Maria do Carmo Miranda da Cunha, known professionally as Carmen Miranda, was a Portuguese-born Brazilian singer, dancer, and actress. Nicknamed "The Brazilian Bombshell", she was known for her signature fruit hat outfit that she wore in her American films.
In Old Chicago is a 1938 American disaster musical drama film directed by Henry King. The screenplay by Sonya Levien and Lamar Trotti was based on the Niven Busch story, "We the O'Learys". The film is a fictionalized account about the Great Chicago Fire of 1871 and stars Alice Brady as Mrs. O'Leary, the owner of the cow which started the fire, and Tyrone Power and Don Ameche as her sons. It also stars Alice Faye and Andy Devine. At the time of its release, it was one of the most expensive movies ever made.
Elizabeth Ruth Grable was an American actress, pin-up girl, dancer, model and singer.
Don Ameche was an American actor, comedian and vaudevillian. After playing in college shows, repertory theatre, and vaudeville, he became a major radio star in the early 1930s, which led to the offer of a movie contract from 20th Century Fox in 1935.
Alice Faye was an American actress and singer. A musical star of 20th Century-Fox in the 1930s and 1940s, Faye starred in such films as On the Avenue (1937) and Alexander's Ragtime Band (1938). She is often associated with the Academy Award–winning standard "You'll Never Know", which she introduced in the 1943 musical film Hello, Frisco, Hello.
Moon Over Miami is a 1941 American musical comedy film directed by Walter Lang with Betty Grable and Don Ameche in leading roles and co-starring Robert Cummings, Carole Landis, Jack Haley and Charlotte Greenwood. It was adapted from the play by Stephen Powys. This was previously adapted into a 1938 film titled Three Blind Mice directed by William A. Seiter and starring Loretta Young, Joel McCrea and David Niven.
The Gang's All Here is a 1943 American Twentieth Century Fox Technicolor musical film starring Alice Faye, Carmen Miranda and James Ellison. The film, directed and choreographed by Busby Berkeley, is known for its use of musical numbers with fruit hats. Included among the 10 highest-grossing films of that year, it was at that time Fox's most expensive production.
Down Argentine Way is a 1940 American musical film made in Technicolor by Twentieth Century Fox. It made a star of Betty Grable in her first leading role for the studio although she had already appeared in 31 films, and it introduced American audiences to Carmen Miranda. It also starred Don Ameche, The Nicholas Brothers, Charlotte Greenwood, and J. Carrol Naish.
Springtime in the Rockies is an American Technicolor musical comedy film released by Twentieth Century Fox in 1942. It stars Betty Grable, with support from John Payne, Carmen Miranda, Cesar Romero, Charlotte Greenwood, and Edward Everett Horton. Also appearing were Grable's future husband Harry James and his band. The director was Irving Cummings. The screenplay was based on the short story "Second Honeymoon" by Philip Wylie.
Lillian Russell is a 1940 American biographical film of the life of the singer and actress. The screenplay was by William Anthony McGuire. The film was directed by Irving Cummings and produced by Darryl F. Zanuck. It stars Alice Faye in the title role, Don Ameche, Henry Fonda and Edward Arnold as Diamond Jim Brady.
State Fair is a 1962 American musical film directed by José Ferrer and starring Pat Boone, Bobby Darin, Ann-Margret, Tom Ewell, Pamela Tiffin and Alice Faye. A remake of the 1933 film State Fair and the 1945 film State Fair, it was considered to be a financially and critically unsuccessful film. Richard Rodgers, whose collaborator Oscar Hammerstein had died in 1960, wrote additional songs, both music and lyrics, for this film adaptation of the 1932 novel by Phil Stong.
Week-End in Havana is a 1941 American Technicolor musical film directed by Walter Lang and starring Alice Faye, John Payne and Carmen Miranda. The film was produced and distributed by Hollywood studio 20th Century Fox. It was the second of three pictures the two stars made together and the second Faye film to have a Latin American theme, typical of Fox musicals of the early 1940s. Faye was pregnant during filming. It is also known by the alternative titles A Week-End in Havana and That Week-End in Havana.
You Can't Have Everything is a 1937 Fox musical film directed by Norman Taurog and produced by Darryl F. Zanuck. The film stars Alice Faye and Don Ameche, and was the film debut for Gypsy Rose Lee credited as Louise Hovick part of her birth name.
Tin Pan Alley is a 1940 musical film directed by Walter Lang and starring Alice Faye and Betty Grable as vaudeville singers/sisters and John Payne and Jack Oakie as songwriters in the years before World War I.
"I, Yi, Yi, Yi, Yi " is a 1941 song. It was written for the 1941 film That Night in Rio, and was popularized by Carmen Miranda. The lyrics were written by Mack Gordon and the music by Harry Warren.
Greenwich Village is a 1944 American comedy-drama musical film from Twentieth Century Fox directed by Walter Lang. It stars Carmen Miranda and Don Ameche.
Hollywood Cavalcade is a 1939 American film featuring Alice Faye as a young performer making her way in the early days of Hollywood, from slapstick silent pictures through the transition from silent to sound.
Carmen Miranda: Bananas is My Business is a 1995 documentary filmed and directed by Helena Solberg. This documentary chronicles the life and career of Carmen Miranda, Hollywood's symbol of Latin American spirit in the 1940s. The documentary tells her life story in a series of stages, beginning with her roots and rise to stardom in her home country of Brazil, her transition and development as a performer in the United States, first on Broadway in New York City, then in the film industry after she signed with 20th Century Fox in Los Angeles, and her later years in life, before her death and her return to Brazil. Helena Solberg uses two different film styles, biography and directorial reverie, in which Solberg uses actor Erick Barretos to “resurrect Carmen Miranda in several fantasy sequences. Helena Solberg's attitudes shift throughout the documentary from awe-struck child to empathetic and forgiving Brazilian woman, which she uses to represent the contradictory subplots of Carmen Miranda's life. Alongside the fantasy like resurrection of Miranda, Solberg accompanies her documentary with multiple interviews with Carmen Miranda's friends and family, like her sister, her first boyfriend, the guitarist Laurindo Almeida, samba song-writer Synval Silva, Cesar Romero, and Alice Faye.
Folies Bergère de Paris is a 1935 American musical comedy film produced by Darryl Zanuck for 20th Century Films, directed by Roy Del Ruth and starring Maurice Chevalier, Merle Oberon and Ann Southern. At the 8th Academy Awards, the “Straw Hat” number, choreographed by Dave Gould, won the short-lived Academy Award for Best Dance Direction, sharing the honor with “I've Got a Feelin' You're Foolin'” from Broadway Melody of 1936. The film, based on the 1934 play The Red Cat by Rudolph Lothar and Hans Adler, is a story of mistaken identity, with Maurice Chevalier playing both a music-hall star and a business tycoon who resembles him. This was Chevalier’s last film in Hollywood for twenty years, and reprised familiar themes such as the straw hat and a rendering of the French song "Valentine". This is also the last film to be distributed by Twentieth Century Pictures before it merged with Fox Film in 1935 to form 20th Century Fox.
Chica, Chica, Boom, Chic is a song composed by Harry Warren and Mack Gordon and recorded by Carmen Miranda for her 1941 film That Night in Rio.
