Francesco Bandarin | |
---|---|
Assistant Director-General of UNESCO for Culture | |
In office 31 May 2010 –28 February 2018 | |
Preceded by | Françoise Rivière |
Succeeded by | Ernesto Ottone |
Director of the World Heritage Centre | |
In office 20 September 2000 –31 May 2010 | |
Preceded by | Bernd von Droste |
Succeeded by | Kishore Rao |
Personal details | |
Born | Venice,Italy | 26 December 1950
Alma mater | UniversitàIuav di Venezia,University of California,Berkeley |
Francesco Bandarin (born 26 December 1950) is an Italian architect. He was Director of the UNESCO World Heritage Centre from 2000 to 2010 and then Assistant Director-General of UNESCO for Culture from 2010 to 2018.
He holds a bachelor's degree in architecture from the Iuav University of Venice and a masters in city planning from the University of California,Berkeley. [1]
As Director of the World Heritage Centre,Francesco Bandarin was responsible for the implementation of the Convention Concerning the Protection of the World Cultural and Natural Heritage and,to that end,coordinated institutional activities relating to the inscription of sites on the World Heritage List.
During that time,the Centre launched a number of thematic programmes (Forests,Religious Interest,Small Island Developing States,Marine,Cities and more) and facilitated the creation of research and training centres in Bahrain,Brazil,China,India,Italy,Mexico and South Africa.
Francesco Bandarin also advocated for the conservation of urban heritage in a broader sense. That approach was enshrined by the Recommendation on the Historic Urban Landscape,adopted by the UNESCO General Conference on 10 November 2011. According to that text,UNESCO considers that,“in order to support the protection of natural and cultural heritage,emphasis needs to be put on the integration of historic urban area conservation,management and planning strategies into local development processes and urban planning,such as,contemporary architecture and infrastructure development,for which the application of a landscape approach would help maintain urban identity”. [2]
During his tenure as Assistant Director-General,the UNESCO Culture Sector spearheaded initiatives which helped to establish culture as a sustainability issue,in and of itself.
This led to the adoption of the Hangzhou Declaration:Placing Culture at the Heart of Sustainable Development Policies on 17 May 2013. [3]
This orientation is also found in the first UNESCO Global Report on Culture for Sustainable Urban Development (“Culture:Urban Future”),released on 18 October 2016 during the Third United Nations Conference on Housing and Sustainable Urban Development (Habitat III). [4]
On 12 December 2017,UNESCO and the World Tourism Organization signed the Muscat Declaration on Tourism and Culture:Fostering Sustainable Development. When properly managed,tourism can be a “means to promote inter-cultural dialogue,create employment opportunities,curb rural migration,and nurture a sense of pride among host communities”. [5]
Francesco Bandarin appears in the media on a regular basis,whenever cultural properties are under threat. [6] [7] [8] [9] [10] [11] [12] [13] He also presents one World Heritage Site each month in Il Giornale dell'Arte. [14]
In 2014,he served as president of the jury of the Venice Biennale of Architecture. [15] In 2019 and 2020,he chaired the World Judges Panel for the Prix Versailles. [16] [17] [18]
A World Heritage Site is a landmark or area with legal protection by an international convention administered by the UNESCO. World Heritage Sites are designated by UNESCO for having cultural, historical, scientific or other forms of significance. The sites are judged to contain "cultural and natural heritage around the world considered to be of outstanding value to humanity".
The International Council on Monuments and Sites is a professional association that works for the conservation and protection of cultural heritage places around the world. Now headquartered in Charenton-le-Pont, France, ICOMOS was founded in 1965 in Warsaw as a result of the Venice Charter of 1964 and offers advice to UNESCO on World Heritage Sites.
Tourism in Italy is one of the largest economic sectors of the country. With 65 million tourists per year (2019) according to ISTAT, Italy is the fifth most visited country in international tourism arrivals. According to 2018 estimates by the Bank of Italy, the tourism sector directly generates more than five per cent of the national GDP and represents over six per cent of the employed.
Tourism in France directly contributed 79.8 billion euros to gross domestic product (GDP) in 2013, 30% of which comes from international visitors and 70% from domestic tourism spending. The total contribution of travel and tourism represents 9.7% of GDP and supports 2.9 million jobs in the country. Tourism contributes significantly to the balance of payments.
Cultural tourism is a type of tourism in which the visitor's essential motivation is to learn, discover, experience and consume the cultural attractions and products offered by a tourist destination. These attractions and products relate to the intellectual, spiritual, and emotional features of a society that encompasses arts and architecture, historical and cultural heritage, culinary heritage, literature, music, creative industries as well as the living cultures with their lifestyles, value systems, beliefs and traditions.
