Madeline Charlotte Moorman was an American cellist, performance artist, and advocate for avant-garde music. Referred to as the "Jeanne d'Arc of new music", she was the founder of the Annual Avant Garde Festival of New York and a frequent collaborator with Korean American artist Nam June Paik.
The Walker Art Center is a multidisciplinary contemporary art center in the Lowry Hill neighborhood of Minneapolis, Minnesota, United States. The Walker is one of the most-visited modern and contemporary art museums in the U.S.: together with the adjacent Minneapolis Sculpture Garden and the Cowles Conservatory, it has an annual attendance of around 700,000 visitors. The museum's permanent collection includes over 13,000 modern and contemporary art pieces, including books, costumes, drawings, media works, paintings, photography, prints, and sculpture.
Lowery Stokes Sims is an American art historian and curator of modern and contemporary art known for her expertise in the work of African, African American, Latinx, Native and Asian American artists such as Wifredo Lam, Fritz Scholder, Romare Bearden, Joyce J. Scott and others. She served on the curatorial staff of the Metropolitan Museum of Art, the Studio Museum in Harlem, and the Museum of Arts and Design. She has frequently served as a guest curator, lectured internationally and published extensively, and has received many public appointments. Sims was featured in the 2010 documentary film !Women Art Revolution.
Michael Smith is an American artist known for his performance, video and installation works. He emerged in the mid-1970s at a time when performance and narrative-based art was beginning to claim space in contemporary art. Included among the Pictures Generation artists, he also appropriated pop culture, using television conventions rather than tropes from static media. Since 1979, much of Smith's work has centered on an Everyman character, "Mike," that he has portrayed in various domestic, entrepreneurial and artistic endeavors. Writers have described his videos and immersive installations as "poker-faced parodies" that sit on the edge between art and entertainment, examining ideas, cultural shifts and absurdities involving the American dream, consumerism, the art world, and aging. Village Voice critic Jerry Saltz called Smith "a consummate explorer of the land of the loser … limning a fine line between reality and satire [in] a genre sometimes called installation verité."
Judy Dunaway is a conceptual sound artist, avant-garde composer, free improvisor and creator of sound installations who is primarily known for her sound works for latex balloons. Since 1990 she has created over thirty works for balloons as sound conduits and has also made this her main instrument for improvisation.
An alternative exhibition space is a space other than a traditional commercial venue used for the public exhibition of artwork. Often comprising a place converted from another use, such as a store front, warehouse, or factory loft, it is then made into a display or performance space for use by an individual or group of artists. According to art advisor Allan Schwartzman "alternative spaces were the center of American artistic life in the '70s."
The American Federation of Arts (AFA) is a nonprofit organization that creates art exhibitions for presentation in museums around the world, publishes exhibition catalogues, and develops education programs. The organization’s founding in 1909 was endorsed by Theodore Roosevelt and spearheaded by Secretary of State Elihu Root and eminent art patrons and artists of the day. The AFA’s mission is to enrich the public’s experience and understanding of the visual arts, and this is accomplished through its exhibitions, catalogues, and public programs. To date, the AFA has organized or circulated approximately 3,000 exhibitions that have been viewed by more than 10 million people in museums in every state, as well as in Canada, Latin America, Europe, Asia, and Africa.
The Marinko Sudac Collection, based in Zagreb, Croatia, has been created with a clear collecting strategy based on the region of Central and Eastern Europe, additionally spanning from the Baltic area to the Black Sea. The guiding principle of the Collection is systematic exploration, researching, and promotion of the avant-garde practices which have been marginalized, forbidden, and at times completely negated due to the historical, social and political circumstances. In this context, the Marinko Sudac Collection gives the most complete and comprehensive overview on the art of this region. The Collection starts at 1909, and it show the continuity from the first Avant-Gardes, through neo-avant-garde and New Artistic Practices, ending with the fall of the Berlin Wall. The global uniqueness of the Marinko Sudac Collection is also seen in the kind of media it contains. It contains not only traditional artworks, such as paintings, sculptures, and photographs, but it gives equal importance to documentary and archival material. Great importance is put on these almost forgotten media, which enable research of specific phenomena, artists and the socio-political situation which affected this type of art. The Collection contains a great number of museological units, and it treats the documentary and archival material on the same level as traditional artworks. By examining the units contained in the Marinko Sudac Collection, one can read not only the art scene or the art production of a certain artist, but the full status of the society, the socio-political atmosphere of the region in which this art was created in.
Jean Shin is an American artist living in Brooklyn, NY. She is known for creating elaborate sculptures and site-specific installations using accumulated cast-off materials.
Jaime Davidovich was an Argentine-American conceptual artist and television-art pioneer. His innovative artworks and art-making activities produced several distinct professional reputations including painter, installation artist, video artist, Public-access television cable TV producer, activist, and non-profit organizer. He is the creator of legendary downtown Manhattan cable television program The Live! Show (1979–1984). Billed as "the variety show of the avant-garde", The Live! Show was an eclectic half-hour of live, interactive artistic entertainment inspired by the Dada performance club Cabaret Voltaire and the anarchic humor of American television comedian Ernie Kovacs.
Artpool Art Research Center is an archive, research space, specialist and media library in Budapest, Hungary, dedicated to international contemporary and avant-garde arts, such as Artist's books, artistamp, mail art, visual poetry, sound poetry, conceptual art, fluxus, installation, performance.
Martha Wilson is an American feminist performance artist and the founding director of Franklin Furnace Archive art organization. Over the past four decades she has developed and "created innovative photographic and video works that explore her female subjectivity through role-playing, costume transformation, and 'invasions' of other peoples personas". She is a recipient of two National Endowment for the Arts fellowships, a New York Foundation for the Arts fellowship, and an Obie Award and a Bessie Award for commitment to artists’ freedom of expression. She is represented by P•P•O•W gallery in New York City.
Arleen Schloss is an American performance artist, video/film artist, sound poet, director and curator of the lower Manhattan art, video, performance art and music scenes. Schloss began through A's – an interdisciplinary loft space that became a hub for music, exhibitions, performance art, films and videos. In the 1990s A's became A's Wave where website works and other forms of digital media were shown.
Rabih Mroué is a Lebanese stage and film actor, playwright, and visual artist. Rooted in theater, his work includes videos and installation art; the latter sometimes incorporates photography, text and sculpture.
Nina Kuo is a Chinese American painter, photographer, sculptor, author, video artist and activist who lives and works in New York City. Her work examines the role of women, feminism and identity in Asian-American art. Kuo has worked in partnership with the artist Lorin Roser.
Miriam Schaer is an American artist who creates artists' books, and installations, prints, collage, photography, and video in relation to artists' books. She also is a teacher of the subject.
Pablo Helguera is an artist, performer, author, and educator. From 2007 to 2020 he was director of adult and academic programs at the Museum of Modern Art in New York City. He currently is an assistant professor at the college of performing arts at the New School.
Jikken Kōbō was one of the first avant-garde artist collectives active in postwar Japan. It was founded in Tokyo in 1951 by a group of artists working in various media. Until its disbandment in 1957, a total of fourteen members participated in the group. Members were typically in their twenties and hailed from different backgrounds – the group included not just visual artists and musicians, but also a printmaker, a lighting designer, an engineer, and others. The art critic Shūzō Takiguchi was the key mentor and promoter of the group.
Cristos Gianakos is an American postminimalist artist known for his large-scale ramp sculptures and installations. He lives and works in New York, where he has been teaching at the School of Visual Arts since 1963.
