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Francis Bernard (born 1928 in Paris) is a painter, a multimedia artist and the author of textimages.
In 1974, Francis Bernard exhibits work at the Swedish Cultural Center in Paris: a polychromatic sculpture on the occasion of an exhibition of works from the Salvador Allende Museum, Santiago, Chile. [1]
A few years later, Francis Bernard undertakes a graphic transcription of « AMERICA » a poem by Michèle Lalonde from Quebec. Presented as billboards, this work will be shown in Montreal, as well as in the Luxembourg museum in Paris in December 1980. [1]
In 1981, Francis Bernard creates a graphic series based on the character Père Duchesne. This will be shown for two months at the Centre Pompidou. [2] The series is a collection of 150 drawings and paintings and constitutes the « Théâtre pictural du Père Duchesne ». It is inspired by the Jean-Pierre Faye play, Les dernières journées du père Duchesne, which uses historical material from the revolutionary newspaper« Le Père Duchesne ». Twenty two panels of this series are also presented at the French-Italian Cultural Center, during the biennial Venice carnival on the theme "The masks of Marat".
In 1984, in the hall of the Criée Theater in Marseille, Bernard exhibits a series of images painted on the theme of the French revolution in the style of the Épinal print.
Francis Bernard has also widely exhibited elsewhere: Cultural center, Nanterre; École normale supérieure, Cachan; La Rochelle; Bruxelles; Montréal....).
In parallel to the graphic series on Père Duchesne, Francis Bernard also creates a graphic video. Filmed in 1981 in the video studio of Beaubourg, it will be shown during the biennial Venice carnival and in the large hall of the Centre Pompidou.
In Venice he makes the cartoon movie « Les Pupi Siciliennes ». The characters are wooden puppets who tell the story of Charlemagne upon his return from the Crusades. The musical score for the film is composed by Enzo d’Alò director of the studio La Lanterna Magica. In 1979, with Enzo D’Alò Bernard makes the film « Pupinocchio » in the studio La lanterna Magica, Turin. This is a graphic fantasy combining the characters of Pinocchio and the Pupi siciliennes. [3]
Francis Bernard is also author of the play entitled « Attentat à la peinture » first performed in Bruxelles in the Halles de Schaerbeek and then in Turin, Gênes and Milan. Parts of the play were also performed in the Théâtre du Rond-Point in Paris which Jean-Louis Barrault and Madeleine Renaud were the directors-organizers. Ahmed Ben Diab, visual artist and musician composed the score. [1]
In 1980, Francis Bernard illustrated books by Michèle Lalonde that were published for a celebration of the 14th of July organised by the town of La Rochelle. These included Métaphore pour un nouveau monde. [4]
In 1986, Francis Bernard illustrated a Moroccan tale, entitled La Négresse Lune in collaboration with Bénédicte Vilgrain. The full-page compositions are in black and in color. [5] In the same year, he illustrated several texts of poetry including « Narration du déluge » written by Abdellatif Laâbi and published by Arcantère (1986). [6] The illustrations were also exhibited at the Castel of Fougères.
Bernard also contributed to the review CHANGE founded and animated by Jean-Pierre Faye who operated the typesetting of the review published by Robert Laffont. [7]
Between 1983-1987, Francis Bernard typeset the cover of several works from the series « Théorie pratique pédagogie » published by Pratiques. Since 2009, he has produced the dummies of books published by Jean-François Chanlat, professor at the University Paris Dauphine for the éditions of Montréal.
Alexandre Dumas, 24 July 1802 – 5 December 1870), also known as Alexandre Dumas père, was a French novelist and playwright.
The Musée National d'Art Moderne is the national museum for modern art of France. It is located in Paris and is housed in the Centre Pompidou in the 4th arrondissement of the city. In 2021 it ranked 10th in the list of most visited art museums in the world, with 1,501,040 visitors. It is one of the largest museums for modern and contemporary art.
Jean-Claude Villeminot, better known as Jean-Claude Pascal, was a French comedian, actor, singer and writer.
