1917 in film was a particularly fruitful year for the art form, and is often cited as one of the years in the decade which contributed to the medium the most, along with 1913. Secondarily the year saw a limited global embrace of narrative film-making and featured innovative techniques such as continuity cutting. Primarily, the year is an American landmark, as 1917 is the first year where the narrative and visual style is typified as "Classical Hollywood".
Hobart Van Zandt Bosworth was an American film actor, director, writer, and producer.
Joan the Woman is a 1916 American epic silent drama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc. The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on Friedrich Schiller's 1801 play Die Jungfrau von Orleans. This film was considered to be the "first cinematic spectacle about Joan of Arc."
The Little American is a 1917 American silent romantic war drama film directed by Cecil B. DeMille. The film stars Mary Pickford as an American woman who is in love with both a German soldier and a French soldier during World War I. A print of the film is housed at the UCLA Film and Television Archive and has been released on DVD.
The Devil-Stone is a 1917 American silent romance film directed by Cecil B. DeMille, co-written by his mother Beatrice deMille and Jeanie MacPherson, and starring Geraldine Farrar. The film had sequences filmed in the Handschiegl Color Process. Only two of six reels are known to survive, in the American Film Institute Collection at the Library of Congress. This was the last of Farrar's films for Paramount Pictures.
Great Expectations is a lost 1917 silent drama film directed by Robert G. Vignola and Paul West, based on the 1861 novel Great Expectations by Charles Dickens. Jack Pickford stars as Pip and Louise Huff as Estella.
The Eternal Three is a 1923 American silent drama film produced and distributed by Goldwyn Pictures. It was directed by both Marshall Neilan and Frank Urson. Hobart Bosworth, Claire Windsor, and Bessie Love star.
Mile-a-Minute Kendall is a lost American silent drama film directed by William Desmond Taylor originally released in 1918. Jack Pickford plays the title role, a wealthy, rakish young man who falls for a gold-digger. The "beautiful but unscrupulous fortune hunter" who tempts Kendall is played by Lottie Pickford, Jack's sister; a contemporary review in Variety noted that "the idea of a sister 'vamping' her own brother is not exactly palatable." Louise Huff plays the good girl in the story.
Seventeen is a lost 1916 American comedy silent film directed by Robert G. Vignola and written by Booth Tarkington and Harvey F. Thew. It is based on Tarkington's novel of the same name which was published earlier the same year. The film stars Louise Huff, Jack Pickford, Winifred Allen, Madge Evans, Walter Hiers, and Dick Lee. The film was released on November 2, 1916 by Paramount Pictures.
The Girl at Home is a 1917 American drama silent film directed by Marshall Neilan and written by Beulah Marie Dix and George Middleton. The film stars Vivian Martin, Jack Pickford, James Neill, Olga Grey, Edythe Chapman and William Elmer. The film was released on April 26, 1917, by Paramount Pictures.
Unconquered is a lost 1917 American drama silent film directed by Frank Reicher and written by Beatrice DeMille and Leighton Osmun. The film stars Fannie Ward, Jack Dean, Hobart Bosworth, Tully Marshall, Mabel Van Buren and Jane Wolfe. The film was released on May 31, 1917, by Paramount Pictures.
What Money Can't Buy is a 1917 American drama silent film directed by Lou Tellegen and starring Jack Pickford, Louise Huff, Theodore Roberts, Hobart Bosworth, Raymond Hatton and James Cruze. It was written by George Broadhurst and Beulah Marie Dix. The film was released on July 16, 1917, by Paramount Pictures.
The Varmint is a lost 1917 American comedy silent film directed by William Desmond Taylor, written by Gardner Hunting and Owen Johnson, and starring Jack Pickford, Louise Huff, Theodore Roberts, Henry Malvern, Ben Suslow and Milton Schumann. It was released on August 5, 1917, by Paramount Pictures.
The Ghost House is a 1917 American silent comedy film directed by William C. deMille and written by Beulah Marie Dix. The film stars Jack Pickford, Louise Huff, Olga Grey, James Neill, Eugene Pallette, and Horace B. Carpenter. The film was released on October 1, 1917, by Paramount Pictures. It is not known whether the film currently survives, which suggests that it is a lost film.
Jack and Jill is a 1917 American Western silent film directed by William Desmond Taylor and written by Gardner Hunting and Margaret Turnbull. The film stars Jack Pickford, Louise Huff, Leo Houck, Don Bailey, J.H. Holland, and Jack Hoxie. The film was released on November 12, 1917, by Paramount Pictures.
His Majesty, Bunker Bean is a 1918 American silent comedy film directed by William Desmond Taylor and written by Julia Crawford Ivers and Harry Leon Wilson. The film stars Jack Pickford, Louise Huff, Jack McDonald, Frances Clanton, Peggy O'Connell, and Edythe Chapman. The film was released by Paramount Pictures on April 8, 1918.
Sandy is a 1918 American silent drama film directed by George Melford, and written by Alice Hegan Rice and Edith Kennedy. The film stars Jack Pickford, Louise Huff, James Neill, Edythe Chapman, Julia Faye, and George Beranger. The film was released on July 14, 1918, by Paramount Pictures.
Ruggles of Red Gap is a 1923 American silent Western film directed by James Cruze and written by Anthony Coldeway and Walter Woods that was adapted from the novel by Harry Leon Wilson. The film stars Edward Everett Horton, Ernest Torrence, Lois Wilson, Fritzi Ridgeway, Charles Stanton Ogle, Louise Dresser, Anna Lehr, and William Austin. The film was released on October 7, 1923, by Paramount Pictures.
My Son is a 1925 American silent drama film directed by Edwin Carewe and starring Alla Nazimova. Carewe produced with First National who distributed the film.
The Strangers' Banquet is a 1922 American silent drama film directed by Marshall Neilan and starring Hobart Bosworth, Claire Windsor, and Rockliffe Fellowes. It is based on the 1919 novel of the same title by Brian Oswald Donn-Byrne.
