Fool's Paradise is a 1921 American silent romance film directed by Cecil B. DeMille. The film stars Dorothy Dalton and Conrad Nagel and was based on the short story "Laurels and the Lady" by Leonard Merrick. Prints of Fool's Paradise are preserved at the George Eastman House, the Library of Congress, and the UCLA Film and Television Archive.
Lights of Old Broadway is a 1925 American silent drama film directed by Monta Bell, produced by William Randolph Hearst's Cosmopolitan Productions, and released by Metro-Goldwyn-Mayer. The film stars Marion Davies in a dual role and Conrad Nagel, and is an adaptation of the play The Merry Wives of Gotham by Laurence Eyre (USA). The film has color sequences using tinting, Technicolor, and the Handschiegl color process.
Icebound is a 1924 American silent drama film directed by William C. deMille, produced and distributed by Paramount Pictures, and based on a 1923 Pulitzer Prize Broadway produced play of the same name by Owen Davis. This film production was made at Paramount's Astoria Studios in New York City. Actress Edna May Oliver returned to the role that she played in the Broadway version.
The Great White Way is a 1924 American silent comedy film centered on the sport of boxing. It was directed by E. Mason Hopper and produced by Cosmopolitan Productions and distributed through Goldwyn Pictures. The film was made with the cooperation of the New York City Fire Department. The film stars Oscar Shaw and Anita Stewart. It was remade twelve years later as Cain and Mabel with Marion Davies and Clark Gable.
Rose of the World is a lost 1918 American silent drama film produced by Famous Players–Lasky and distributed by Artcraft Pictures, an affiliate of Paramount Pictures. It is based on the novels of Agnes and Egerton Castle. The film was directed by Maurice Tourneur and stars Elsie Ferguson.
Yolanda is a 1924 American silent historical drama film produced by William Randolph Hearst and starring Marion Davies. Robert G. Vignola directed as he had Enchantment (1921) and several other Davies costume films. The film began production as a Metro-Goldwyn film, with the company becoming Metro-Goldwyn-Mayer in May 1924.
Lilies of the Field is a 1924 American silent drama film directed by John Francis Dillon, produced by and starring actress Corinne Griffith, and distributed by Associated First National Pictures. It is based on a 1921 play, Lilies of the Field, by William J. Hurlbut. The film was remade by Griffith as an early sound film in 1930.
Shadows of Paris is a 1924 American silent drama film directed by Herbert Brenon and starring Pola Negri, Charles de Rochefort, and Huntley Gordon. The screenplay involves a young woman who rises from an apache dancer to become a wealthy woman in post-World War I Paris. It was based on the play Mon Homme by Francis Carco and André Picard.
The Confidence Man is a 1924 American silent romantic comedy film directed by Victor Heerman. Its duration is about 80 minutes and it stars Thomas Meighan and Virginia Valli. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.
Human Hearts is a 1922 American silent rural drama film directed by King Baggot, and produced and distributed by the Universal Film Manufacturing Company. It stars House Peters. It is based on a play of the same name by Hal Reid.
Mary of the Movies is a 1923 American silent semi-autobiographical comedy film based on the career of Marion Mack. It was written by Mack and her husband Louis Lewyn, and stars Mack and Creighton Hale. Hale and director John McDermott play fictionalized versions of themselves in the film, which was also directed by McDermott.
The Silent Watcher is a lost 1924 American silent melodrama film directed by Frank Lloyd. It stars Glenn Hunter and Bessie Love. It was produced by Frank Lloyd Productions/First National and distributed by First National Pictures. It was based on the story "The Altar on the Hill" by Mary Roberts Rinehart.
Broadway After Dark is a 1924 American silent comedy film directed by Monta Bell and starring Adolphe Menjou, Norma Shearer, and Anna Q. Nilsson.
The Age of Desire is a 1923 American silent drama film directed by Frank Borzage and starring Josef Swickard, William Collier Jr., and Mary Philbin. It was distributed through Associated First National Pictures.
The Storm Daughter is a lost 1924 American silent drama film directed by George Archainbaud and starring Priscilla Dean. It was produced and distributed by Universal Pictures. Some sources claim Edward J. Le Saint and/or Colin Campbell as a co-director.
The Rendezvous is a 1923 American silent adventure melodrama film with comedic overtones directed by Marshall Neilan and starring Richard Travers, Conrad Nagel, Lucille Ricksen, and Syd Chaplin. It was produced and distributed by Goldwyn Pictures.
The Rose of Paris is a 1924 American drama film directed by Irving Cummings and written by Melville W. Brown, Edward T. Lowe Jr., Lenore Coffee, and Bernard McConville. It is based on the 1922 novel Mitsi by Ethel M. Dell. The film stars Mary Philbin, Robert Cain, John St. Polis, Rose Dione, Dorothy Revier, and Gino Corrado. The film was released on November 9, 1924, by Universal Pictures.
Life's Greatest Game is a 1924 American silent melodrama directed by Emory Johnson. FBO released the film in October 1924. The film's "All-Star" cast included Johnnie Walker, Tom Santschi, Jane Thomas, David Kirby, and Gertrude Olmstead. Emilie Johnson, Johnson's mother, wrote both the story and screenplay. She was inspired by the 1919 World Series Black Sox Scandal scandal. Life's Greatest Game was the sixth film in Johnson's eight-picture contract with FBO.
Second Hand Rose is a 1922 American drama film directed by Lloyd Ingraham and written by A. P. Younger. The film stars Gladys Walton, George B. Williams, A. Edward Sutherland, Wade Boteler, Max Davidson, and Virginia Adair. The film was released on May 8, 1922, by Universal Film Manufacturing Company.
Rough Ridin' is a lost 1924 American silent Western film directed by Richard Thorpe and starring Buddy Roosevelt. It was released by the Weiss Brothers on State Rights basis. The film was remade with Buddy Roosevelt in 1934 as Boss Cowboy.
