Frieda Fishbein | |
|---|---|
 Frieda Fishbein from 1933 newspaper | |
| Born | March 7, 1886 |
| Died | September 6, 1981 (aged 95) |
| Occupation(s) | Theatrical and literary agent |
Frieda Fishbein (March 7, 1886 - September 6, 1981) was a Romanian American theatrical, film, television and literary agent for writers including Elmer Rice, George S. Kaufman, Moss Hart, Jean-Paul Sartre, Jean Anouilh, [1] and Colleen McCullough.
Fishbein was born in Romania, the eldest daughter of Molly and Osias Fishbein. The family emigrated to the United States in 1901. She was educated in the New Orleans public school system, then spent the majority of her adult life in New York City, initially Manhattan, moving to Brooklyn in later life. [2]
Fishbein worked as a stenographer in New Orleans in 1903. [3] After moving to New York City, her first job was as a secretary in a movie company. [4] In 1910, she was again working as a stenographer. [5]
In 1929, Fishbein established the Frieda Fishbein Agency, a literary and theatrical agency, in New York City. In the same year, the playwright, director and producer Dore Schary described her as having "a stable of young writers, none of whom she could support, except with praise and enthusiasm." He credited Fishbein with helping to get him his first job in Hollywood as a "$100-a-week writer" [6] by introducing him to Harry Cohn, "the maharajah of Columbia [studio]". [7]
By 1932, she was on the advisory board of the New York Stage Society. [8] Her agency moved to the New Amsterdam Theatre in 1937. [9]
During an interview in 1946 she made the observation that many writers who had returned from the war had bought back partly completed plays. She believed the war had given them stamina and that they were sticking to their craft "more tenaciously". [10]
The following year, she made theatrical headlines across America by developing a new approach to selling shows. She would arrange for scripts to be acted out by semi-pros, filmed and the reel was submitted to prospective producers. [11] [12] According to an interview in 1954, she would receive "about ten plays a week". She would accept "about five a year, and would sell about 8-10 options a year." [13]
After Fishbein's death in 1981, her niece, Janice Fishbein, continued as the president of her agency. [14]
Fishbein represented the following writers and plays:
| Year | Playwright | Play | Notes | Ref. |
|---|---|---|---|---|
| 1925 | Spencer Brodney | Rebel Smith | [15] | |
| 1929 | Elmer Rice | Street Scene | Fishbein took the play on after it had been turned down by several Broadway producers; it went on to win the Pulitzer Prize for Drama | |
| 1929 | Elmer Rice | See Naples and Die | [16] | |
| 1929 | Wallace Thurman | Harlem | ||
| 1930 | Moss Hart | No Retreat | [17] | |
| 1930 | Moss Hart | Once In A Lifetime | Fishbein brought a lawsuit against Hart contending that she was entitled to a percentage of his royalties from plays produced by Sam Harris. The matter was settled out of court for an undisclosed sum. | [18] [19] |
| 1931 | I.J. Golden | Precedent | [20] | |
| 1934 | Jacques Deval | Prayer for the Living | [21] | |
| 1937 | Simon Gantillon and Harold Igo | Steel | [22] [23] | |
| Sidney Shields | Marriage A La King | [24] | ||
| Martin Cumberland | Climbing | [25] | ||
| Dr. Conrad K. Gale | Dr. Almighty | [26] | ||
| 1938 | Miss Trent Patterson | The Lady Must Eat | [27] | |
| Ralph Holmes | The Travelling Salesman and the Farmer's Daughter | [28] | ||
| Irving Ellman | Crime Doesn't Pay | [29] | ||
| Maria M. Coxe | If Ye Break Faith | [30] | ||
| 1939 | Pamela Burr | The Odd Man | [31] | |
| Wilson Starbuck | Sea Dogs | [32] | ||
| 1941 | Frederick Schlick | None But The Wounded Because I Am A Woman | [33] | |
| 1942 | E. Mawby Green and Edward Allen Feilbert | The House In Paris | [34] | |
| 1943 | Howard Buermann and Alfred Golden | Help Wanted – Female | [35] | |
| 1944 | George Taylor and George Savage | The Phoenix and the Dwarfs | [36] | |
| 1946 | Paul Bowles | The Respectful Prostitute | Translation of Sartre | |
| Paul Bowles | No Exit | Translation of Sartre | ||
| John E. Miller | The Search for Love | Fishbein also produced | [37] | |
| 1947 | Paul Bowles | The Flies | Adaptation of Sartre's play | [38] |
| 1949 | Madeline Davidson and Maurice Glucher | The Perfect Pattern | [39] | |
| Howard Bluerman and Alfred Golden | A Lovely Time | [40] | ||
| 1950 | John S. Gordan | For Each Man Kills | [41] | |
| 1951 | Jean-Paul Sartre | The Devil and God | [42] | |
| 1953 | John Sheffield | The Forgotten Land | [43] | |
| 1960 | Weldon Sheerer | California, Here I Come | [44] | |
Fishbein wrote at least one play herself, Pajama Tops, in 1963. [45]
She represented authors Peter Kenna, [46] Sherwood Anderson, [47] Katherine Hoskins, [48] Donald Burgett [49] and Alice White. [50]
Her biggest financial success came from representing Australian author Colleen McCullough. According to McCullough, she was making her sister a tuna fish casserole for her birthday and while looking through a list of agents she found Fishbein's name, which she took to be a sign. [51] McCullough's first novel Tim (1974) was followed by the global hit The Thorn Birds (1977), selling over 33 million copies. As a "multi-million dollar product", [52] Fishbein was able to retire on her share of the book. [53] [54]
Fishbein appears as a character in Act One , a musical by James Lapine, adapted from the autobiography by Moss Hart. Her role is described "A literary agent. Highly respected in the community, so whatever plays she recommended for production were read with promptness and great enthusiasm. A bit of a character, she's tough and realistic, but very supportive of her client, Moss." [55] The Teacher Resource Guide for the play adds Fishbein is "a highly respected literary agent who connects Hart with the producer Sam Harris, and his colleague, Max Siegel." [56]
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Once in a Lifetime is a play by Moss Hart and George S. Kaufman, the first of eight on which they collaborated in the 1930s.
First Lady is a 1935 play written by Katharine Dayton and George S. Kaufman. It is a three-act comedy, with three settings and a large cast. There are four scenes, which occur at monthly intervals starting with the December prior to a presidential election year. The story concerns a Washington, D.C. socialite who almost lets her rivalry with another social maven impede her husband's political future. The title is a play on the usual term accorded to a President's wife, suggesting it really belongs to the leading society hostess in the capitol.
Act One is a 1963 American film written and directed by Dore Schary, and starring George Hamilton. It is the film version of the 1959 autobiographical book Act One by playwright Moss Hart. A play based on the book premiered on Broadway in 2014.
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