Clifford Joseph Price MBE, better known as Goldie, is an English music producer and DJ.
The Institute of Contemporary Arts (ICA) is an artistic and cultural centre on The Mall in London, just off Trafalgar Square. Located within Nash House, part of Carlton House Terrace, near the Duke of York Steps and Admiralty Arch, the ICA contains galleries, a theatre, two cinemas, a bookshop and a bar.
The Wire is a British music magazine publishing out of London, which has been issued monthly in print since 1982. Its website launched in 1997, and an online archive of its entire back catalog became available to subscribers in 2013. Since 1985, the magazine's annual year-in-review issue, Rewind, has named an album or release of the year based on critics' ballots.
Afrofuturism is a cultural aesthetic, philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences. While Afrofuturism is most commonly associated with science fiction, it can also encompass other speculative genres such as fantasy, alternate history and magic realism. The term was coined by American cultural critic Mark Dery in 1993 and explored in the late 1990s through conversations led by Alondra Nelson.
The United States of Africa is a concept of a federation of some or all of the 54 sovereign states and two disputed states on the continent of Africa. The concept takes its origin from Marcus Garvey's 1924 poem "Hail, United States of Africa".
Drexciya was an American electronic music duo from Detroit, Michigan, consisting of James Stinson (1969–2002) and Gerald Donald.
Revolution Dub is a studio album by Jamaican dub producer Lee Perry and his studio band The Upsetters, released in 1975 by Cactus. The album, which features nine pared down dubs, was the last in a line of releases that year in which Perry began exploring the possible studio techniques at his recently opened studio Black Ark in Kingston, Jamaica. In addition to making early use of a drum machine, the album is characterised by unpredictable drops in the beat, drastic stereo panning and samples of dialogue from television series, particularly British sitcoms, while Perry sings on the album in an eccentric falsetto and portrays different personas, including television characters from Kojak and Doctor on the Go.
Ekow Eshun is a British writer, journalist, broadcaster, and curator.
Sound studies is an interdisciplinary field that to date has focused largely on the emergence of the concept of "sound" in Western modernity, with an emphasis on the development of sound reproduction technologies. The field first emerged in venues like the journal Social Studies of Science by scholars working in science and technology studies and communication studies; it has however greatly expanded and now includes a broad array of scholars working in music, anthropology, sound art, deaf studies, architecture, and many other fields besides. Important studies have focused on the idea of a "soundscape", architectural acoustics, nature sounds, the history of aurality in Western philosophy and nineteenth-century Colombia, Islamic approaches to listening, the voice, studies of deafness, loudness, and related topics. A foundational text is Jonathan Sterne's 2003 book "The Audible Past", though the field has retroactively taken as foundational two texts, Jacques Attali's Noise: The Political Economy of Music (1985) and R. Murray Schafer's The Tuning of the World (1977).
The Last Angel of History is a 45-minute documentary, directed in 1996 by John Akomfrah and written and researched by Edward George of the Black Audio Film Collective, that deals with concepts of Afrofuturism as a metaphor for the displacement of black culture and roots. The film is a hybrid documentary and fictional narrative. Documentary segments include traditional talking-head clips from musicians, writers, and social critics, as well as archival video footage and photographs. Described as "A truly masterful film essay about Black aesthetics that traces the deployments of science fiction within pan-African culture", it has also been called "one of the most influential video-essays of the 1990s, influencing filmmakers and inspiring conferences, novels and exhibitions".
Black science fiction or black speculative fiction is an umbrella term that covers a variety of activities within the science fiction, fantasy, and horror genres where people of the African diaspora take part or are depicted. Some of its defining characteristics include a critique of the social structures leading to black oppression paired with an investment in social change. Black science fiction is "fed by technology but not led by it." This means that black science fiction often explores with human engagement with technology instead of technology as an innate good.
Cauleen Smith is an American born filmmaker and multimedia artist. She is best known for her feature film Drylongso and her experimental works that address the African-American identity, specifically the issues facing black women today. Smith is currently a professor in the Department of Art at the University of California - Los Angeles.
Arts Catalyst is a visual arts organisation and charity based in Sheffield, UK. They commission artists and use art to explore social and environmental issues, provoke debate, and test out alternative ways of learning, frequently working in non-traditional arts spaces, often within a particular landscape.
Sampledelia is sample-based music that uses samplers or similar technology to expand upon the recording methods of 1960s psychedelia. Sampledelia features "disorienting, perception-warping" manipulations of audio samples or found sounds via techniques such as chopping, looping or stretching. Sampladelic techniques have been applied prominently in styles of electronic music and hip hop, such as trip hop, jungle, post-rock, and plunderphonics.
The Black Audio Film Collective (BAFC), founded in 1982 and active until 1998, comprised seven Black British and diaspora multimedia artists and film makers: John Akomfrah, Lina Gopaul, Avril Johnson, Reece Auguiste, Trevor Mathison, Edward George and Claire Joseph. Joseph left in 1985 and was replaced by David Lawson. The group initially came together as students at Portsmouth Polytechnic, and after graduation relocated to Hackney in east London.
Mark Fisher, also known under his blogging alias k-punk, was an English writer, music critic, political and cultural theorist, philosopher, and teacher based in the Department of Visual Cultures at Goldsmiths, University of London. He initially achieved acclaim for his blogging as k-punk in the early 2000s, and was known for his writing on radical politics, music, and popular culture.
Nettrice R. Gaskins is an African-American digital artist, academic, cultural critic and advocate of STEAM fields. In her work, she explores "techno-vernacular creativity" and Afrofuturism.
Hauntology is a music genre or a loosely defined stylistic feature that evokes cultural memory and aesthetics of the past. It developed in the 2000s primarily among British electronic musicians, and typically draws on British cultural sources from the 1940s to the 1970s, including library music, film and TV soundtracks, psychedelia, and public information films, often through the use of sampling.
The term Chicanafuturism was originated by scholar Catherine S. Ramírez which she introduced in Aztlán: A Journal of Chicano Studies in 2004. The term is a portmanteau of 'chicana' and 'futurism'. The word 'chicana' refers to a woman or girl of Mexican origin or descent. However, 'Chicana' itself serves as a chosen identity for many female Mexican Americans in the United States, to express self-determination and solidarity in a shared cultural, ethnic, and communal identity while openly rejecting assimilation. Ramírez created the concept of Chicanafuturism as a response to white androcentrism that she felt permeated science-fiction and American society. Chicanafuturism can be understood as part of a larger genre of Latino futurisms.
Africanfuturism is a cultural aesthetic and philosophy of science that centers on the fusion of African culture, history, mythology, point of view, with technology based in Africa and not limiting to the diaspora. It was coined by Nigerian American writer Nnedi Okorafor in 2019 in a blog post as a single word. Nnedi Okorafor defines Africanfuturism as a sub-category of science fiction that is "directly rooted in African culture, history, mythology and point-of-view..and...does not privilege or center the West," is centered with optimistic "visions in the future," and is written by "people of African descent" while rooted in the African continent. As such its center is African, often does extend upon the continent of Africa, and includes the Black diaspora, including fantasy that is set in the future, making a narrative "more science fiction than fantasy" and typically has mystical elements. It is different from Afrofuturism, which focuses mainly on the African diaspora, particularly the United States. Works of Africanfuturism include science fiction, fantasy, alternate history, horror and magic realism.
