The Love Express is a 1931 German musical comedy film directed by Robert Wiene and starring Georg Alexander, Dina Gralla and Joseph Schmidt. No print of the film is known to survive, and it is therefore a lost film. It is based on the operetta Es lebe die Liebe by Alexander Engel and Wilhelm Sterk. It was one of a cycle of operetta films made during the early sound era. A French-language version, Venetian Nights, also directed by Wiene, was released the same year.
The Wandering Light is a 1916 German silent drama film directed by Robert Wiene and starring Henny Porten, Bruno Decarli and Theodor Becker. It was based on a short story by Ernst von Wildenbruch. A Count marries a woman who come to wrongly believe that he is mad.
Ernst Karl Heinrich Hofmann was a German stage and film actor.
The Weapons of Youth is a 1913 German silent film directed by Friedrich Müller and starring Gertrud Gräbner, Curt Maler and Hans Staufen.
Panic in the House of Ardon is a 1920 German silent crime film directed by Robert Wiene and starring Stella Harf, Max Kronert and Paul Mederow. The film was finished by August 1920, but did not have its premiere until July 1921. It also had several alternative titles including Die Welteroberer. A crime syndicate attempts to discover the scientific secrets of the chemical company Ardon. The film was made in the Expressionist style that had been used for Wiene's earlier hit The Cabinet of Dr. Caligari. It features the popular detective Stuart Webbs, closely modeled on Sherlock Holmes.
Playing with Fire is a 1921 German silent comedy-drama film directed by Georg Kroll and Robert Wiene and starring Diana Karenne, Vasilij Vronski, Ossip Runitsch, and Anton Edthofer. It was shot at the Babelsberg Studios in Berlin. The film received a generally positive reception from critics, although some were doubtful about the blending of farce and tragedy.
A Woman's Revenge is a 1921 German silent drama film directed by Robert Wiene and starring Vera Karalli, Franz Egenieff and Olga Engl. In order to punish her cold, brutal aristocratic husband for murdering her lover, a woman becomes a common prostitute to shame him. The film received largely negative reviews.
The Infernal Power is a 1922 German silent film directed by Robert Wiene and starring Thea Kasten, Emil Lind and Ossip Runitsch. The film is now a lost film, and virtually nothing is known of its plot or genre.
The Doll Maker of Kiang-Ning is a 1923 German silent fantasy film directed by Robert Wiene and starring Werner Krauss, Lia Eibenschütz, and Ossip Runitsch. A doll maker in Kiangning, China crafts a puppet which he is convinced is lifelike. He takes it to exhibit at a public event, but is outraged to find an even more convincing and beautiful doll there. It is in fact a real woman pretending to be a doll, but he becomes so obsessed he attempts to steal her and the film ends with her rescue and his tragic death.
The Woman on the Rack is a 1928 German silent drama film directed by Robert Wiene and starring Lili Damita, Vladimir Gajdarov, and Johannes Riemann. It was also known by the alternative title A Scandal in Paris. It was based on a British play by Edward Hemmerde and Francis Neilson. The wife of a British aristocratic politician, who is neglected by her husband, resists an attempt to break them up. When her husband discovers what he mistakenly believes to be a dalliance with another man he begins divorce proceedings. Eventually the truth comes out and the couple reconcile. The film was not considered one of Wiene's greatest achievements, but he was praised for directing with his usual competence while Damita's performance as Lady Admaston was hailed.
The Mistress is a 1927 German silent drama film directed by Robert Wiene and starring Edda Croy, Harry Liedtke and Eugen Burg. It was based on a play by Alexander Brody. It was the first film Wiene made after returning to Germany after two years working in Austria, although the film's location shooting was done in Vienna, where the story is set. The interiors were shot at the Marienfelde Studios of Terra Film in Berlin.
The Night of Queen Isabeau is a 1920 German silent historical drama film directed by Robert Wiene and starring Fern Andra, Fritz Kortner, Hans Heinrich von Twardowski and Elsa Wagner. The film depicts the marriage between the mad Charles VI of France and his wife Queen Isabeau. It was shot at the Babelsberg Studios in Berlin. The film is now considered a lost film, but contemporary reviews praised Wiene's direction. The story revolves around insanity, a common theme in his films.
Ernst Gronau was a German stage, writer and film actor.
Strauss Is Playing Today is a 1928 German silent drama film directed by Conrad Wiene and starring Alfred Abel, Hermine Sterler and Imre Ráday. The film was made at the Tempelhof Studios in Berlin. It portrays the relationship between the father and son Austrian composers Johann Strauss I and Johann Strauss II.
I.N.R.I. is a 1923 German silent religious epic film directed by Robert Wiene and starring Gregori Chmara, Henny Porten, and Asta Nielsen. The film is a retelling of the events leading up to the crucifixion of Jesus Christ. It was based on a 1905 novel by Peter Rosegger. It was reissued in 1933 in the United States with an added music track and narration as Crown of Thorns.
The Other is a 1930 German drama film directed by Robert Wiene and starring Fritz Kortner, Käthe von Nagy and Heinrich George. It was based on the 1893 play Der Andere by Paul Lindau. It was shot at the Terra Studios in Berlin. A French-language version The Prosecutor Hallers was shot by Wiene immediately afterwards in the same Berlin studio, but with different actors.
Ultimatum is a 1938 French historical drama film directed by Robert Wiene and Robert Siodmak and starring Dita Parlo, Erich von Stroheim and Abel Jacquin. The film's plot is set in 1914 against the backdrop of the July Crisis between the assassination of Archduke Franz Ferdinand and the beginning of the First World War. It focuses on the relationship between a Serbian officer and his Austrian-born wife and their involvement in espionage between the countries.
Roswolsky's Mistress is a 1921 German silent drama film directed by Felix Basch and starring Asta Nielsen, Paul Wegener, and Wilhelm Diegelmann. It was based on a novel by George Froeschel. The film was shot at the Tempelhof Studios in Berlin, with sets designed by art directors Robert Neppach and Jack Winter. According to one estimate, the star Asta Nielsen wore thirty six different costumes during the course of the film.
Trude is a 1926 German silent film directed by Conrad Wiene and starring Olga Chekhova, Max Landa and Paul Morgan.
Robert Heymann (1879–1946) was a German screenwriter and film director active during the silent era. He began as a playwright in 1901 and also wrote novels. He worked with the Berlin-based production company Luna Film. For them he directed the four-part Satan's Memoirs, the second most expensive German film made during the First World War. The 1931 film Panic in Chicago was adapted from his novel of the same title. Of Jewish heritage he had to leave Germany following the Nazi takeover.
