Pomassl improvises using all manner of homebuilt analog electronic equipment, often inserting or connecting patch cables with parts of his body to introduce a deliberate and violent noise character into dancefloor rhythms.[2]
In addition to being notable for absurd, violent, dadaist performances that satirize the artificial interaction between player and electronic instrument, he also creates custom instrumentation to examine the edges of human-perceptible audio[3] and uses these tools to "elaborate and process radical moments", such as aircraft blackbox data collected from crash sites.[4]
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