Michel Saloff Coste is an artist and professor at the École des Hautes Études Commerciales, and co-founder of the Club of Budapest France, an international non-profit organisation dedicated to leading citizens into discussing complex global issues.
Abraham Serfaty was an internationally prominent Moroccan Marxist-Leninist dissident, militant, and political activist, who was imprisoned for years by King Hassan II of Morocco, for his political actions in favor of democracy, during the Years of Lead. He paid a high price for such actions: fifteen months living underground, seventeen years of imprisonment and eight years of exile. He returned to Morocco in September 1999.
Mahi Binebine is a Moroccan painter and novelist born in Marrakech in 1959. Binebine has written six novels which have been translated into various languages.
Thomas-Alexandre Dumas Davy de la Pailleterie was a Creole general, from the French colony of Saint-Domingue, in Revolutionary France.
Michèle Lalonde was a Canadian dramatist, essayist, playwright and poet for print and radio. She began her career as a writer and publisher while studying for a Bachelor of Arts degree at the Université de Montréal. Throughout her career, Lalonde worked at the editorial boards of the magazine Situations, the journal Liberte and Maintenant. She authored historical plays and collections of poems and won the 1980 Prix Duvernay from the Saint-Jean-Baptiste Society. Lalonde was professor of the history of civilizations at the National Theatre School of Canada, served as president of both the Fédération internationale des écrivains de langue française and the Quebec Writers' Union, and was a member of the Order of Francophones of America. Her works from 1957 to 1977 are stored in the Montreal collection of the Bibliothèque et Archives nationales du Québec.
Jean-Michel Sanejouand was a French artist. His work ranged from environments to monumental sculptures, from readymade-like objects, to paintings of oneiric landscapes in which (usually) one of his sculptures stands.
The 17th César Awards ceremony, presented by the Académie des Arts et Techniques du Cinéma, honoured the best French films of 1991 and took place on 22 February 1992 at the Palais des Congrès in Paris. The ceremony was chaired by Michèle Morgan and hosted by Frédéric Mitterrand. Tous les matins du monde won the award for Best Film.
Mathurin Moreau was a French sculptor in the academic style.
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The Globes de Cristal Awards is a set of awards bestowed by members of the French Press Association recognizing excellence in home art and culture. The annual formal ceremony and dinner at which the awards are presented happens each February.
Marie-Cessette Dumas was a female slave in the French colony of Saint Domingue. She was the mother of General Thomas-Alexandre Dumas, the grandmother of novelist Alexandre Dumas, and the great-grandmother of playwright Alexandre Dumas, fils, and has been called a "great matriarch to a saga of distinguished men". She was a slave of African descent enslaved by the Marquis Alexandre Antoine Davy de La Pailleterie. They lived at a plantation called La Guinaudée near Jéré
The Prix France-Québec is a Canadian literary award, presented to a Canadian French language writer who has published work in either Canada or France.
Élisabeth Lebovici (born 1953) is a French art historian, journalist, and art critic.
Jean-Paul Cointet is a French historian. He is Professor emeritus of 20th century history at the University of Picardie Jules Verne in Amiens, and he serves on the board of the Institut Georges Pompidou. He was the recipient of two prizes from the Académie française: the Prix d’Académie in 1999, and the Prix Thiers for Hippolyte Taine : Un regard sur la France in 2012.
Le Temps des cerises is a French publishing house founded in 1993 by 33 writers.
Thierry Chaput was a design theorist and curator. He realised several major exhibition projects for the Cité des Sciences et de l'Industrie, and for the Centre de Création Industrielle at the Centre Georges Pompidou in Paris, incl. the exhibition Les Immatériaux (1985) which Chaput co-curated with Jean-François Lyotard.
Serge Charchoune or Sergey Sharshun was a Russian painter and the first Russian Dada poet. Born August 4, 1888, in Buguruslan, Russia, Charchoune lived most of his life in France where he died in Villeneuve-Saint-Georges on November 24, 1975.