Foscari | |
---|---|
Written by | Mary Russell Mitford |
Date premiered | 4 November 1826 |
Place premiered | Theatre Royal, Covent Garden, London |
Original language | English |
Genre | Tragedy |
Setting | Venice, 15th century |
Foscari is an 1826 historical tragedy by the British writer Mary Russell Mitford. The plot revolves around Francesco Foscari, the son of the Doge of Venice, who is wrongly accused of murder and has to go into exile. [1] It premiered at the Theatre Royal, Covent Garden on 4 November 1826. [2] The original cast included Charles Mayne Young as Foscari, Doge of Venice, Charles Kemble as Francesco Foscari, James Prescott Warde as Count Erizzo, and Daniel Egerton as Donato.
Mitford began writing the play in 1821 with the Covent Garden company in mind for the characters, but tensions between Charles Kemble and his rival at the theatre William Macready led to a long delay and Macready eventually did not appear. During the delay, the publication of Lord Byron's The Two Foscari based on the same subject, disturbed Mitford as she did not wish to be seen in competition with Byron. During the delay, she wrote another play Julian which was successfully performed at Covent Garden in 1823. [3]
William Abbot or Abbott was an English actor, and a theatrical manager, both in England and the United States.
Francesco Foscari was the 65th Doge of the Republic of Venice from 1423 to 1457. His reign, the longest of all Doges in Venetian history, lasted 34 years, 6 months and 8 days, and coincided with the inception of the Italian Renaissance.
William Charles Macready was an English stage actor.
Mary Russell Mitford was an English author and dramatist. She was born at Alresford in Hampshire. She is best known for Our Village, a series of sketches of village scenes and vividly drawn characters based upon her life in Three Mile Cross near Reading in Berkshire.
Charles Kemble was a Welsh-born English actor of a prominent theatre family.
Helena Saville Faucit, Lady Martin was an English actress.
I due Foscari is an opera in three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the 1821 historical play, The Two Foscari by Lord Byron.
Charles Mayne Young was an English actor. He was born to a respected London surgeon (doctor). His first stage appearance was in Liverpool on 20 September 1798, where he played a Young Norval in Home's blank verse tragedy Douglas. Young's first London appearance was in 1807, as Hamlet with his friend Charles Mathews playing Polonius. "With the decline of John Philip Kemble, and until the coming of Kean and Macready, he was the leading English tragedian". He retired in 1832 in a farewell performance playing Hamlet with, as a special honour to him, Mathews as Polonius and Macready as the Ghost.
Daniel Egerton (1772–1835) was an English actor.
The Two Foscari: An Historical Tragedy (1821) is a verse play in five acts by Lord Byron. The plot, set in Venice in the mid-15th century, is loosely based on the true story of the downfall of doge Francesco Foscari and his son Jacopo. Byron's play formed the basis of Verdi's opera I due Foscari.
James Prescott Warde (1792–1840) was an English actor. He came up as a provincial tragic actor, in the Garrick mould. The Dictionary of National Biography says he was "full of promise at the time of his first appearance in London", in 1818, but did not reach the top ranks of the profession.
Woman's Wit; or, Loves Disguises is an 1838 comedy play by the Irish writer James Sheridan Knowles. It premiered at the Theatre Royal, Covent Garden on the 23 June 1838 with a cast that included James Warde as Lord Athunree, George Bartley as Sir William Sutton, William Macready as Walsingham, John Langford Pritchard as Felton, John Pritt Harley as Clever and Helena Faucit as Hero. Knowles dedicated the play to the writer Samuel Rogers.
Fredolfo is an 1819 historical tragedy by the Irish writer Charles Maturin. It premiered at the Theatre Royal, Covent Garden in London on 12 May 1819. The original cast included William Macready as Wallenberg, Charles Mayne Young as Fredolfo, Charles Kemble as Aldemar, Frederick Henry Yates as Berthold, Charles Connor as Waldo and Elizabeth O'Neill as Urilda. Maturin dedicated the published version to the Duke of Leinster, which was published by Archibald Constable. The work was considered a failure which failed to recaptured the success of his earlier Bertram and Maturin turned back to writing novels.
