Leonard Peltier is a Native American activist and a member of the American Indian Movement (AIM) who, following a controversial trial, was convicted of two counts of first-degree murder in the deaths of two Federal Bureau of Investigation (FBI) agents in a June 26, 1975, shooting on the Pine Ridge Indian Reservation in South Dakota. He was sentenced to two consecutive terms of life imprisonment and has been imprisoned since 1977. Peltier became eligible for parole in 1993. As of 2022, Peltier is incarcerated at the United States Penitentiary, Coleman in Florida.
Rage Against the Machine was an American rock band from Los Angeles, California. Formed in 1991, the group consisted of vocalist Zack de la Rocha, bassist and backing vocalist Tim Commerford, guitarist Tom Morello, and drummer Brad Wilk. The band was known for melding heavy metal and rap music with punk rock and funk influences, as well as their left wing views. As of 2010, they have sold over 16 million records worldwide. The band was inducted into the Rock and Roll Hall of Fame in 2023.
A music video is a video that integrates a song or an album with imagery that is produced for promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings. These videos are typically shown on music television and on streaming video sites like YouTube, or more rarely shown theatrically. They can be commercially issued on home video, either as video albums or video singles. The format has been described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip", "video clip", or simply "video".
Audioslave was an American rock supergroup formed in Glendale, California, in 2001. The four-piece band consisted of Soundgarden's lead singer and rhythm guitarist Chris Cornell with Rage Against the Machine members Tom Morello, Tim Commerford, and Brad Wilk (drums). Critics first described Audioslave as a combination of Soundgarden and Rage Against the Machine, but by the band's second album, Out of Exile, it was noted that they had established a separate identity. Their unique sound was created by blending 1970s hard rock and 1990s alternative rock, with musical influences that included 1960s funk, soul and R&B. As with Rage Against the Machine, the band prided themselves on the fact that all sounds on their albums were produced using only guitars, bass, drums, and vocals, with emphasis on Cornell's wide vocal range and Morello's unconventional guitar solos.
Thomas Baptist Morello is an American guitarist, singer, songwriter, and political activist. He is best known for his tenure with the rock bands Rage Against the Machine and Audioslave. Between 2016 and 2019, Morello was a member of the supergroup Prophets of Rage. Morello was a touring musician with Bruce Springsteen and the E Street Band. Under the moniker the Nightwatchman Morello released his solo work. Together with Boots Riley, he formed Street Sweeper Social Club. Morello co-founded Axis of Justice, which airs a monthly program on Pacifica Radio station KPFK in Los Angeles.
Zacharias Manuel de la Rocha is an American musician, singer, songwriter, rapper, and political activist. He is best known as the vocalist and lyricist of the rock band Rage Against the Machine. Through both Rage Against the Machine and his activism, de la Rocha has spoken in opposition to corporate America, the military-industrial complex and government oppression.
Bradley Joseph Wilk is an American drummer. He is best known as a member of the rock bands Rage Against the Machine, Audioslave, and Prophets of Rage (2016–2019).
Rage Against the Machine is the official self-titled debut video release by American rock band Rage Against the Machine. The video was released in 1997 and includes footage from various performances as well as video clips.
"Killing in the Name" is a song by the American band Rage Against the Machine, and appears on their 1992 self-titled debut album. It features heavy drop-D guitar riffs and lyrics protesting police brutality inspired by the beating of Rodney King and the 1992 Los Angeles riots.
"Guerrilla Radio" is a song by American rock band Rage Against the Machine and the lead single from their 1999 album The Battle of Los Angeles. It became the band's only Billboard Hot 100 song, charting at #69. The band won the Grammy Award for Best Hard Rock Performance for this song. The song was featured in mountain biking film, “Strength in Numbers”. “Guerrilla Radio" was also featured on the soundtracks for video games such as Tony Hawk's Pro Skater 2, Madden NFL 10 and Guitar Hero Live, as well as being a downloadable track for the Rock Band series.
"Bulls on Parade" is a song by American rock band Rage Against the Machine. It is the second song from their second studio album, Evil Empire (1996). It was released as the album's first single to modern rock radio on February 9, 1996.
Annie Mae Aquash was a First Nations activist and Mi'kmaq tribal member from Nova Scotia, Canada. Aquash moved to Boston in the 1960s and joined other First Nations and Indigenous Americans focused on education and resistance, and police brutality against urban Indigenous peoples. She was part of the American Indian Movement, participated in several occupations, and participated in the 1973 Wounded Knee incident at the Pine Ridge Indian Reservation, United States.
The Nightwatchman is the solo project of American musician Tom Morello. Morello began performing as the Nightwatchman in 2003 as an outlet for his political views while he was playing apolitical music with Audioslave.
"People of the Sun" is the second single by American rock band Rage Against the Machine for their 1996 album Evil Empire. Written in 1992, the song is about the Zapatista revolution. Lead vocalist Zack de la Rocha wrote the song after a visit to Chiapas in southern Mexico. "People of the Sun" also has a music video. It was nominated for a Best Hard Rock Performance Grammy in 1998, but it lost to The Smashing Pumpkins' "The End Is the Beginning Is the End".
"Sleep Now in the Fire" is a song by American rock band Rage Against the Machine. It was released on November 4, 1999, as the second single from their third studio album, The Battle of Los Angeles (1999).
"Renegades of Funk" is a song written by Afrika Bambaataa, Arthur Baker, John Miller & John Robie and recorded by Afrika Bambaataa & Soulsonic Force. Released in 1983 as a single on the Tommy Boy label, it was also included on the 1986 album Planet Rock: The Album. The song is an eclectic fusion of electronic music and heavy percussion, with politically fused hip hop lyrics that draw a connection between past revolutionaries and bohemians to present-day street artists. It was produced and mixed by Arthur Baker and John Robie. Mastering was by Herb Powers Jr..
"Bombtrack" is a song by American rock band Rage Against the Machine. It is the opening track on their self-titled debut album.
"Testify" is a song by American rock band Rage Against the Machine. It is the opening track from their third album The Battle of Los Angeles (1999), and was released as the third single from the album.
"How I Could Just Kill a Man" is the debut single by hip hop group Cypress Hill from their eponymous debut album, Cypress Hill, and was their first major hit in 1991. It was released as a double A-side to "The Phuncky Feel One". The song was also in the movie Juice (1992). It was re-released in 1999 with Spanish lyrics and a new video. It is featured as the first track on their greatest hits compilation Greatest Hits from the Bong. It was voted number 79 in About.com's Top 100 Rap Songs.
The political views and activism of Rage Against the Machine (RATM) are central in the band's music and public image. Rage Against the Machine is an American rock band formed in Los Angeles in 1991. The band's line-up consists of vocalist Zack de la Rocha, bassist and backing vocalist Tim Commerford, guitarist Tom Morello and drummer Brad Wilk. Critics have noted Rage Against the Machine for its "fiercely political music, which brewed sloganeering left wing rants against corporate America, cultural imperialism, and government oppression into a Molotov cocktail of punk, hip-hop, and thrash."
