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For What It's Worth EP | ||||
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EP by | ||||
Released | October 2000 | |||
Recorded | June 2000 Spin Recording Studios, New York City, U.S. | |||
Genre | Hardcore punk | |||
Length | 9:55 | |||
Label | Nitro Records | |||
Producer | Nate "Edge" Gluck | |||
Ensign chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
For What It's Worth is an EP by New Jersey hardcore punk band, Ensign. It was released in October, 2000 by Nitro Records and was the band's second release for the label following their first full-length album after leaving Indecision Records, Cast the First Stone . It was recorded in June, 2000 in New York City and at the same time the band produced two further tracks which appeared on the Death By Stereo/Ensign Split 7" (EP) on Indecision Records in December, 2000. The track, "Cast In Shadows" was later re-recorded and appeared on their next album for Nitro Records, The Price of Progression . Another track, "Left Hand Syndrome", was destined for the same release, according to the inlay details, but eventually was omitted.
As was heard from Cast the First Stone , the band was beginning to slow their approach to hardcore punk in its purest state. It was on this EP that the transition moved further forward. "Cast In Shadow" was a slow-paced, chugging song with variable vocal styles, from Tim Shaw's usual hardcore shout down to a hushed tone for the middle section. The title track and "Nine-One-Zero-Zero" perhaps sound more like the Ensign of old, a slow start moving into a fast-paced middle, but with a somewhat metalcore ending. The EP's closer, "Left Hand Syndrome", was perhaps somewhat of an experimental track for the band. Straying from the start directly into more melodic hardcore territory, such as that occupied by Good Riddance in "pop-punk" mode.
Overall, the actual sound was quite different from Cast the First Stone , due mainly to the fact that Nate Gluck had assumed guitar duties as well as bass, and the raw production. The feel and style was most definitely a precursor for that of their next venture, The Price of Progression.
The Offspring is the debut studio album by American rock band the Offspring, released on June 15, 1989, by Nemesis Records. After being out of print for years, the album was re-released by Nitro and Epitaph Records in 1995 with a different album cover. Both the re-releases on the two respective labels are nearly identical. The Offspring has rarely played any songs from this album live since the Ignition tour finished in 1994.
The Art of Drowning is the fifth studio album by American rock band AFI. It was released on September 19, 2000, through Nitro Records.
Most Precious Blood is an American hardcore punk band from New York City formed from the remnants of the band Indecision. They blend the song structures of hardcore with heavy metal, and the band cites Sick of It All, Aphex Twin, The Sisters of Mercy, and The Obsessed as influences, among others. They were signed to Trustkill Records until it dissolved in 2010. They are now with Trustkill president Josh Grabelle's new label Bullet Tooth.
Bane is an American hardcore punk band that began in 1995 as a side project between Aaron Dalbec and Damon Bellorado. Dalbec approached Matt Firestone to sing and they played under the moniker of Gateway for a few shows, before Firestone parted ways to focus on other projects. Dalbec then approached Aaron Bedard about singing for Bane. They went into the studio in December 1995 with a few friends and released a five-song demo. The next year saw the release of their first EP, and many shows throughout central Massachusetts. In early 1997, Bane released Free to Think, Free to Be EP, and in 1998 the band released the Holding This Moment 7" and CD collection, and embarked upon their first US tour. Like many other hardcore bands, Bane are known for their promotion of tolerance and unity within the scene.
Unbroken is an American metalcore band from San Diego County, California. They were influential in the Southern California hardcore scene during the mid-to-late 1990s. The band chose the name Unbroken because they wanted to emphasize their dedication to the straight edge philosophy of drug abstinence. However, most of the members have since given up this belief.
Ensign is an American hardcore punk band from New Jersey. They formed in 1995 and signed with Indecision Records in 1996. They signed to the larger label "next door", Dexter Holland's Nitro Records, in 1998 and finally came to rest at Blackout Records in 2003 after a brief sortie back to Indecision in 2000.
Direction of Things to Come was the debut full-length album from New Jersey hardcore punk band Ensign. It was released on Indecision Records in November, 1997, and it followed two 7-inch vinyl EPs. As well as being released on CD, Indecision Records continued their tradition of making limited edition vinyl production runs and this release appeared on 3403 black, 515 grey and 400 purple discs, the latter released to coincide with a European tour, with a different cover.
