| Forward | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1982 | |||
| Recorded | Dynamic, Joe Gibbs, Harry J., Channel One and Studio One Studios, Kingston, Jamaica | |||
| Genre | Reggae | |||
| Length | 38:33 | |||
| Label | Alligator | |||
| Producer | The Abyssinians | |||
| The Abyssinians chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
| The Encyclopedia of Popular Music |  [2] |
Forward is The Abyssinians' third album, released in 1982 (see 1982 in music).
The Sun Don't Lie is an album by Marcus Miller, released in 1993 on PRA Records. The album rose to No. 10 on the Billboard Jazz Albums chart.
You Can't Do That on Stage Anymore, Vol. 5 is a double compact disc collection of live recordings by Frank Zappa. Disc one comprises performances by The Mothers of Invention spanning the period from 1966 to 1969. "My Guitar" had been previously released as a single in 1969. Disc two comprises performances from the summer 1982 tour of Europe. It was released in 1992 under the label Rykodisc. The last track on this collection ends with Zappa's anger at some audience members tossing cigarettes on stage; after a warning to stop was not obeyed, the disc ends with Zappa stating, "Houselights! The concert's over!"
You Can't Do That on Stage Anymore, Vol. 6 is the last of six double disc collection volumes of live performances by Frank Zappa recorded between 1970 and 1988. All of the material on Disc one has a sexual theme. Zappa used the monologue in "Is That Guy Kidding or What?", to ridicule Peter Frampton's album I'm in You with its double entendre title and pop pretensions. Disc two includes performances from Zappa's shows between 1976 and 1981 at the Palladium in New York City, as well as material like "The Illinois Enema Bandit" and "Strictly Genteel" that he frequently used as closing songs at concerts. It was released on October 23, 1992 under the label Rykodisc.
The following are the musicians who have performed with drummer and singer-songwriter Phil Collins during Collins's solo career. This does not necessarily include any of the musicians who performed with Collins alongside Genesis.
Man from Wareika was the first album recording for Rico Rodriguez led by his own artistic imagination, and his first recording created for album release. It is notable for being the only roots reggae album to be released on Blue Note Records.
Marcus' Children is a studio album by Jamaican reggae singer Burning Spear originally released in 1978 as Social Living.
Hail H.I.M. is a studio album by Burning Spear.
Farover is the tenth albums by Grammy Award–winning Jamaican roots reggae singer and musician Winston Rodney under the name of Burning Spear.
Baldhead Bridge is the second album by Jamaican roots reggae band Culture, with Joseph Hill on lead vocals, released on the Shanachie label in 1978. As with the band's debut, Two Sevens Clash, the album was recorded in Kingston at the studio of producer Joe Gibbs, who also produced the album.
The Warriors: The Original Motion Picture Soundtrack is the soundtrack to the 1979 film The Warriors. The soundtrack was released on March 16, 1979 by A&M Records.
Ol' School is a live album by Ohio Players. It was recorded on 2 December 1995 at the Fox Theater, Atlanta, Georgia.
Reggae gi dem Dub is a studio album by Jamaican reggae artist Big Youth. It was recorded at the Harry J studio in Kingston, Jamaica.
Natty Universal Dread 1973–1979 is a 3-CD-Box-set by Big Youth, released in 2001.
Stupidity is the ninth and final studio album by British 2 Tone and ska band Bad Manners, released in 17 June 2003.
One Shot Deal is an album by Frank Zappa, posthumously released in June 2008.
Jah Is Real is a studio album by Jamaican reggae singer Burning Spear. It was released on August 19, 2008 through Burning Music. Recording sessions took place at The Magic Shop in New York City.
His Majestys Dub is a 1983 dub album by King Tubby and Prince Jammy, sometimes credited to Prince Jammy v King Tubbys. It featured Carlton Barrett and Sly Dunbar on drums, Robbie Shakespeare and Aston Barrett on bass guitar, and Ansel Collins on keyboards, among other personnel. The album was produced by Jah Woosh and engineered by King Tubby and Prince Jammy, along with Maxie and frequent collaborator Errol Thompson. The album was recorded at Randy's in Kingston, Jamaica.
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