Francesco Cilluffo (born in Turin, Italy, January 1979) is an Italian conductor and composer.
Francesco Cilluffo (born in Turin, Italy, January 1979) is an Italian conductor and composer.
He graduated in Composition and Conducting with Gilberto Bosco from the Conservatorio G. Verdi in Turin after having completed a Music Degree from the University of Turin with a thesis about Benjamin Britten’s Billy Budd . In 2003 he moved to London, where he completed a PhD in Composition at the King's College London, [1] after having been awarded a Master in Composition at the Guildhall School of Music and Drama in London. He also held the position of a Composition and Conducting fellow for the Academic Year 2004-2005. [2] Particularly important for his development as a composer were the sessions with Alexander Goehr in Cambridge and meeting Tobias Picker. His works have been performed in Italy, England, Austria, Russia, United States and Hong Kong.
He has worked as assistant conductor in the United States (Lyric Opera of Chicago and Hollywood Bowl Orchestra) and Europe (Gewandhaus, Leipzig, Danish National Symphony Orchestra, Copenhagen Opera House, Opéra national du Rhin, Strasbourg, and Teatro La Fenice, Venice). He has also attended master classes with conductors such as Michael Tilson Thomas (with the London Symphony Orchestra), Iván Fischer (Budapest Festival Orchestra) and Gianluigi Gelmetti (Accademia Musicale Chigiana). He now lives in Milan, Italy.
Cilluffo has distinguished himself as a conductor in venues such as the Barbican Centre, Sadler's Wells Theatre, City of London Festival in London, Tchaikovsky Concert Hall in Moscow, Teatro Massimo in Palermo, Municipal Theatre of Santiago in Chile, Teatro Pergolesi in Jesi, Nuovo Teatro Comunale in Sassari, Teatro Fraschini in Pavia, Teatro Ponchielli in Cremona, Teatro Sociale in Como, Teatro Grande in Brescia, Teatro Rossini in Lugo and festivals such as Byblos International Festival, Festival della Valle d'Itria, Incontri in Terra di Siena. Among his recent conducting engagements are Zemlinsky's Der König Kandaules at the Teatro Massimo in Palermo, Mahler’s Das Lied von der Erde at the Festival della Valle d'Itria, a tour of concerts with the Orquesta Filarmónica de Santiago in Chile (featuring music by Rossini, Haydn and Mendelssohn), Marco Tutino’s opera The Servant at the Teatro Rossini in Lugo and Mozart’s Requiem (edited by Robert D. Levin) with the Orchestra Filarmonica di Torino in Turin. He also conducted Luigi Cherubini’s Requiem in C minor with the orchestra and chorus of the Accademia Stefano Tempia in Turin [3] and an all-Handel concert with the same company.
Cilluffo’s most recent instrumental music includes Drash for orchestra (commissioned and premiered by the Chicago Arts Orchestra), Il barone rampante after Italo Calvino’s famous book, commissioned by the RAI National Symphony Orchestra featuring actress Sonia Bergamasco, [4] the piano trios This island’s mine and Turning to Turner (commissioned by the Trio Debussy [5] ) and the string symphony Castelli di Rabbia (after Alessandro Baricco’s novel), performed as part of the 2006 Winter Olympics celebrations. [6] His most performed chamber works include A Sonata Play for cello and piano and Il sistema periodico for piano solo (based on the book by Primo Levi).
Cilluffo enjoys particular success working with voices. His cantata for the 150th anniversary of the Italian unification, Voci di tenebra azzurra (for chorus, mezzo-soprano and orchestra), was premiered at the 2011 Festival della Valle d'Itria to much critical acclaim. His last song cycle for soprano and string orchestra, The Land to Life again, was premiered at the Festival Incontri in Terra di Siena in 2012. His choral piece Carmen Artemisiae, based on the life of Artemisia Gentileschi, was also be premiered in 2012. Among his recent vocal cycles are also Death in Florence (commissioned by the London Song Festival) [7] and Emily Dickinson: a Song Cycle, which was awarded the Tracey Chawell Memorial Prize in London. He was also awarded the East-West Competition for The Other Boat, commissioned by the Elektra Ensemble in Amsterdam.
Gianluigi Gelmetti OMRI, was an Italian-Monégasque conductor and composer.
Roberto Abbado is an Italian opera and symphonic music conductor. Currently he is Artistic Partner of The Saint Paul Chamber Orchestra. In 2015 he has been appointed Music Director of Palau de les Arts Reina Sofia in Valencia, Spain. From 2018 he's Music Director of the Festival Verdi in Parma. Previously he held the position of Chief Conductor of Münchner Rundfunkorchester.
Teodulo Mabellini was an Italian composer.
