A Girl of the Limberlost, a novel by American writer and naturalist Gene Stratton-Porter, was published in August 1909. It is considered a classic of Indiana literature. It is the sequel to her earlier novel Freckles.
The story takes place in Indiana, in and around the Limberlost Swamp. Even at the time, this impressive wetland region was being reduced by heavy logging, natural oil extraction and drainage for agriculture. (The swamp and forestland eventually ceased to exist, though projects since the 1990s have begun to restore a small part of it.)
Patricia Raub (Senior Lecturer of American Studies at the University of Massachusetts Boston) notes that Stratton-Porter was "one of the most popular woman novelists of the era, who was known for her nature books and her editorials on McCall's 'Gene Stratton-Porter Page' as well as for her novels." Raub writes, "At the time of her death in 1924, more than ten million copies of her books had been sold – and four more books were published after her death."[1]
Plot summary
The novel is set in northeastern Indiana. Most of the action takes place either in or around the Limberlost, or in the nearby, fictional town of Onabasha.
The novel's main character, Elnora Comstock, is an impoverished young woman who lives with her widowed mother, Katharine Comstock, on the edge of the Limberlost. Elnora faces cold neglect by her mother, a woman who feels ruined by the death of her husband, Robert Comstock, who drowned in quicksand in the swamp. Katharine blames Elnora for his death, because her husband died while she gave birth to their daughter and could not come to his rescue.
The Comstocks make money by selling eggs and other farm products, but Mrs. Comstock refuses to cut down a single tree in the forest, or to delve for oil, as the neighbors around them are doing, even though the added income would make their lives easier.
Elnora as a high school student
Elnora is just beginning high school, where her unfashionable dresses add to her difficulty in blending in with the other students. She is determined to earn an education, which her mother derides as useless; Mrs. Comstock wants Elnora to remain at home and work as a drudge on their farm. Lack of money for tuition and books nearly derail her continued enrollment.
Her few comforts are the fact that she knows she can excel in school, especially in math and her study of nature; the kindness of her neighbours, Wesley and Margaret Sinton; that Freckles left her a valuable specimens box in the swamp; and that she succeeds in her enterprising scheme to gather and sell artifacts and moths from the Limberlost, which she can store in Freckles's box without her mother's knowledge. Elnora is smart and witty, and she loves the outdoors; her heart aches for returned love. She soon makes many friends at school.
Eventually Elnora wins her mother's love, but only after a few emotional disasters have stricken the Comstock women.
Firstly, after succeeding in high school for some years, she feels a yearning to play violin, as her father had done. Margaret Sinton is able to procure for her the very same violin that Robert Comstock used to play, and Elnora becomes proficient at it. She knows that her mother hates the violin, without knowing why, so she must conceal her proficiency.
Secondly, when Elnora is in her final year of high school, Wesley and Margaret insist that Katharine accompany them to the high school play. Katharine has no interest in seeing "what idiotic thing a pack of school children were doing."[2] But Katharine is curious about the high school; she enters it to deride it, then finds she admires it; when she hears a violin playing, she enters the school play and discovers Elnora playing "as only a peculiar chain of circumstances puts it in the power of a very few to play."[2] Upon seeing Elnora playing her dead husband's violin to an enthusiastic audience, and realizing that her world has changed irrevocably - "The swamp had sent back the soul of her loved dead and put it into the body of the daughter she resented, and it was almost more than she could endure and live"[2] - Katharine faints.
Thirdly, a few days later, Elnora believes her mother understands the necessity for her to graduate so that she can enter college or, at least, teach, either of which she would love to do. She instructs Katharine that she will need new dresses for Commencement and trusts her mother to supply them. Mrs. Comstock, always antagonistically honest, presents her with an old dress. Elnora considers this an unforgivable betrayal, a sign of her mother's disregard and lack of love for her. That night, Elnora must find a good dress elsewhere.
Fourthly, Elnora has always concealed from her mother the fact that she can earn money by selling moths. As she works through her final year of high school and hopes to go to college, she finds that there is a single moth she must collect, which will pay the way for her future. In the central conflict of the novel, Elnora sees her mother destroy that moth. When she protests, Mrs. Comstock slaps her. Elnora has always been patient, but now she screams that she hates her mother and rushes out. Mrs. Comstock, finally realizing how essential Elnora is to her stable home life, sets out that night to replace the moth. She worsens the situation, a result which Elnora hides from her, but when the Sintons discover that Mrs. Comstock hit Elnora, Margaret determines on an intervention. She tells Katharine that she has been mourning for a husband who was promiscuous and planning to cheat on her. With this news, Katharine understands how she has neglected a loving, talented daughter.
