| Forever (For Old Lady Sally) | |
|---|---|
 | |
| Artist | Loretta Pettway Bennett |
| Year | 2006 |
| Dimensions | 90.8 cm× 128.9 cm(35.75 in× 50.75 in) |
| Location | Eskenazi Health, Indianapolis, Indiana, United States |
| 39°46′41″N86°11′03″W / 39.7781°N 86.1841°W | |
| Owner | Eskenazi Health |
Forever (For Old Lady Sally) is a 2006 print by Gee's Bend quilter Loretta Pettway Bennett located on the Eskenazi Health campus, near downtown Indianapolis, Indiana, and is part of the Eskenazi Health Art Collection.
Forever (For Old Lady Sally) is a 2006 print by Gee's Bend quilter Loretta Pettway Bennett. A quilter, Bennett begins by creating a sampler quilt in the style of the quilts of Gee's Bend, which uses recycled household and thrift store clothing. [1] [2] Collaborating with Paulson Press (Berkley), an innovative etching technique is used to transfer the quilt to an etching plate. [1] [2] The plate is coated with wax and treated with acid, which pulls the color from the sampler quilt and produces prints of great detail, rendering individual threads, seams, folds, and variation in color, and results in a softground spitbite aquatint etching on paper. [1] [2] Forever (For Old Lady Sally) depicts a colorful composition of blues, greens, red, pink, yellow, and brown colored squares and rectangles. Together, these blocks form a large rectangle that measures 35.75” x 50.75”, framed.
Forever (For Old Lady Sally) was acquired by Eskenazi Health as part of a re-imagining of the organization's historical art collection and to support "the sense of optimism, vitality and energy" of its new campus in 2013. [3] [4] In response to its nationwide request for proposals, Eskenazi Health received more than 500 submissions from 39 states, which were then narrowed to 54 finalists by an independent jury. [4] Each of the 54 proposals was assigned an area of the new hospital by Eskenazi Health's art committee and publicly displayed in the existing Wishard Hospital and online for public comment; more than 3,000 public comments on the final proposals were collected and analyzed in the final selection. [4] [5] Forever (For Old Lady Sally) is credited "in honor of Grandmother Mae, Lisa E. Harris, M.D."
Forever (For Old Lady Sally) is currently displayed in the yellow elevator corridor on the 2nd floor of Sidney & Lois Eskenazi Hospital.
Loretta Pettway Bennett is a fifth-generation quilter from Gee’s Bend, Alabama. [2] She has exhibited her work in several museums, including the Houston Museum of Fine Arts, the Indianapolis Museum of Art, the Orlando Museum of Art, the Tacoma Art Museum, the Denver Art Museum and the Philadelphia Museum of Art. Additionally, her work has appeared in numerous galleries, including the Greg Kucera Gallery in Seattle and the Paulson Press Gallery in Berkeley, California. Selected by the Foundation for Art and Preservation in Embassies (FAPE), Bennett’s work also hangs on the walls of United States embassies worldwide. [6]
The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River.
The Eskenazi Health Art Collection consists of a wide variety of artworks composed of fragments from the 1914 City Hospital mural and artwork project, artworks added over time, and newer pieces which include works created for the new Sidney & Lois Eskenazi Hospital and campus in 2013. Other works have been added occasionally; there are also artworks at the clinics throughout Marion County.
Louisiana Bendolph is an American visual artist and quilt maker. Bendolph is associated with The Quilts of Gee's Bend and her work has been considered more conceptual because of her use of vibrant color.
Mary Lee Bendolph is an American quilt maker of the Gee's Bend Collective from Gee's Bend (Boykin), Alabama. Her work has been influential on subsequent quilters and artists and her quilts have been exhibited in museums and galleries around the country. Bendolph uses fabric from used clothing for quilting in appreciation of the "love and spirit" with old cloth. Bendolph has spent her life in Gee's Bend and has had work featured in the Philadelphia Museum of Art as well as the Minneapolis Institute of Art in Minnesota.