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. The Palgrave Encyclopedia of Cultural Heritage and Conflict gives the next definition of monument:
Monuments result from social practices of construction or conservation of material artifacts through which the ideology of their promoters is manifested. The concept of the modern monument emerged with the development of capital and the nation-state in the fifteenth century when the ruling classes began to build and conserve what were termed monuments. These practices proliferated significantly in the nineteenth century, creating the ideological frameworks for their conservation as a universal humanist duty. The twentieth century has marked a movement toward some monuments being conceived as cultural heritage in the form of remains to be preserved, and concerning commemorative monuments, there has been a shift toward the abstract counter monument. In both cases, their conflictive nature is explicit in the need for their conservation, given that a fundamental component of state action following the construction or declaration of monuments is litigating vandalism and iconoclasm. However, not all monuments represent the interests of nation-states and the ruling classes; their forms are also employed beyond Western borders and by social movements as part of subversive practices which use monuments as a means of expression, where forms previously exclusive to European elites are used by new social groups or for generating anti-monumental artifacts that directly challenge the state and the ruling classes. In conflicts, therefore, it is not so much the monument which is relevant but rather what happens to the communities that participate in its construction or destruction and their instigation of forms of social interaction.
Cultural landscape is a term used in the fields of geography, ecology, and heritage studies, to describe a symbiosis of human activity and environment. As defined by the World Heritage Committee, it is the "cultural properties [that] represent the combined works of nature and of man" and falls into three main categories:
Cultural heritage is the heritage of tangible and intangible heritage assets of a group or society that is inherited from past generations. Not all heritages of past generations are "heritage"; rather, heritage is a product of selection by society.
Sustainable landscape architecture is a category of sustainable design concerned with the planning and design of the built and natural environments.
Europa Nostra is a pan-European Federation for Cultural Heritage, representing citizens' organisations that work on safeguarding Europe's cultural and natural heritage. It is the voice of this movement to relevant international bodies, in particular the European Union, the Council of Europe and UNESCO. It has consultative status with UNESCO and is recognised as an NGO partner.
The Historic Cities Programme (HCP) of the Aga Khan Trust for Culture (AKTC) promotes the conservation and re-use of buildings and public spaces in historic cities of the Muslim world. HCP undertakes the restoration and rehabilitation of historic structures and public spaces in ways that can spur social, economic and cultural development. Individual projects go beyond technical restoration to address the questions of the social and environmental context, adaptive reuse, institutional sustainability and training. In several countries, local Aga Khan Cultural Service companies have been formed to implement projects under the supervision of the HCSP headquarters in Geneva.
Tourism in San Marino, known also as the Most Serene Republic of San Marino is an integral element of the economy within the microstate. The tourism sector contributes a large part of San Marino's GDP, with approximately 2 million tourists visiting per year.
Saudi Arabia is the second biggest tourist destination in the Middle East with over 16 million visiting in 2017. Although most tourism in Saudi Arabia still largely involves religious pilgrimages, there is growth in the leisure tourism sector. As the tourism sector has been largely boosted lately, the sector is expected to a significant industry for Saudi Arabia, reducing its dependence on oil revenues. This is proved as tourism sector is expected to generate $25 billion in 2019. Potential tourist areas include the Hijaz and Sarawat Mountains, Red Sea diving and a number of ancient ruins.
The Ministry of Culture is the ministry of the Government of Italy in charge of national museums and the monuments historiques. MiC's headquarters are located in the historic Collegio Romano Palace and the current Minister of Culture is Gennaro Sangiuliano.
Kashi Yatra refers to the yatra (pilgrimage) to the city of Kashi (Varanasi) in Hinduism. Regarded to be among the holiest of cities in Hinduism, pilgrims undertake a journey to this city due to the belief that it would allow them to achieve mukti (salvation). The significance of this pilgrimage is explained in the Skanda Purana. Kashi is referred to as an important tirtha in Hindu literature, with the Kashi Vishwanath temple of the city considered to be among the most sacred sites dedicated to the deity Shiva.
Cultural sustainability as it relates to sustainable development, has to do with maintaining cultural beliefs, cultural practices, heritage conservation, culture as its own entity, and the question of whether or not any given cultures will exist in the future. From cultural heritage to cultural and creative industries, culture is both an enabler and a driver of the economic, social, and environmental dimensions of sustainable development. Culture is defined as a set of beliefs, morals, methods, institutions and a collection of human knowledge that is dependent on the transmission of these characteristics to younger generations. Cultural sustainability has been categorized under the social pillar of the three pillars of sustainability, but some argue that cultural sustainability should be its own pillar, due to its growing importance within social, political, environmental, and economic spheres. The importance of cultural sustainability lies within its influential power over the people, as decisions that are made within the context of society are heavily weighed by the beliefs of that society.
Dr Solange Laura Macamo is lecturer of Archaeology and Heritage Management in the Department of Archaeology and Anthropology, Eduardo Mondlane University, Mozambique. From 2010 to 2016 she was also the National Director for Cultural Heritage, Ministry of Culture and Tourism, Mozambique.