Elnora meets Philip Ammon
Elnora graduates and is now 19 years old. A young man, Philip Ammon, arrives in town. His uncle, a doctor, advised Philip to visit Onabasha to recuperate from typhoid fever. He stays with Elnora and her mother for a summer and helps Elnora gather moths. The two gradually fall in love; however, he is already engaged to another young woman, Edith Carr, who is wealthy, spoiled, and self-centered.
Elnora, to pretend that she is not beginning to fall for Philip, helps him to write letters to Edith Carr and in every way encourages his marriage to his childhood friend. When Philip, after daily, prolonged conversation and fieldwork discovers his romantic interest in Elnora is growing, Mrs. Comstock is the first to notice, but he assures her, "I admire her as I admire any perfect creation." Mrs. Comstock replies, "And nothing in all this world spoils the average girl so quickly and so surely."
Philip Ammon is forced to return to Chicago when his father is ill, and begs of Elnora a farewell kiss; she refuses him and returns to her mother, broken-hearted.
Philip and Edith have an argument at what was supposed to be their engagement party. Edith has heard Philip talk about a wonderful young lady he met in the Limberlost. She insults him terribly and calls their engagement off (not for the first time). Philip realizes he will never love Edith, leaves home, and proposes to Elnora. On the very afternoon that he gives Elnora an engagement ring, Edith drives up (accompanied by Hart, Polly, and Tom) to the Comstocks' home, in an uninvited visit.
When Edith demands to speak to Elnora privately and swears that Elnora will never take Philip from her, Elnora is cool and polite. After Edith and the group, including Philip, leave, Elnora secretly takes off, leaving a note behind showing nothing of her plans and giving Edith the chance to prove that Philip would marry no one else. Elnora travels to stay with the O'Mores (Freckles and the Angel).
Philip becomes ill with worry about Elnora. Edith's friend Hart sees Elnora with the O'Mores and convinces Edith to let him send word to Philip of Elnora's whereabouts. Hart persuades Edith to admit that she is wrong and that Philip will marry no one except Elnora.
The story ends happily with the joyful reunion, and Edith, determined to change her previously less than noble disposition, does something absolutely wonderful, uncharacteristic, and humble: She finds the moth that Elnora needs, carefully captures it, and brings it to her. In the denouement, it is implied that Edith will marry Hart, just as Philip will marry Elnora.
Characters
The central character of Stratton-Porter's previous novel, Freckles, is a man whose job it is to patrol and guard valuable timber trees in the Limberlost Swamp. Freckles appears in Girl of the Limberlost as a friend of Elnora. In the film Freckles is an owl.
This partial list of characters is taken from the novel, p. xiv.
Elnora, who collects moths to pay for her education, and lives the Golden Rule
Philip Ammon, who assists in moth hunting, and gains a new conception of love
Mrs. Comstock, who lost a delusion and found a treasure
Wesley Sinton, who always did his best
Margaret Sinton, who "mothers" Elnora
Billy, a boy from real life
Edith Carr, who discovers herself
Polly Ammon, who pays an old score
Tom Levering, engaged to Polly
Terence O'More, Freckles grown tall
The Bird Woman, a friend of Elnora (who stands in for Gene Stratton-Porter herself)
Character development
Five characters undergo rather harsh development of character: Katharine Comstock, Margaret Sinton, Philip Ammon, Edith Carr, and Elnora herself.
Elnora grows from an obedient, if faintly resentful, teenaged high school girl to a strong woman who is confident in her own abilities. She risks her much-hoped-for engagement to Philip Ammon, to give Edith Carr every chance to marry him.
Katharine Comstock has always belittled and neglected her daughter Elnora. At first, she seems a stock wicked mother, but soon proves to show a great sense of humor and a love of reading, especially the works of Mark Twain. She begins to change while Elnora changes, simply by maturing. Mrs. Comstock, always antagonistically honest, deceives Elnora about purchasing new dresses for Commencement; Elnora considers this an unforgivable betrayal, a sign of her mother's disregard and lack of love for her. That night, Elnora must find a good dress elsewhere. Mrs. Comstock attends the school ceremony, feels faint when she sees how all the other students are beautifully dressed, and begins to think about her own failings:
Mrs. Comstock was dumbfounded. ... Would Elnora lead the procession in a gingham dress? Or would she be absent and her chair vacant on this great occasion? For now, Mrs. Comstock could see that it was a great occasion. ... For the first time in her life, Mrs. Comstock began to study herself as she would appear to others.[3] Katharine Comstock undergoes, and suffers, a true change in character.
