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Free dance is a 20th-century dance form that preceded modern dance. Rebelling against the rigid constraints of classical ballet, Loie Fuller, Isadora Duncan and Ruth St. Denis (with her work in theater) developed their own styles of free dance and laid the foundations of American modern dance with their choreography and teaching. In Europe, Rudolf Laban, Emile Jaques-Dalcroze and François Delsarte developed their own theories of human movement and methods of instruction that led to the development of European modern and Expressionist dance.
Free dance was prolific in Central and Eastern Europe, where national schools were created, such as the School of Musical Movement (Heptachor), in Russia, and the Orkesztika School, in Hungary.
Josh Owings added much to the style of Free dance in North America. His style revolved around swift body movements combined with passionate facial expressions.
Another pioneer of the art was Andrew Saah. He created the "flying chinaman" move that introduced a distinct sect of Asian males to Free dance liberation movement.
Compared to other dance styles, free dance is regarded by artists, including Isadora Duncan, as a natural dance style.
Dance is an art form, consisting of sequences of body movements with aesthetic and often symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoire of movements or by its historical period or place of origin. Dance is typically performed with musical accompaniment, and sometimes with the dancer simultaneously using a musical instrument themselves.
Angela Isadora Duncan was an American-born dancer and choreographer, who was a pioneer of modern contemporary dance and performed to great acclaim throughout Europe and the United States. Born and raised in California, she lived and danced in Western Europe, the U.S., and Soviet Russia from the age of 22. She died when her scarf became entangled in the wheel and axle of the car in which she was travelling in Nice, France.
Choreography is the art or practice of designing sequences of movements of physical bodies in which motion or form or both are specified. Choreography may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography.
Modern dance in the United States is a form of contemporary dance that was developed in the United States in the 20th century. African American modern dance also developed a distinct style.
Isadora is a 1968 biographical drama film directed by Karel Reisz from a screenplay written by Melvyn Bragg, Margaret Drabble, and Clive Exton adapted from the books My Life by Isadora Duncan and Isadora, an Intimate Portrait by Sewell Stokes. The film follows the life of American pioneering modern contemporary dance artist and choreographer Isadora Duncan, who performed to great acclaim throughout the US and Europe during the 19th century. A co-production between the United Kingdom and France, it stars Vanessa Redgrave as Duncan and also features James Fox, Jason Robards, and John Fraser in supporting roles.
Hungary has made many contributions to the fields of folk, popular and classical music. Hungarian folk music is a prominent part of the national identity and continues to play a major part in Hungarian music. The Busójárás carnival in Mohács is a major folk music event in Hungary, formerly featuring the long-established and well-regarded Bogyiszló orchestra. Instruments traditionally used in Hungarian folk music include the citera, cimbalom, cobza, doromb, duda, kanászkürt, tárogató, tambura, tekero and ütőgardon. Traditional Hungarian music has been found to bear resemblances to the musical traditions of neighbouring Balkan countries and Central Asia.
Dance improvisation is the process of spontaneously creating movement. Development of movement material is facilitated through a variety of creative explorations including body mapping through levels, shape and dynamics schema.
Contemporary dance is a genre of dance performance that developed during the mid-twentieth century and has since grown to become one of the dominant genres for formally trained dancers throughout the world, with particularly strong popularity in the U.S. and Europe. Although originally informed by and borrowing from classical, modern, and jazz styles, it has come to incorporate elements from many styles of dance. According to the New Grove Musical Dictionary, contemporary dance evolved from the foundations of modern and postmodern dance, emphasizing innovation and a break from traditional forms. Due to its technical similarities, it is often perceived to be closely related to modern dance, ballet, and other classical concert dance styles. It is characterized by a blend of styles that often integrate elements of ballet, modern dance, and cultural or social dance forms.
Doris Batcheller Humphrey was an American dancer and choreographer of the early twentieth century. Along with her contemporaries Martha Graham and Katherine Dunham, Humphrey was one of the second generation modern dance pioneers who followed their forerunners – including Isadora Duncan, Ruth St. Denis, and Ted Shawn – in exploring the use of breath and developing techniques still taught today. As many of her works were annotated, Humphrey continues to be taught, studied and performed.
The United States of America is the home of the hip hop dance, swing, tap dance and its derivative Rock and Roll, and modern square dance and one of the major centers for modern dance. There is a variety of social dance and performance or concert dance forms with also a range of traditions of Native American dances.
Helen Tamiris was an American choreographer, modern dancer, and teacher.
Interpretive dance is a family of modern dance styles that began around 1900 with Isadora Duncan. It used classical concert music but marked a departure from traditional concert dance, as a rebellion against the strict rules of classical ballet. It seeks to translate human emotions, conditions, situations or fantasies into movement and dramatic expression, as opposed to following a specific dance style or telling a linear story. It may also adapt traditional ethnic movements into more modern expressions.
Abraham Walkowitz was a Russian–American painter who was among the first generation of American modernists. While not having attained the same level of fame as his contemporaries, Walkowitz' close relationship with the 291 Gallery and Alfred Stieglitz placed him at the center of the modernist movement. His early abstract cityscapes and collection of over 5,000 drawings of Isadora Duncan also remain significant art historical records.
Raymond Duncan was an American dancer, artist, poet, craftsman, and philosopher, and brother of dancer Isadora Duncan.
Modern dance is a broad genre of western concert or theatrical dance which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors.
The Isadorables were a group of six young girls, Anna Denzler, Maria-Theresa Kruger, Irma Erich-Grimme, Elizabeth Milker, Margot Jehl, and Erica Lohmann, who danced under the instruction of Isadora Duncan. Their "Isadorables" nickname was given to them by the French poet Fernand Divoire in 1909. They later used the Duncan last name to identify with Duncan dance. Irma falsely claimed, "This was done legally through the New York courts," even though no adoption ever took place.
Annabelle Gamson was an American dancer and choreographer. Although she worked in ballet, Gamson was particularly known for her work within modern dance. As a dancer, she drew particular acclaim for her interpretations of the works of Isadora Duncan, Mary Wigman, and Eleanor King.
Julia Levien was an American dancer, dance teacher, and choreographer. She was an expert on the dances of Isadora Duncan and taught Duncan's style of dance. She was a dance pupil of Isadora Duncan’s student Anna Denzler, who danced under the stage name Anna Duncan, and founded the Duncan Dance Guild in the 1950s and the Duncan Centenary Company in 1977. Levien died at the age of 94 at her home on Roosevelt Island. One of her pupils was dancer Annabelle Gamson.
Valéria Dienes was a Hungarian philosopher, dancer, dance instructor, choreographer and one of first Hungarian woman to graduate from university. She is widely considered to be one of the most important Hungarian theorists on movement. She was the recipient of Hungary's highest literary award, the Baumgarten Prize in 1934.
Elizabeth Duncan was an American dancer and dance teacher from California who spent much of her life in Germany and the Soviet Union. The elder sister of Isadora Duncan, she dedicated her life to improving dance education and honoring of her sister's legacy. Elizabeth Duncan operated Isadora Duncan's schools during the latter's life.