The Three Strangers is an 1825 stage melodrama by the British writer Harriet Lee. It was based on one of her own works Kruitzner, co-written as part of The Canterbury Tales with her sister Sophia.
Julian is an 1823 historical tragedy by the British writer Mary Russell Mitford. It premiered at the Theatre Royal, Covent Garden on 15 March 1823. The original cast included William Macready as Julian, Maria Foote as Alphonso, King of Sicily, George John Bennett as Duke of Melfi, William Abbot as Count D'Alba, Daniel Egerton as Leanti, William Chapman as Calvi, Thomas Comer as Bertone and Maria Lacy as Annabel. Mitford wrote the play during the delays over the staging of her previous work Foscari which finally premiered in 1826. It is influenced by the 1820 rebellion on Sicily and its defeat and repression by Bourbon forces.
The Vespers of Palermo is an 1823 historical tragedy by the British writer Felicia Hemans. It premiered at the Theatre Royal, Covent Garden on 12 December 1823. The original cast included Charles Mayne Young as Count Di Procida, Charles Kemble as Raimond Di Procida, George John Bennett as Eribert, Frederick Henry Yates as Montalba, William Chapman as Anselmo, Thomas Comer as De Couci, William Claremont as Villager, Sarah Bartley as Vittoria and Frances Harriet Kelly as Constance. It is set against the backdrop of the Sicilian Vespers uprising of 1282 and, like Mary Russell Mitford's Julian of the same year, is strongly influenced by the early stages of the Risorgimento in Italy. Both draw links between Classic or Medieval repression with the defeat of Sicily's failed 1820 uprising against Bourbon rule.
Charles the First is a historical tragedy by the British writer Mary Russell Mitford. It depicts the imprisonment and trial of Charles I before his execution in 1649 following his defeat in the English Civil Wars. It was first written in 1825 and originally intended to be performed at Covent Garden. Mitford wrote the play with the encouragement of William Macready and Charles Kemble, the two leading performers at Covent Garden. However, the politically controversial top of regicide led to it being refused a licence by the Lord Chamberlain, the Duke of Montrose.
Damon and Pythias is an 1821 tragedy by the Irish writers John Banim and Richard Lalor Sheil. It is based on the Greek legend of Damon and Pythias. It premiered at the Theatre Royal, Covent Garden in London on 28 May 1821. The original cast included William Macready as Damon, Charles Kemble as Pythias, William Abbot as Dionysius, Daniel Egerton as Damocles, William Chapman as Nicias, Thomas Comer as Procles, Charles Connor as Lucullus and Maria Foote as Hermion. It was widely performed in Ireland and the United States including at the Chestnut Street Theatre in Philadelphia.
The Apostate is an 1817 tragedy by the Irish writer Richard Lalor Sheil. It premiered at the Theatre Royal, Covent Garden on 3 May 1817. The original cast included William Macready as Pescara, Charles Kemble as Hemeya, Charles Mayne Young as Malec, Thomas Comer as Hamy, Charles Murray as Alvarez, Daniel Egerton as Gomez and Elizabeth O'Neill as Florinda. The prologue was spoken by Charles Connor. It was loosely inspired by a 17th century work by the Spanish playwright Pedro Calderón de la Barca. The play was a success, but reviewers generally attributed this to O'Neill's acting rather than Sheil's writing.
Bellamira is an 1818 historical tragedy by the Irish writer Richard Lalor Sheil. It premiered at the Theatre Royal, Covent Garden in London on 22 April 1818. The original cast included Elizabeth O'Neill as Bellamira, William Macready as Amurath, Charles Kemble as Manfredi, Charles Mayne Young as Montalto, Daniel Terry as Salerno, Charles Connor as Kaled, and Thomas Comer as Gonzaga. Sheil dedicated the play to the Whig politician Lord Holland.