Cast the First Stone was the second full-length album by American band Ensign. It was released by Nitro Records in March 1999 and follows the band's debut, Direction of Things to Come which came out on Indecision Records in November 1997.
The Price of Progression is the third full-length album by the New Jersey, U.S. band, Ensign. It follows the 1999 release of Cast the First Stone and was recorded in November and December 2000 for an April 2001 release by Indecision Records.
Love the Music, Hate the Kids is American hardcore punk band Ensign's fourth full-length album. It is an album of cover versions of seminal hardcore punk songs from the early-1980s to mid-1990s. It was recorded in seven days and released in October 2003. It was the band's first album for Blackout Records after switching from Nitro Records after the release of The Price of Progression in 2001.
Three Years Two Months Eleven Days was an album of early material, often referred to as a retrospective, by the American band Ensign. Recorded in various sessions between January 1996 and July 1998 – including a live recording – and with varying members, it was released by the band's first record label, Indecision Records, in April 2000.
Ensign's self-titled 7-inch EP was their first release on Orange County, California, record label, Indecision Records. It was released in May, 1996 on 7-inch vinyl only. The production run was limited to 3336 on black vinyl, 330 on grey, 449 on blue and a further 100 on black vinyl with a different cover to coincide with a European tour. This was in line with Indecision Records tradition of putting out releases by new bands on colored and normal vinyl and was carried through to their next release, the Fall from Grace (EP). It was later re-released on CD as part of a retrospective compilation, Three Years Two Months Eleven Days, in April 2000 after the band had left to join Nitro Records in 1998.
Ensign's second 7-inch EP for Indecision Records followed their self-titled 7-inch debut from May, 1996. It was released in June, 1997, on 7-inch vinyl only. The production run was limited to 4239 on black vinyl, 600 green, 225 white, 106 orange and a further 100 on black vinyl with a different cover to coincide with a European tour. This was inline with Indecision Records tradition of putting out releases by new bands on colored and normal vinyl and was carried through to their next release, Direction of Things to Come. It was later re-released on CD as part of a retrospective compilation, Three Years Two Months Eleven Days, in April 2000 after the band had left to join Nitro Records in 1998.
The Death by Stereo/Ensign split 7-inch EP was released by Indecision Records in December 2000. It was an interesting release because both bands had left the label. Ensign in 1998 to go to Nitro Records, and Death by Stereo to go to Epitaph Records. At the time, Death by Stereo were recording material for their new studio release, Day of the Death, and Ensign were in New York City producing an EP for Nitro Records, For What It's Worth. They both agreed to record extra tracks for release by the label which had arguably launched their careers.
Killing Time is a New York hardcore band. From their beginnings in 1988, under the name Raw Deal, they went on to record two full-length albums and several EPs, singles, and compilation tracks. The band went through three hiatuses before formally disbanding in 1998. However, the band re-formed in 2006 and has been touring/playing since. Work on their third full-length album was completed in March 2009.
Blackout! Records is an independent record label which specializes in hardcore punk.
Malignus Youth was a hardcore punk band from Sierra Vista, Arizona, that was active from 1987–1994 and again from 1999–2001. They continue to play sporadic reunion shows through 2020.
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Beneath the Shadows is the second studio album by the American hardcore punk band T.S.O.L., released in 1983 through Alternative Tentacles. With the addition of keyboardist Greg Kuehn to the lineup, the band moved away from punk rock in favor of a gothic rock sound in the vein of later releases by the Damned and Siouxsie and the Banshees, alienating much of their hardcore audience in the process. Though the album was critically well received and led to the band being featured in director Penelope Spheeris' film Suburbia, it was largely rejected by their fanbase within the punk scene.
Kill Your Idols is an American hardcore punk band from New York, active from 1995 through 2007 and again from 2013 to the present. They were signed to SideOneDummy Records. Their releases on SideOne were Funeral for a Feeling (2001), a split with 7 Seconds in 2004, and From Companionship to Competition (2005). Other notable releases by the band were No Gimmicks Needed and This Is Just The Beginning... which were released on Blackout! Records. The band released several 7-inch EPs, splits with other bands, multiple compilation tracks, and two full-length LPs in their 11-year run. Most of their records were released on vinyl as well as compact disc. Some were released on different colors of vinyl, different sleeve covers, hand numbered tour presses, and picture discs, making their records a favorite among collectors.