Karalli, Franz Egenieff and Olga Engl. In order to punish her cold, brutal aristocratic husband for murdering her lover, a woman becomes a common prostitute to shame him. The film received largely negative reviews.
The Woman on the Rack is a 1928 German silent drama film directed by Robert Wiene and starring Lili Damita, Vladimir Gajdarov, and Johannes Riemann. It was also known by the alternative title A Scandal in Paris. It was based on a British play by Edward Hemmerde and Francis Neilson. The wife of a British aristocratic politician, who is neglected by her husband, resists an attempt to break them up. When her husband discovers what he mistakenly believes to be a dalliance with another man he begins divorce proceedings. Eventually the truth comes out and the couple reconcile. The film was not considered one of Wiene's greatest achievements, but he was praised for directing with his usual competence while Damita's performance as Lady Admaston was hailed.
The Famous Woman is a 1927 German silent drama film directed by Robert Wiene and starring Lili Damita, Fred Solm and Warwick Ward. It was based on the play Die Tänzerin by Melchior Lengyel, who also wrote the film's screenplay. While performing in Barcelona, a dancer falls in love with a Spanish aristocrat. He proposes marriage to her providing she give up her profession. She agrees and the wedding preparations begin. When her troupe returns to Spain, however, she is drawn back to her true calling as a dancer and her aristocratic lover reluctantly allows her to go free. Damita's performance was particularly praised, as was the cinematography of Otto Kanturek who had done location shooting in Barcelona.
Leontine's Husbands is a 1928 German silent comedy film directed by Robert Wiene and starring Claire Rommer, Georg Alexander and Carl Walther Meyer. It was based on a play by Alfred Capus. A French dancer works her way through a series of husbands, spending their money. The film received poor reviews from critics, who expected better from the director.
The Great Adventuress is a 1928 German silent comedy film directed by Robert Wiene and starring Lili Damita, Georg Alexander, and Fred Solm. Much of the film's funding came from Britain. Location shooting took place in Paris, Calais and London. The film's plot was criticised by reviews for lacking clarity.
The Night of Queen Isabeau is a 1920 German silent historical drama film directed by Robert Wiene and starring Fern Andra, Fritz Kortner, Hans Heinrich von Twardowski and Elsa Wagner. The film depicts the marriage between the mad Charles VI of France and his wife Queen Isabeau. It was shot at the Babelsberg Studios in Berlin. The film is now considered a lost film, but contemporary reviews praised Wiene's direction. The story revolves around insanity, a common theme in his films.
The Guardsman is a 1925 Austrian silent comedy film directed by Robert Wiene and starring Alfred Abel, María Corda and Anton Edthofer. The film was shot at the Schönbrunn Studios in Vienna. It was based on the play Testőr by Ferenc Molnár and in 1931 remade as a movie by Sidney Franklin.
Betty Astor was a German film actress. She was born Berta Baesel in Germany.
The Power of Darkness is a 1924 German silent drama film directed by Conrad Wiene and starring Petr Sharov, Mariya Germanova and Maria Kryshanovskaya. It is an adaptation of Leo Tolstoy's play The Power of Darkness.
I.N.R.I. is a 1923 German silent religious epic film directed by Robert Wiene and starring Gregori Chmara, Henny Porten, and Asta Nielsen. The film is a retelling of the events leading up to the crucifixion of Jesus Christ. It was based on a 1905 novel by Peter Rosegger. It was reissued in 1933 in the United States with an added music track and narration as Crown of Thorns.
The Queen of Moulin Rouge is a 1926 Austrian silent comedy film directed by Robert Wiene and starring Mady Christians, André Roanne and Livio Pavanelli. The film is based on the 1902 play La Duchesse des Folies-Bergère by Georges Feydeau. It was the final silent film Wiene made in Austria, before returning to Germany. It was made by the Austrian studio Pan Film, with backing from the French Pathé and German Filmhaus Bruckmann companies.
Typhoon is a 1933 German drama film directed by Robert Wiene and starring Liane Haid, Viktor de Kowa and Valéry Inkijinoff. It was based on the 1911 play Typhoon by the Hungarian writer Melchior Lengyel. It was the last German film made by Wiene, who had been a leading director of German silent cinema.