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The Wandering Light is a 1916 German silent drama film directed by Robert Wiene and starring Henny Porten, Bruno Decarli and Theodor Becker. It was based on a short story by Ernst von Wildenbruch. A Count marries a woman who come to wrongly believe that he is mad.
The Marriage of Luise Rohrbach is a 1917 German silent drama film directed by Rudolf Biebrach and starring Henny Porten, Emil Jannings and Ludwig Trautmann. The film was based on a novel by Emmi Elert.
Life Is a Dream is a 1917 German silent drama film directed by Robert Wiene and starring Emil Jannings, Bruno Decarli and Maria Fein. A young aristocrat meets a man and marries him, but soon discovers he is a monster. After his death she grows increasingly mad, until a revolutionary new cure is attempted which makes her believe that the whole episode was simply a dream.
Steadfast Benjamin is a 1917 German silent comedy film directed by Robert Wiene and starring Arnold Rieck, Guido Herzfeld and Martha Altenberg.
The Man in the Mirror is a 1917 German silent drama film directed by Robert Wiene and starring Maria Fein, Bruno Decarli and Emil Rameau.
Frau Eva is a 1916 German silent drama film directed by Robert Wiene and starring Erna Morena, Emil Jannings and Theodor Loos. It was based on the 1874 novel Fromont and Risler by Alphonse Daudet. The film was Jannings' first starring role, his previous appearance having been as an extra in Im Schützengraben.
Panic in the House of Ardon is a 1920 German silent crime film directed by Robert Wiene and starring Stella Harf, Max Kronert and Paul Mederow. The film was finished by August 1920, but did not have its premiere until July 1921. It also had several alternative titles including Die Welteroberer. A crime syndicate attempts to discover the scientific secrets of the chemical company Ardon. The film was made in the Expressionist style that had been used for Wiene's earlier hit The Cabinet of Dr. Caligari. It features the popular detective Stuart Webbs, closely modeled on Sherlock Holmes.
Anton Franz Edthofer was an Austrian actor.
The Infernal Power is a 1922 German silent film directed by Robert Wiene and starring Thea Kasten, Emil Lind and Ossip Runitsch. The film is now a lost film, and virtually nothing is known of its plot or genre.
The Doll Maker of Kiang-Ning is a 1923 German silent fantasy film directed by Robert Wiene and starring Werner Krauss, Lia Eibenschütz, and Ossip Runitsch. A doll maker in Kiangning, China crafts a puppet which he is convinced is lifelike. He takes it to exhibit at a public event, but is outraged to find an even more convincing and beautiful doll there. It is in fact a real woman pretending to be a doll, but he becomes so obsessed he attempts to steal her and the film ends with her rescue and his tragic death.
Boarding House Groonen is a 1925 Austrian silent comedy film directed by Robert Wiene and starring Anton Edthofer, Karl Forest and Harry Nestor. It was Wiene's first film in Vienna, where he had moved to from Berlin to work for Pan Film. The film was made in 1924, but its premiere was delayed until 9 January 1925.
The Woman on the Rack is a 1928 German silent drama film directed by Robert Wiene and starring Lili Damita, Vladimir Gajdarov, and Johannes Riemann. It was also known by the alternative title A Scandal in Paris. It was based on a British play by Edward Hemmerde and Francis Neilson. The wife of a British aristocratic politician, who is neglected by her husband, resists an attempt to break them up. When her husband discovers what he mistakenly believes to be a dalliance with another man he begins divorce proceedings. Eventually the truth comes out and the couple reconcile. The film was not considered one of Wiene's greatest achievements, but he was praised for directing with his usual competence while Damita's performance as Lady Admaston was hailed.
The Famous Woman is a 1927 German silent drama film directed by Robert Wiene and starring Lili Damita, Fred Solm and Warwick Ward. It was based on the play Die Tänzerin by Melchior Lengyel, who also wrote the film's screenplay. While performing in Barcelona, a dancer falls in love with a Spanish aristocrat. He proposes marriage to her providing she give up her profession. She agrees and the wedding preparations begin. When her troupe returns to Spain, however, she is drawn back to her true calling as a dancer and her aristocratic lover reluctantly allows her to go free. Damita's performance was particularly praised, as was the cinematography of Otto Kanturek who had done location shooting in Barcelona.
Leontine's Husbands is a 1928 German silent comedy film directed by Robert Wiene and starring Claire Rommer, Georg Alexander and Carl Walther Meyer. It was based on a play by Alfred Capus. A French dancer works her way through a series of husbands, spending their money. The film received poor reviews from critics, who expected better from the director.
The Guardsman is a 1925 Austrian silent comedy film directed by Robert Wiene and starring Alfred Abel, María Corda and Anton Edthofer. The film was shot at the Schönbrunn Studios in Vienna. It was based on the play Testőr by Ferenc Molnár and in 1931 remade as a movie by Sidney Franklin.
Venetian Nights is a 1931 German French-language operetta film directed by Pierre Billon and Robert Wiene and starring Janine Guise, Germaine Noizet and Roger Tréville. It was an alternative-language version of the 1931 film The Love Express, made at the Emelka Studios in Munich.
I.N.R.I. is a 1923 German silent religious epic film directed by Robert Wiene and starring Gregori Chmara, Henny Porten, and Asta Nielsen. The film is a retelling of the events leading up to the crucifixion of Jesus Christ. It was based on a 1905 novel by Peter Rosegger. It was reissued in 1933 in the United States with an added music track and narration as Crown of Thorns.
The Other is a 1930 German drama film directed by Robert Wiene and starring Fritz Kortner, Käthe von Nagy and Heinrich George. It was based on the 1893 play Der Andere by Paul Lindau. It was shot at the Terra Studios in Berlin. A French-language version The Prosecutor Hallers was shot by Wiene immediately afterwards in the same Berlin studio, but with different actors.
Typhoon is a 1933 German drama film directed by Robert Wiene and starring Liane Haid, Viktor de Kowa and Valéry Inkijinoff. It was based on the 1911 play Typhoon by the Hungarian writer Melchior Lengyel. It was the last German film made by Wiene, who had been a leading director of German silent cinema.
Emil Birron was a German stage and film actor.
References
- ↑ Jung & Schatzberg, p. 93.
- ↑ Jung & Schatzberg, pp. 92–93.