Margaret Sinton turns from a sweet, timid woman into a rightful avenger when she discovers that Mrs. Comstock struck Elnora in the face; the Sintons have lost two small girls to disease, and they treat Elnora as another child, or at least as a niece. Maggie Sinton furiously tells Mrs. Comstock what Katharine has never wanted to know: that her husband, Robert Comstock, was preparing to cheat on her the night that he died.
Philip Ammon has always assumed that he must marry his childhood sweetheart, Edith Carr. After meeting Elnora, he realizes that there are many forms of love, and that he has never asked what he might want in a marriage for himself.
Edith Carr has always assumed that she will marry her childhood sweetheart, Philip, but she loves to tease him and make him jealous. She knows that she is much beloved by a strong man, Hart Henderson, but she enjoys jeering at his love for her. In the end, she confesses that Elnora is a stronger and more lovable woman than she herself is, and decides that she will stay with Hart.
Reception
Widely read and popular, the novel brought fame to Stratton-Porter. The full text of the book is available online in many places, such as at ClassicReader.com. The New York Times called the novel "eminent."[4]
Patricia Raub, in a survey of women in novels during that decade, said,
"Stratton-Porter established the pattern for her heroines with her depiction of Elnora Comstock in A Girl of the Limberlost, published in 1909, and the characterization of her protagonists remained virtually unchanged thereafter. Wholesome, sensible, and beautiful, Elnora is also compassionable, self-reliant, and intelligent: 'There was no form of suffering with which the girl could not sympathize, no work she was afraid to attempt, no subject she had investigated she did not understand.' When the handsome young hero arrives on the scene, he is immediately captivated by Elnora, even though he is already claimed by a physically attractive but selfish society girl. Elnora's virtue wins her the hero. Association with Elnora prompts the society girl to reform: she vows to be more like Elnora in the future."[1]
Another reviewer wrote that
"this book's heroine is a refreshing example of a young woman whose real attractiveness lies with her courage and intelligence, especially in the face of suffering, while she still has a healthy concern about how she is 'carpentered.' She also embraces a deep love for God's creation without being a rabid environmentalist. ... Elnora's only affection is from a neighboring couple who have no children of their own. In this cold atmosphere, Elnora blossoms into a rare jewel of a person; rather than becoming embittered like her mother, she returns love for her mother's negligence and shows remarkable resourcefulness in meeting the challenges of pursuing her dreams while trying to remeain [sic] faithful to her mother's commands. ... Elnora is remarkably patient and loving while undergoing difficult trials, but rather than being an unbelievable, sickeningly-sweet character, she exhibits temper, anguish and sometimes walks a fine line between being obedient to her mother and justifying hiding certain things from her."[5]
In an essay, Joan Aiken mentioned the description of Elnora's lunchbox as a good example of detail in writing.[6]
This section needs expansion. You can help by adding to it.(November 2017)
The novel was adapted several times for film, with versions released in 1924, 1934 and 1945. A 1990 made-for-TV version differed most from the original plot.
Gene Stratton-Porter, born Geneva Grace Stratton, was a Wabash County, Indiana, native who became a self-trained American author, nature photographer, and naturalist. In 1917 Stratton-Porter used her position and influence as a popular, well-known author to urge legislative support for the conservation of Limberlost Swamp and other wetlands in the state of Indiana. She was also a silent film-era producer who founded her own production company, Gene Stratton Porter Productions, in 1924.
The Limberlost Swamp in the eastern part of the present-day U.S. state of Indiana was a large, nationally known wetlands region with streams that flowed into the Wabash River. It originally covered 13,000 acres (53 km²) of present-day Adams and Jay counties. Parts of it were known as the Loblolly Marsh, based on a word by local Native Americans for the sulphur smell of the marsh gas. The wetlands had mixed vegetation and supported a rich biodiversity, significant for local and migrating birds and insects, as well as other animals and life.
Freckles is a 1904 novel written by the American writer and naturalist Gene Stratton-Porter. It is primarily set in the Limberlost Swamp area of Indiana, with brief scenes set in Chicago. The title character also appears briefly in Porter's A Girl of the Limberlost. The novel is marked by its frequent, detailed, and loving descriptions of the flora and fauna of the wilderness through the eyes of its innocent protagonist.
Eulalie Jensen was an American actress on the New York stage and in silent films.
Beatrice Burton (1894–1983), also known as Beatrice Burton Morgan, was a writer of popular fiction active in the early decades of the 20th century. Burton also had a short career as an actress and later became a newspaper editor with her husband, Victor Morgan.
