The Second Mrs. Tanqueray is a problem play by Arthur Wing Pinero. It utilises the "Woman with a past" plot, popular in nineteenth century melodrama. The play was first produced in 1893 by the actor-manager George Alexander and despite causing some shock to his audiences by its scandalous subject it was a box-office success, and was revived in London and New York in many productions during the 20th century.
The English dramatist Arthur Wing Pinero had won fame as a writer of farces and other comedies, including The Magistrate (1885), Dandy Dick (1887) and The Cabinet Minister (1890). [1] Wishing to write about serious subjects, he wrote The Profligate (1889), in which past misdeeds come to haunt a seemingly respectable man. Pinero intended the central character to kill himself at the climax of the play, but the actor-manager John Hare persuaded him to tone down the ending to avoid alienating his respectable society audience. [2]
When his next such drama – The Second Mrs Tanqueray – came to be produced, Pinero remained firm: the play would, and did, end in tragedy. While he was planning it, several plays of Henrik Ibsen were presented in London for the first time, regarded by much of polite society as avant garde, blunt and shocking. [n 1] Seeing Ghosts led Pinero to reconsider his approach to playwriting, which now seemed old-fashioned by comparison. He was far from uncritical of Ibsen's plays, but recognised that if he was to be a serious dramatist he must treat social problems and human misconduct frankly. [3]
The Second Mrs Tanqueray centred on "a woman with a past". Hare thought it too shocking for his audience and declined to present it. George Alexander, the actor-manager running the St James's Theatre, to whom Pinero then offered the play, said, "Sorry, I daren't do it". [4] He had second thoughts, and accepted it. [4] It was presented at the St James's on 27 May 1893. [5] The cast was:
The piece was a box-office success and was still playing to full houses when Alexander, who disliked acting in long runs, closed the production in April 1894. [6]
The play opens with a late night dinner between the widower Mr Tanqueray and some of his longtime professional friends. All are upper class members of British society, and the friends are disturbed when they learn of the forthcoming second marriage of Tanqueray to a Mrs Paula Jarman, a woman with a "bad reputation".
As the play progresses we see the misery of the mismatched couple and their shared efforts to foster a bond between Tanqueray's young and impeccably proper daughter Ellean and her young unhappy stepmother. This is compromised when Mrs Tanqueray learns the identity of her stepdaughter's fiancé; he is the man who ruined her, years ago. She reveals her knowledge to her husband, who prevents the marriage and alienates his daughter. This spreads and husband and wife, father and daughter, step-parent and child are all angered and alienated. When the daughter learns the reasons behind her disappointment she is struck with pity and makes a speech about trying again with her stepmother, only to go to her and find her dead, evidently by suicide.
Madge Kendal and her husband W. H. Kendal took the play on tour in Britain, and then to Broadway where self-appointed guardians of morality condemned it, and audiences flocked to see it. [7] There were London revivals in 1895 at the St James's, 1901 at the Royalty Theatre, 1903 at the New Theatre, 1913 at the St James's and 1922 at the Playhouse Theatre. [8] Eleonora Duse appeared in an Italian adaptation in 1905, [9] and the play was given in English in Paris in 1907 at the Théâtre Sarah-Bernhardt. [10] The Internet Broadway Database records New York revivals in 1900, 1902, 1907, 1908, 1913 and 1924. [11] More recently, the play has been revived in the West End with Eileen Herlie in the title role in 1950, [12] and at the National Theatre in 1981, starring Felicity Kendal. [13]
The play was adapted for the cinema in 1916, with Alexander in his original role. [14] A later film version was released in 1952, with Pamela Brown as Paula and Hugh Sinclair as Tanqueray. [15] The BBC has broadcast several radio adaptations of the play, starring Margaret Rawlings and Nicholas Hannen (1940), Coral Browne, Malcolm Keen and Jack Buchanan (1944), Joyce Redman and André Morell (1951), Gladys Cooper and André Morell (1954), Margaret Robertson and Tony Britton (1967) and Michelle Newell and Gary Bond (1992). [16] A BBC television adaptation was broadcast in 1962, starring Elizabeth Sellars and Peter Williams. [16]
Sir Arthur Wing Pinero was an English playwright and, early in his career, actor.
Beatrice Rose StellaTanner, better known by her stage name Mrs Patrick Campbell or Mrs Pat, was an English stage actress, best known for appearing in plays by Shakespeare, Shaw and Barrie. She also toured the United States and appeared briefly in films.
