Frederick Ward (born 1887) was an English-born actor and theatre manager in Australia. He founded Sydney's first repertory theatre.
Ward was born in London and educated at Surry [sic] College,[ where? ] followed by London University, graduating B.A. in 1907. He worked in London County Council architect's department for three years. He served as private secretary to C. Birch Crisp, a London financier, for a few years, accompanying him on his various travels. Next he was private secretary to Sir James Mills KCMG, managing director of the Union Steamship Line, [1] in which capacity Ward came to Sydney around 1912, and remained in Australia, taking whatever acting part he could land. [2] In England he had been a director of "The Connoisseurs", an English repertory company, a member of the Council of Amateur Dramatic Clubs, and editor of The Prompter, a magazine devoted to amateur theatre. [3] He had written several plays, including The Legacy which was produced in Manchester by Annie Horniman, and later in Germany. [1] He helped establish a repertory theatre in Dunedin, New Zealand, [3] but none of this helped gain a foothold in Australia. He took any on-stage work he could find, from an extra ("extra gentleman") with Lewis Waller's Company to a comedian's "patsy". He wrote a play and recruited a company to produce it, but could not find an "angel" to provide the necessary finance. [4]
He joined the Sydney Repertory Society, [5] which took over Federation Hall, Grosvenor Street, Sydney, to become Sydney Repertory Theatre, opened 31 May 1913.
In November 1913 he had a part in Carbasse and Welch's production of the melodrama The Warning at the Little Theatre. [6] to packed houses. He gained further public acceptance with Muriel Starr's drama company in its 1913–1915 Australian tour. He had only a minor roles, but one night he got to play "Raymond Floriot" in her 1914 production of Madame X , and won the part. [7]
In May 1914 Ward and G. Kay Souper [a] opened a Dramatic Academy, at Penzance Chambers, Elizabeth Street, Sydney. [9] Dubbed "the only bijou theatre in Sydney", [5] in May 1915 it became the clubrooms for the Arts and Dramatic Club, founded by Ward. [10]
Later in 1914 he joined Reynolds Denniston's Country Amusements Ltd touring company, [11] playing in Nobody's Daughter and The Rosary. [12]
Ward wrote a play, Little Sloe Eyes, which was performed at the Sydney Repertory Society's 1915 A.G.M. [13] His Little Theatre Company folded in April 1915, and his and Souper's acting academy re-emerged. [14] The Society staged Hindle Wakes at the Repertory Theatre in June. [15]
In March 1916 Ward leased the Little Theatre, where he first produced Julia Seton's polemical New Thought play, The Victory . [16] Pinero's The Second Mrs Tanqueray followed, starring Eily Malyon as Paula and Esther Mitchell as Ellean, to great acclaim. [17] Hindle Wakes , The Critic , and The New Sin followed, all critical successes but financial failures. [18]
In 1917 he directed, and played a comic part in, The Rajah of Shivapore for Sydney James [b] at the Playhouse. [20]
In 1922 he tried running poultry at Manor Farm, [21] Carlingford, [22] but he lost everything in the endeavour. [23]
For three years he edited Everyone's , a weekly devoted to the entertainment industry, and in 1927 acted as publicity manager for Eva Novak, who was making a picture The Romance of Runnibede in Queensland, then he accepted the position of publicity director for Cinema Art Films Limited, which had dealings with Hoyt's Theatres Limited. [5]
He was appointed resident manager in Adelaide [c] for Hoyt's Limited, and was director of publicity at the newly opened Regent Theatre, Adelaide. [24] During this period, 1928–1935, he was editor of The Regent magazine, another trade paper. [25]
In 1934 he was partner with John Longden in a company formed to film Highway Romance, [26]
He was producer for the Hordernian Society, an amateur theatre company associated with the Hordern emporium staff club. [27]
In 1937 he was engaged by Commonwealth Theatres Pty Ltd, as tour manager for their "Thirty Young Australians" revue. [28]
Ward married a New South Wales girl Beatrice Helene, surname not yet found, sometime before 1918. [2] Mrs Ward was an occasional producer of plays for charity, [29] and active in Adelaide's social scene 1928–1930. [30] While resident in Adelaide, Mrs Ward gave lessons in voice production and stage deportment. [31] Enigmatically described as "general necromancer, soothsayer, and eccentric dancer", she danced and sang in at least one production of Alfred Hill's The Rajah of Shivapore . [32]