Freckles is a 1960 American drama film directed by Andrew McLaglen. It stars Martin West and Carol Christensen. It was filmed in CinemaScope and DeLuxe Color, and is the fourth of five adaptations of Gene Stratton-Porter's 1904 novel of the same name.
Romance of the Limberlost is a 1938 American drama film directed by William Nigh and starring Jean Parker, Eric Linden, and Marjorie Main.
Keeper of the Bees is a 1935 American film directed by Christy Cabanne. The film depicts WWI veteran Jamie McFarland and his search for meaning in his last six months to live, and Molly Campbell, a young woman looking to save her sister's child from being left alone. It also features Emma Dunn as Margaret Campbell, Molly's charming mother and Edith Fellows as Jean-Marie "Little Scout", an adventurous young girl trying to fit in with her male friends.
Freckles Comes Home is a 1942 American film directed by Jean Yarbrough based on the novel by Jeannette Stratton-Porter that was a sequel to Freckles by her mother Gene Stratton-Porter.
Her First Romance is a 1940 American musical comedy film directed by Edward Dmytryk. based on Gene Stratton-Porter's novel Her Father's Daughter
RKO Radio Pictures's Laddie is a 1940 American drama film starring Tim Holt, Virginia Gilmore and Joan Carroll and directed by Jack Hively. It is the third film adaptation based on Gene Stratton-Porter's novel, Laddie, A True Blue Story (1913), and previously had been filmed in 1926 and by RKO in 1935.
The Gene Stratton-Porter Cabin, known as the Cabin at Wildflower Woods and the Gene Stratton-Porter State Historic Site, is the former home of Gene Stratton-Porter, a noted Indiana author, naturalist, and nature photographer. The two-story, fourteen-room cabin, which was built in 1914, is located at Sylvan Lake near Rome City in Noble County, Indiana. Stratton-Porter lived full-time in the cabin from 1914 through 1919, then relocated to homes in California, where she continued to write and founded a movie studio. She returned to Wildflower Woods in Rome City for brief visits until her death in 1924. The property was listed on the National Register of Historic Places in 1974.
Marie House Kohler is an American writer and playwright. She is a member of the Kohler family of Wisconsin.
Laddie is a 1935 American comedy-drama film directed by George Stevens from a screenplay by Ray Harris and Dorothy Yost, based on the 1913 novel, Laddie: A True Blue Story, by Gene Stratton-Porter. The film stars John Beal, Gloria Stuart, and Virginia Weidler.
Freckles is a 1935 American drama film directed by Edward Killy and William Hamilton from a screenplay written by Dorothy Yost, adapted by Mary Mayes from Gene Stratton-Porter's 1904 novel of the same name. Two earlier adaptations of Stratton-Porter's novel had been produced, the first by Paramount in 1917, and the second in 1928 by FBO, both were also titled Freckles. This 1935 version was released by RKO Radio Pictures on October 4, and stars Tom Brown, Virginia Weidler, and Carol Stone.
Gene Stratton-Porter Cabin, , known as the Limberlost Cabin and the Limberlost State Historic Site, was the former home of Gene Stratton Porter, a noted Indiana author who lived in the home from 1895 to 1913. The two-story, fourteen-room log cabin is located near the Limberlost Swamp on the outskirts of Geneva in Adams County, Indiana. Stratton-Porter designed the Queen Anne-style rustic home with the help of an architect. It was listed on the National Register of Historic Places in 1974.
The Girl of the Limberlost is a 1945 American drama film directed by Melchor Ferrer, which stars Ruth Nelson, Dorinda Clifton, and Loren Tindall. The film is based on the 1909 novel by Gene Stratton-Porter.
A Girl of the Limberlost is a 1934 American drama film, directed by Christy Cabanne. It stars Louise Dresser, Ralph Morgan and Marian Marsh, and was released on October 15, 1934. This is the second film adaption of Gene Stratton-Porter's 1909 novel of the same name. The first film adaptation had been released in 1924, and a third was released in 1945.
Laddie is a 1926 American drama film directed by James Leo Meehan with John Bowers in the title role. It was based on Gene Stratton-Porter's novel, Laddie, A True Blue Story (1913).
A Girl of the Limberlost is a 1924 American silent film, produced by Gene Stratton-Porter and directed by James Leo Meehan. It stars Gloria Grey, Emily Fitzroy, and Arthur Currier, and was released on April 28, 1924. The first adaptation of Stratton-Porter's famous novel, this silent film is considered lost.
References
1 2 Raub, Patricia (Spring 1994), "A New Woman or an Old-Fashioned Girl? The Portrayal of the Heroine in Popular Women's Novels of the Twenties", American Studies, Vol. 35, No. 1, pp.109–130, JSTOR40642587
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