Amica is an opera in two acts by Pietro Mascagni, originally composed to a libretto by Paul Bérel. The only opera by Mascagni with a French libretto, it was an immediate success with both the audience and the critics on its opening night at the Théâtre du Casino in Monte-Carlo on 16 March 1905. Mascagni himself conducted the performance. The opera had its Italian premiere on 13 May 1905 at the Teatro Costanzi in Rome.
Crispino e la comare o Il medico e la morte is an opera written collaboratively by Luigi Ricci and Federico Ricci with an Italian libretto by Francesco Maria Piave.
Riccardo Piacentini is an Italian composer and pianist, professor of Composition at the Milan Conservatory.
Elizabeth Norberg-Schulz is a Norwegian-Italian operatic soprano.
Antonio Cagnoni was an Italian composer. Primarily known for his twenty operas, his work is characterized by his use of leitmotifs and moderately dissonant harmonies. In addition to writing music for the stage, he composed a modest amount of sacred music, most notably a Requiem in 1888. He also contributed the third movement, Quid sum miser, to the Messa per Rossini, a collaborative work created by thirteen composers to honor Gioacchino Rossini.
Sara Mingardo is an Italian classical contralto who has had an active international career in concerts and operas since the 1980s. Her complete recording of Anna in Hector Berlioz's Les Troyens won a Gramophone Award and both the Grammy Award for Best Opera Recording and the Grammy Award for Best Classical Album in 2002. Some of the other roles she has performed on stage or on disc include Andronico in Tamerlano, Mistress Quickly in Falstaff, Rosina in The Barber of Seville, and the title roles in Carmen, Giulio Cesare, Riccardo Primo, and Rinaldo. She has also recorded several Vivaldi cantatas, Bach cantatas, and such concert works as Mozart's Requiem, Rossini's Stabat Mater, and Vivaldi's Gloria among others.
Sergio Rendine is an Italian composer of operas, symphonic, ballet, and chamber music.
The Conservatorio Statale di Musica "Gioachino Rossini" is a music conservatory in Pesaro, Italy. Founded in 1869 with a legacy from the composer Gioachino Rossini, the conservatory officially opened in 1882 with 67 students and was then known as the Liceo musicale Rossini. By 2010 it had an enrollment of approximately 850 students studying for higher diplomas in singing, instrumental performance, composition, musicology, choral conducting, jazz or electronic music. The conservatory also trains music teachers for secondary schools and holds regular master classes. Its seat is the 18th century Palazzo Olivieri–Machirelli on the Piazza Oliveri in Pesaro. Amongst its past Directors are the composers Carlo Pedrotti, Pietro Mascagni, Riccardo Zandonai and Franco Alfano. Mascagni's opera Zanetto had its world premiere at the conservatory in 1896.
Dynamic is an Italian independent record label located in Genoa. Founded in 1978, it specialises in classical music and opera, especially rarely performed works and has produced several world premiere recordings. The Dynamic catalogue contains over 400 titles, with about 25 new titles added each year and is distributed in 32 countries.
Filippo Maria Bressan is an Italian conductor.
Jessica Pratt is an English-born Australian operatic soprano. Born in Bristol, she has lived in Australia since 1991 and is the daughter of a tenor. She began by studying the trumpet for ten years before concentrating her studies on singing.
Paolo Restani is an Italian classical pianist.
Riccardo Frizza is an Italian conductor, particularly known for his work in the Italian operatic repertoire. After making his professional conducting debut in 2001 with Rossini's Stabat Mater at the Rossini Opera Festival in Pesaro, he went on to conduct in the leading opera houses of Europe and the United States, including La Scala, La Fenice. the Paris Opera, and New York's Metropolitan Opera.
Ugo Benelli is an Italian operatic tenor. Born in Genoa and trained at La Scala, Benelli had an international career singing leading tenore di grazia roles from the early 1960s through the 1980s. In his later years he sang character roles and began a career as a singing teacher. He retired from the stage in 2004.
Michele Mariotti, born in 1979 in Urbino, near Pesaro, is an Italian conductor, the direttore musicale since 2014 of Teatro Comunale di Bologna. A graduate in composition of Pesaro's Conservatorio Rossini, where he also studied orchestral conducting, he made his professional opera debut with Il barbiere di Siviglia in Salerno on Oct. 12, 2005. As of April 2017, his repertory included nine Rossini and eight Verdi operas, an extraordinary achievement, as well as symphonies of Beethoven, Bruckner and Schubert, the Rossini Stabat mater, the Mozart Requiem and the Verdi Requiem.
Nicola De Giosa was an Italian composer and conductor active in Naples. He composed numerous operas, the most successful of which, Don Checco and Napoli di carnevale, were in the Neapolitan opera buffa genre. His other works included sacred music and art songs. His songs were particularly popular, bringing him fame as a salon composer both in Italy and abroad. De Giosa died in Bari, the city of his birth, at the age of 66.
Alvise Casellati is an Italian conductor.
| General | |
|---|---|
| National libraries | |