Morning on the White River is a 2013 painted landscape diptych by Mason Archie of the White River in Indianapolis, Indiana. The paintings are located on the Eskenazi Health campus, near downtown Indianapolis, Indiana, and are part of the Eskenazi Health Art Collection.
Blues is a 2007 print by Gee's Bend quilter Loretta Pettway Bennett located on the Eskenazi Health campus, near downtown Indianapolis, Indiana, and is part of the Eskenazi Health Art Collection.
Sew Low is a 2011–2012 quilt by Gee's Bend quilter Loretta Pettway Bennett. It is located on the Eskenazi Health campus, near downtown Indianapolis, Indiana, and is part of the Eskenazi Health Art Collection.
Vegetation is a 2009 quilt by Gee's Bend quilter Loretta Pettway Bennett. It is located on the Eskenazi Health campus, near downtown Indianapolis, Indiana, and is part of the Eskenazi Health Art Collection.
Friends is a 2011 mixed media collage by artist India Cruse-Griffin located on the Eskenazi Health campus, near downtown Indianapolis, Indiana, and is part of the Eskenazi Health Art Collection.
Hope Skip and Jump is a 2012 mixed media collage by artist India Cruse-Griffin located on the Eskenazi Health campus, near downtown Indianapolis, Indiana, and is part of the Eskenazi Health Art Collection.
Wading in the Water is a 2007 mixed media collage by artist India Cruse-Griffin located on the Eskenazi Health campus, near downtown Indianapolis, Indiana, and is part of the Eskenazi Health Art Collection.
It was just last year... is a 2013 installation by Richard Ross, which consists of three photomurals containing a total of 108 24" x 24" photographs, that is located within the Eskenazi Health Outpatient Care Center on the Sidney and Lois Eskenazi Hospital campus, near downtown Indianapolis, Indiana, and is part of the Eskenazi Health Art Collection.
Untitled #77 is a digital inkjet print by artist Artur Silva located in the Eskenazi Health Outpatient Care Center on the Sidney and Lois Eskenazi Hospital campus, near downtown Indianapolis, Indiana, and is part of the Eskenazi Health Art Collection.
Untitled #78 is a digital inkjet print by artist Artur Silva located in the Eskenazi Health Outpatient Care Center on the Sidney and Lois Eskenazi Hospital campus, near downtown Indianapolis, Indiana, and is part of the Eskenazi Health Art Collection.
Loretta Pettway is an American artist and quilt maker of the Gee's Bend Collective from Boykin, Alabama. Her quilts are known for their bold and improvisational style.
Paulson Fontaine Press is a printmaking studio, gallery, and publisher of contemporary fine art prints in Berkeley, California. Many of their publications are etchings. More than half of their published editions have been produced with minority or female artists. In a 2011 interview, Pam Paulson stated: "We plan projects with emerging, mid-career, and blue-chip artists. We keep a balance."
Loretta Pettway Bennett is an American artist. She is associated with the Freedom Quilting Bee, where her mother, Qunnie Pettway, worked, and with the Gee's Bend quiltmakers. She is a prolific artist and culture-bearer, dedicated to propagating her community's traditions for future generations.
Delia Bennet (1892–1976) was an American artist. She is associated with the Gee's Bend quilting collective, and is said to be "the matriarch of perhaps the largest family of quilt producers in Gee's Bend. Her work is included in the collection of the Philadelphia Museum of Art.
Magalene Wilson (1898–2001), also known as Magdalene Wilson, was an American artist. She is associated with the Gee's Bend quilting collective. Her work has been exhibited at the Museum of Fine Arts, Houston, and is included in the collection of the Philadelphia Museum of Art.
Lucy T. Pettway (1921–2004) was an American artist. She is associated with the Gee's Bend quilting collective. Her work has been exhibited at the Museum of Fine Arts, Houston and the Frist Art Museum, and is included in the collection of the Metropolitan Museum of Art.