The St James's Theatre was in King Street, St James's, London. It opened in 1835 and was demolished in 1957. The theatre was conceived by and built for a popular singer, John Braham; it lost money and after three seasons he retired. A succession of managements over the next forty years also failed to make it a commercial success, and the St James's acquired a reputation as an unlucky theatre. It was not until 1879–1888, under the management of the actors John Hare and Madge and W. H. Kendal that the theatre began to prosper.
Olga Isabella Nethersole, CBE, RRC was an English actress, theatre producer, and wartime nurse and health educator.
William Hunter Kendal was an English actor and theatre manager. He and his wife Madge starred at the Haymarket in Shakespearian revivals and the old English comedies beginning in the 1860s. In the 1870s, they starred in a series of "fairy comedies" by W. S. Gilbert and in many plays on the West End with the Bancrofts and others. In the 1880s, they starred at and jointly managed the St. James's Theatre. They then enjoyed a long touring career.
Sir George Alexander, born George Alexander Gibb Samson, was an English stage actor, theatre producer and theatre manager. After acting on stage as an amateur he turned professional in 1879 and, over the next eleven years, he gained experience with leading producers and actor-managers, including Tom Robertson, Henry Irving and Madge and W. H. Kendal.
Dame Madge Kendal, was an English actress of the Victorian and Edwardian eras, best known for her roles in Shakespeare and English comedies. Together with her husband, W. H. Kendal , she became an important theatre manager.
Sir John Hare, born John Joseph Fairs, was an English actor and theatre manager of the later 19th– and early 20th centuries.
Langdon Elwyn Mitchell was an American playwright popular on Broadway in the early twentieth century. He was the son of a noted writer and neurologist, S. Weir Mitchell, and the grandson of writer and physician John Kearsley Mitchell. Born in Philadelphia, he studied in Dresden and Paris, attended the Harvard and Columbia law schools, and was admitted to the New York bar in 1886. A member of the American Academy of Arts and Letters, he wrote plays under his own name and poetry under the pen name "John Philip Varley."
George Sutton Titheradge was an English actor.
Michael Rudman is an American theatre director.
Dandy Dick is a three-act farce by Arthur Wing Pinero, first performed in London in 1887. It depicts the complications arising when a respectable clergyman is persuaded to bet on a horse race to subsidise building works on his church. The play has been revived several times and has been adapted for the cinema, radio and television.
Winifred Emery, born Maud Isabel Emery, was an English actress and actor-manager of the late 19th and early 20th centuries. She was the wife of the actor Cyril Maude.
The Second Mrs Tanqueray is a 1952 British drama film directed by Dallas Bower and starring Pamela Brown, Hugh Sinclair and Ronald Ward. It is based on the 1893 play The Second Mrs Tanqueray by Sir Arthur Wing Pinero; and marked the film debut of Virginia McKenna.
The Second Mrs Tanqueray is a 1916 British silent film directed by Fred Paul and starring George Alexander, Hilda Moore and Norman Forbes. It is an adaptation of the 1893 play The Second Mrs Tanqueray by Arthur Wing Pinero.
Sweet Lavender is a play in three acts by Arthur Wing Pinero, first performed in 1888. The sentimental and gently humorous story concerns the romance of Lavender Rolt and Clement Hale, and the complications impeding the course of true love.
The Schoolmistress is a farce by Arthur Wing Pinero. It depicts the complications at a girls' boarding school when the headmistress is away, leaving her feckless husband in charge.
Winifred Fraser, née Day, was an English actress. After building a career in supporting roles in London and on tour from 1888 to 1910, she moved to the US, where she appeared in numerous Broadway productions in the 1910s and 1920s, before retiring to England.
John Clayton was an English actor. After building a career in a range of parts, he became best known for his roles in the farces of Arthur Wing Pinero. With Arthur Cecil he was joint manager of the Court Theatre in London from 1883 until his death, aged 43, while on tour in Liverpool.
Ethel Maude Millett was a British actress of the late 19th and early 20th centuries, known for her roles in drawing room comedies. She created roles in plays by Arthur Wing Pinero, Oscar Wilde and J. M. Barrie among others.
The play is referenced in Hilaire Belloc's 1907 poem, 'Matilda, who told lies and was burned to death'. 'It happened that a few Weeks later Her Aunt was off to the Theatre To see that Interesting Play The Second Mrs. Tanqueray. She had refused to take her Niece To hear this Entertaining Piece: A Deprivation Just and Wise To Punish her for Telling Lies.'
The Second Mrs Tanqueray public domain audiobook at LibriVox