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Robert Wiene was a German film director, screenwriter and producer, active during the silent era. He is widely-known for directing the landmark 1920 film The Cabinet of Dr. Caligari and a succession of other expressionist films. Wiene also directed a variety of other films of varying styles and genres. Following the Nazi rise to power in Germany, Wiene, who was of Jewish descent, fled into exile.
Paul Friedrich Wolfgang Mederow was a German stage and film actor.
Max Kronert was a German stage and film actor.
He This Way, She That Way is a 1915 German silent comedy film directed by Robert Wiene and starring Max Zilzer, Bogia Horska, Otto Treptow and Manny Ziener.
Max Zilzer was a Hungarian-born German stage and film actor.
Stella Harf was a German stage and film actress.
Playing with Fire is a 1921 German silent comedy-drama film directed by Georg Kroll and Robert Wiene and starring Diana Karenne, Vasilij Vronski, Ossip Runitsch, and Anton Edthofer. It was shot at the Babelsberg Studios in Berlin. The film received a generally positive reception from critics, although some were doubtful about the blending of farce and tragedy.
Boarding House Groonen is a 1925 Austrian silent comedy film directed by Robert Wiene and starring Anton Edthofer, Karl Forest and Harry Nestor. It was Wiene's first film in Vienna, where he had moved to from Berlin to work for Pan Film. The film was made in 1924, but its premiere was delayed until 9 January 1925.
The Three Dances of Mary Wilford is a 1920 German silent drama film directed by Robert Wiene and starring Friedrich Feher, Erika Glässner and Ludwig Hartau. It is apparently a sequel to Director Léo Lasko's 1919 film, The Sinner .
The Great Adventuress is a 1928 German silent comedy film directed by Robert Wiene and starring Lili Damita, Georg Alexander, and Fred Solm. Much of the film's funding came from Britain. Location shooting took place in Paris, Calais and London. The film's plot was criticised by reviews for lacking clarity.
The Mistress is a 1927 German silent drama film directed by Robert Wiene and starring Edda Croy, Harry Liedtke and Eugen Burg. It was based on a play by Alexander Brody. It was the first film Wiene made after returning to Germany after two years working in Austria, although the film's location shooting was done in Vienna, where the story is set. The interiors were shot at the Marienfelde Studios of Terra Film in Berlin.
The Night of Queen Isabeau is a 1920 German silent historical drama film directed by Robert Wiene and starring Fern Andra, Fritz Kortner, Hans Heinrich von Twardowski and Elsa Wagner. The film depicts the marriage between the mad Charles VI of France and his wife Queen Isabeau. It was shot at the Babelsberg Studios in Berlin. The film is now considered a lost film, but contemporary reviews praised Wiene's direction. The story revolves around insanity, a common theme in his films.
Diamonds is a 1920 German silent crime film directed by Friedrich Feher and starring Louis Ralph, Erika Glässner, and Julius Brandt. A policeman goes undercover to unmask a customs officer as corrupt. Feher's direction was criticised for being too loose.
Venetian Nights is a 1931 German French-language operetta film directed by Pierre Billon and Robert Wiene and starring Janine Guise, Germaine Noizet and Roger Tréville. It was an alternative-language version of the 1931 film The Love Express, made at the Emelka Studios in Munich.
I.N.R.I. is a 1923 German silent religious epic film directed by Robert Wiene and starring Gregori Chmara, Henny Porten, and Asta Nielsen. The film is a retelling of the events leading up to the crucifixion of Jesus Christ. It was based on a 1905 novel by Peter Rosegger. It was reissued in 1933 in the United States with an added music track and narration as Crown of Thorns.
The Queen of Moulin Rouge is a 1926 Austrian silent comedy film directed by Robert Wiene and starring Mady Christians, André Roanne and Livio Pavanelli. The film is based on the 1902 play La Duchesse des Folies-Bergère by Georges Feydeau. It was the final silent film Wiene made in Austria, before returning to Germany. It was made by the Austrian studio Pan Film, with backing from the French Pathé and German Filmhaus Bruckmann companies.
The Prosecutor Hallers is a 1930 French drama film directed by Robert Wiene and starring Jean-Max, Colette Darfeuil and Suzanne Delmas. It was the French-language version of the German film The Other based on the play Der Andere by Paul Lindau. The two films were made at the same studio in Berlin, with Wiene beginning work on the French version immediately after finishing the German film.
Typhoon is a 1933 German drama film directed by Robert Wiene and starring Liane Haid, Viktor de Kowa and Valéry Inkijinoff. It was based on the 1911 play Typhoon by the Hungarian writer Melchior Lengyel. It was the last German film made by Wiene, who had been a leading director of German silent cinema.
Panic in Chicago is a 1931 German crime film directed by Robert Wiene and starring Olga Chekhova, Hans Rehmann and Ferdinand Hart. It was based on the novel Panic in Chicago by the German writer Robert Heymann. The film was shot at the Staaken Studios with sets designed by the art director Erwin Scharf. It premiered at the Palast-am-Zoo in Berlin on 23 June 1931.
Robert Heymann (1879–1946) was a German screenwriter and film director active during the silent era. He began as a playwright in 1901 and also wrote novels. He worked with the Berlin-based production company Luna Film. For them he directed the four-part Satan's Memoirs, the second most expensive German film made during the First World War. The 1931 film Panic in Chicago was adapted from his novel of the same title. Of Jewish heritage he had to leave Germany following the Nazi takeover.
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- ↑ Jung & Schatzberg p.93
